| Photos (See all 34 | slideshow) | Videos (see all 5) |
| Ethan Hawke | ... | Jesse | |
| Julie Delpy | ... | Celine | |
| Vernon Dobtcheff | ... | Bookstore Manager | |
| Louise Lemoine Torres | ... | Journalist #1 | |
| Rodolphe Pauly | ... | Journalist #2 | |
| Mariane Plasteig | ... | Waitress | |
| Diabolo | ... | Philippe | |
| Denis Evrard | ... | Boat Attendant | |
| Albert Delpy | ... | Man at Grill | |
| Marie Pillet | ... | Woman in Courtyard |
Directed by | |||
| Richard Linklater | |||
Writing credits(WGA) | ||
| Richard Linklater | (screenplay) & | |
| Julie Delpy | (screenplay) & | |
| Ethan Hawke | (screenplay) | |
| Richard Linklater | (story) & | |
| Kim Krizan | (story) | |
| Richard Linklater | (characters) & | |
| Kim Krizan | (characters) | |
Produced by | |||
| Isabelle Coulet | .... | co-producer | |
| Richard Linklater | .... | producer | |
| John Sloss | .... | executive producer | |
| Anne Walker-McBay | .... | producer | |
Cinematography by | |||
| Lee Daniel | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Production Design by | |||
| Baptiste Glaymann | |||
Costume Design by | |||
| Thierry Delettre | |||
Makeup Department | |||
| Anne Bourdiol | .... | key hair stylist | |
| Anne Bourdiol | .... | key makeup artist | |
| Elisa Costa | .... | makeup artist: additional crew (as Elisa Costa Ellis) | |
| Terri Ewton | .... | press junket: key hair stylist | |
| Terri Ewton | .... | press junket: key makeup artist | |
Production Management | |||
| Jean-Marc Abbou | .... | unit production manager | |
| Sara Johnson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Roxane Andreani | .... | second assistant director | |
| Jerome Borenstein | .... | first assistant director | |
| Ariane Lacan | .... | third assistant director | |
Art Department | |||
| Mika Cotellon | .... | set dresser: additional crew | |
| Soasig Le Ruyet | .... | art department trainee | |
| Laid Liazid | .... | set dresser: additional crew | |
| Régis Mayot | .... | construction manager: additional crew (as Regis Mayot) | |
| Cyril Mignot | .... | set dresser | |
| Karine Bakala Pindoux | .... | painter: additional crew | |
| Frank Pitussi | .... | stand-by props | |
| Francois Poublan | .... | set dresser | |
| Gaelle Renard-Werner | .... | property buyer (as Gaele Renard Werner) | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Bernard Bats | .... | sound mixer | |
| Wayne Bell | .... | sound effects editor | |
| Larry Blake | .... | sound re-recording mixer | |
| Pierre-Yves Bruneel | .... | boom operator | |
| Ajae Clearway | .... | dialogue editor | |
| Matt Coby | .... | mix assistant: Swelltone | |
| Jay Gallagher | .... | mix assistant: Swelltone | |
| Tom Hammond | .... | sound re-recording mixer | |
| Tom Hammond | .... | supervising sound editor | |
| Justin Hennard | .... | foley editor | |
| Bobby Johanson | .... | adr mixer | |
| Jason Piatt | .... | foley mixer | |
| Matthieu Tartamella | .... | sound trainee | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| R.J. Harbour | .... | digital compositor | |
| Lori C. Miller | .... | digital compositor | |
Casting Department | |||
| Christophe Canavaggio | .... | casting assistant | |
| Annette Trumel | .... | casting: Paris | |
Costume and Wardrobe Department | |||
| Michel Louzon | .... | textile artist: additional crew | |
| Marie Trimouille | .... | set costumer | |
Editorial Department | |||
| Michelle Fairbanks | .... | editorial intern | |
| Mo Henry | .... | negative cutter | |
| Allegra Kolber | .... | editorial intern (as Allegra McCoy) | |
| David Orr | .... | color timer | |
| Nevie Owens | .... | assistant editor | |
Music Department | |||
| Igor Kipnis | .... | musician: piano for "Goldberg Variation, Nr. 25" | |
| Christopher S. Parker | .... | music clearances | |
| Randall Poster | .... | music consultant | |
Transportation Department | |||
| Mika Cotellon | .... | driver: additional crew | |
| Philippe Crepet | .... | transportation: trailers | |
| Johan Graslin | .... | transportation: trailers, additional crew | |
| Steven Lasson | .... | transportation: trailers, additional crew | |
| Laid Liazid | .... | driver: additional crew | |
| Philippe Mayer | .... | transportation: trailers | |
| Cyril Mignot | .... | driver | |
| Francois Poublan | .... | driver | |
Thanks | |||
| Carley Hodgkinson | .... | special thanks: Adbusters Magazine | |
| Sylvia Whitman | .... | special thanks: Shakespeare Bookstore | |
| Véronique Zimmer | .... | special thanks: ESEC (as Veronique Zimmer) | |
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| Before Sunrise | Persepolis | Kings & Queen | The Best of Youth | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
...is that it ends. This is a fantastic film. It joins the handful of movies where I think I liked the sequel even more than the original, although I liked 'Before Sunrise' as well. Where Sunrise captured the immediacy and urgency of perfect youthful love, Sunset reflects beautifully on the aftermath of that perfection. I remember a line that says "nothing that is complete breathes", and I think that is what we see in this film. A perfect connection with another human is a blessing and a curse; having experienced perfection a part of us stops breathing, unable or unwilling to mar the perfection of that memory.
The dialogue is amazing, the acting is spot-on; this is a great film. In some ways it felt more like reading a great novel than watching a movie, in that I really felt like I knew the characters and was sad the movie had to end. Kind of like saying goodbye to an old friend. If you are an action movie kind of person, skip this flick because it will bore you to tears. If, on the other hand, you like good dialogue, well formed characters, and aren't quite jaded enough to have given up completely on the idea of true love, don't miss this film.