| Photos (see all 33 | slideshow) | Videos (see all 8) |
| Ethan Hawke | ... | Jesse | |
| Julie Delpy | ... | Celine | |
| Vernon Dobtcheff | ... | Bookstore Manager | |
| Louise Lemoine Torres | ... | Journalist #1 | |
| Rodolphe Pauly | ... | Journalist #2 | |
| Mariane Plasteig | ... | Waitress | |
| Diabolo | ... | Philippe | |
| Denis Evrard | ... | Boat Attendant | |
| Albert Delpy | ... | Man at Grill | |
| Marie Pillet | ... | Woman in Courtyard |
Directed by | |||
| Richard Linklater | |||
Writing credits(WGA) | ||
| Richard Linklater | (screenplay) & | |
| Julie Delpy | (screenplay) & | |
| Ethan Hawke | (screenplay) | |
| Richard Linklater | (story) & | |
| Kim Krizan | (story) | |
| Richard Linklater | (characters) & | |
| Kim Krizan | (characters) | |
Produced by | |||
| Isabelle Coulet | .... | co-producer | |
| Richard Linklater | .... | producer | |
| John Sloss | .... | executive producer | |
| Anne Walker-McBay | .... | producer | |
Cinematography by | |||
| Lee Daniel | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Production Design by | |||
| Baptiste Glaymann | |||
Costume Design by | |||
| Thierry Delettre | |||
Makeup Department | |||
| Anne Bourdiol | .... | key hair stylist | |
| Anne Bourdiol | .... | key makeup artist | |
| Elisa Costa | .... | makeup artist: additional crew (as Elisa Costa Ellis) | |
| Terri Ewton | .... | press junket: key hair stylist | |
| Terri Ewton | .... | press junket: key makeup artist | |
Production Management | |||
| Jean-Marc Abbou | .... | unit production manager | |
| Sara Johnson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Roxane Andreani | .... | second assistant director | |
| Jerome Borenstein | .... | first assistant director | |
| Ariane Lacan | .... | third assistant director | |
Art Department | |||
| Mika Cotellon | .... | set dresser: additional crew | |
| Soasig Le Ruyet | .... | art department trainee | |
| Laid Liazid | .... | set dresser: additional crew | |
| Régis Mayot | .... | construction manager: additional crew (as Regis Mayot) | |
| Cyril Mignot | .... | set dresser | |
| Karine Bakala Pindoux | .... | painter: additional crew | |
| Frank Pitussi | .... | stand-by props | |
| Francois Poublan | .... | set dresser | |
| Gaelle Renard-Werner | .... | property buyer (as Gaele Renard Werner) | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Bernard Bats | .... | sound mixer | |
| Wayne Bell | .... | sound effects editor | |
| Larry Blake | .... | sound re-recording mixer | |
| Pierre-Yves Bruneel | .... | boom operator | |
| Ajae Clearway | .... | dialogue editor | |
| Matt Coby | .... | mix assistant: Swelltone | |
| Jay Gallagher | .... | mix assistant: Swelltone | |
| Tom Hammond | .... | sound re-recording mixer | |
| Tom Hammond | .... | supervising sound editor | |
| Justin Hennard | .... | foley editor | |
| Bobby Johanson | .... | adr mixer | |
| Jason Piatt | .... | foley mixer | |
| Matthieu Tartamella | .... | sound trainee | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| R.J. Harbour | .... | digital compositor | |
| Lori C. Miller | .... | digital compositor | |
Casting Department | |||
| Christophe Canavaggio | .... | casting assistant | |
| Annette Trumel | .... | casting: Paris | |
Costume and Wardrobe Department | |||
| Michel Louzon | .... | textile artist: additional crew | |
| Marie Trimouille | .... | set costumer | |
Editorial Department | |||
| Michelle Fairbanks | .... | editorial intern | |
| Mo Henry | .... | negative cutter | |
| Allegra Kolber | .... | editorial intern (as Allegra McCoy) | |
| David Orr | .... | color timer | |
| Nevie Owens | .... | assistant editor | |
Music Department | |||
| Igor Kipnis | .... | musician: piano for "Goldberg Variation, Nr. 25" | |
| Christopher S. Parker | .... | music clearances | |
| Randall Poster | .... | music consultant | |
Transportation Department | |||
| Mika Cotellon | .... | driver: additional crew | |
| Philippe Crepet | .... | transportation: trailers | |
| Johan Graslin | .... | transportation: trailers, additional crew | |
| Steven Lasson | .... | transportation: trailers, additional crew | |
| Laid Liazid | .... | driver: additional crew | |
| Philippe Mayer | .... | transportation: trailers | |
| Cyril Mignot | .... | driver | |
| Francois Poublan | .... | driver | |
Thanks | |||
| Carley Hodgkinson | .... | special thanks: Adbusters Magazine | |
| Sylvia Whitman | .... | special thanks: Shakespeare Bookstore | |
| Véronique Zimmer | .... | special thanks: ESEC (as Veronique Zimmer) | |
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| Before Sunrise | Edvard Munch | 8½ | Sunshine | My Own Private Idaho |
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Not a movie but life. Amazingly simple and deep! They were in love 9 years ago. Now when they've met again, there's a lot to remember and tell each other. Jess (Ethan Hawke) is already married and more he's a father and Celine's dating a guy she really loves who's fortunately out of town right now. At least this is what they tell each other. You see, some parts are really left to our imagination. Perhaps Celine's just trying to prove she's a strong girl to live without Jess saying she has had many lovers after him and each of them after getting married said "thank you" to her for "teaching love" as she says. Perhaps Jess lies either about kids but his marriage and Julie's new love are probably true. The question is could they refuse all that for each other. And here imagination's again switched on how can they be sure they really should do it. I mean 9 years is a long term, taking into account they didn't really get known each other in the past. Depends on what you'd like everything to turn out. From the very beginning we don't even hope they'll do anything but cup of coffee together because Jess usually watches the time not to miss the plane. At first they behave just like friends, realize very soon what they really need from each other and later regret they couldn't get in touch all that time. In the end we're almost sure they'll make love at least, but for a movie without a single kiss-scene it'll be over before the culmination starts. The ending is specific like the whole movie and everything in it. It's a movie about the human being you're married with is not necessarily to be the one you are really in love with. Nice to watch if you miss somebody. Well, nice anyway. Imagination required! If you want to believe they've really been dreaming of each other all these years, believe love's the strongest thing, you have the opportunity here. End it using your own discretion. The film is not much of humor but it gives good mood. The best thing is we'll see here a photo of Julie's childhood. You must see this. Even if you're not in love yet, you'll want to be. Highly recommended! 10 out of 10