When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
Early thirty-something American Jesse Wallace is in a Paris bookstore, the last stop on a tour to promote his best selling book, This Time. Although he is vague to reporters about the source material for the book, it is about his chance encounter nine years earlier on June 15-16, 1994 with a Parisienne named Celine, and the memorable and romantic day and evening they spent together in Vienna. At the end of their encounter at the Vienna train station, which is also how the book ends, they, not providing contact information to the other, vowed to meet each other again in exactly six months at that very spot. As the media scrum at the bookstore nears its conclusion, Jesse spots Celine in the crowd, she who only found out about the book when she earlier saw his photograph promoting this public appearance. Much like their previous encounter, Jesse and Celine, who is now an environmental activist, decide to spend time together until he is supposed to catch his flight back to New York, this ... Written by
The film has references to James Joyce like Before Sunrise (1995): At the opening of the film, Jesse gives a presentation at Shakespeare & Company that James Joyce visited regularly and it was Shakespeare and Company that published Ulysses in 1922. See more »
When Jesse and Celine walk from the book signing to the cafe, the couple they pass window shopping is wearing different clothes depending on the camera angle. See more »
Do you consider the book to be autobiographical?
Uh, well, I mean... isn't everything autobiographical?
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How do you make a sequel to "Before Sunrise"? This is how.
I'd been longing to see this one as I'd always thought 'Before Sunrise' was one of the most honest, most real films I'd ever seen, but at the same time I held off seeing the sequel from fear of disappointment. For all of you in the same position, fear not ; Linklater, Hawke and Delphy (for it has surely been a joint effort and labour of love for all three) have done us and themselves proud. I've just seen the film and despite being male and 38 I feel like Roberta Flack must have felt when she penned 'Killing me Softly' after hearing Don McLean sing 'Vincent' in concert; this is - once again - just so close to what it's all about. You want technicalities? The acting, superb; Hawke and Delphy slip right back into their characters, their mannerisms, their sometimes gauche repartee, the way they seem to fence around each other, seeming to go in for the kill then feigning, drawing back Exquisite. And then the details, the echoes of the first film in the settings but now with a world-weariness, an autumnal note and yet with still that fundamental freshness and optimism that revives the memories of Sunrise's youthfulness and reminds us, as our heroes discuss, that though time changes people, there remains an unchanging core. Just see it; this is about as good as it gets, folks.
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