In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
Jesse, a writer from the US, and Celine, a Frenchwoman working for an environment protection organization, acquainted nine years ago on the train from Budapest to Vienna, meet again when Jesse arrives in Paris for a reading of his new book. As they have only a few hours until his plane leaves, they stroll through Paris, talking about their experiences, views and whether they still love each other, although Jesse is already married with a kid. Written by
Moritz Muehlenhoff <email@example.com>
Though this movie was nominated for Best Adapted Screenplay, the screenplay is not based upon any existing text. However, the Academy rule book says that all sequels are adaptations. See more »
A change in street scene: when Celine tells Phillippe that they have arrived at her apartment, the view through the back window is of one way traffic, but when the car does pull over and they get out, the traffic is two-way. See more »
Do you consider the book to be autobiographical?
Uh, well, I mean... isn't everything autobiographical?
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Nine years on Celine and Jessie meet in Paris not entirely by destiny or sheer force of circumstance... Nine years ago I loved Before Sunrise so much! And identified with it even though I was far from home not out of choice - and a war of the kind that bothered Celine in Bosnia was going on in my own country... But I was young. I was 24, actually, very romantic and innocent. Now I Know how things work a little better. The world, relationships. But I'm still plunging into causes for their own sake. And I'm still a reasonably normal person. Just like the characters in this film. Paris has never looked simpler in its casual elegance. Dialogue has never seemed more natural. A script never touched real life like this one so effortlessly. I'm in love with these characters - and with the ending... This is how European Cinema used to be - and Hollywood, too for that matter. Naturally real and magical in the details.
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