| Catherine Borek | ... | Teacher and Director of the Play | |
| Karen Greene | ... | Teacher and Director of the Play | |
| Ebony Starr Norwood-Brown | ... | Herself / The Stage Manager | |
| Archie Posada | ... | Himself / George Gibbs | |
| Armia Robinson | ... | Herself / Emily Webb | |
| Jackie Oliver | ... | Herself / Mrs. Soames | |
| Christopher Patterson | ... | Himself / Mr. Webb | |
| Jose Perez | ... | Himself / Simon Stimson |
Directed by | |||
| Scott Hamilton Kennedy | |||
Writing credits(in alphabetical order) | ||
| Thornton Wilder | play "Our Town" | |
Produced by | |||
| Scott Hamilton Kennedy | .... | producer | |
| Mark Pellington | .... | executive producer | |
Original Music by | |||
| Doug DeAngelis | |||
| Kevin Haskins | |||
Cinematography by | |||
| Scott Hamilton Kennedy | |||
Film Editing by | |||
| Chris Figler | |||
| Scott Hamilton Kennedy | |||
Art Department | |||
| Kirk Balden | .... | graphic artist | |
| Paul Walsleben | .... | graphic consultant | |
Sound Department | |||
| Stephanie Brown | .... | supervising dialogue editor | |
| Stephanie Brown | .... | supervising sound editor | |
| Michael Camello | .... | sound effects editor | |
| Terri Ghilani | .... | foley artist | |
| Paul Hackner | .... | co-supervising sound editor | |
| Joe Milner | .... | sound re-recording mixer | |
| Zachary Peirce | .... | dialogue editor | |
| James Azizi Penny | .... | sound effects editor (as James Penny) | |
| James Azizi Penny | .... | supervising foley editor | |
| Scott Hamilton Kennedy | .... | sound (uncredited) | |
| Eryne Prine | .... | sound editor (uncredited) | |
Camera and Electrical Department | |||
| Chris Figler | .... | additional camera operator | |
| Peter Judson | .... | additional camera operator | |
| Jennifer Pyken | .... | additional camera operator | |
Editorial Department | |||
| Edwin Armstrong | .... | director of digital film: FotoKem (as Ed Armstrong) | |
| Sara Glembocki | .... | assistant editor | |
| P.J. Marsiglia | .... | DVD color correction: Company 3 | |
| Robin Vanatter | .... | tape-to-film scheduler: FotoKem | |
| Les Vary | .... | film I/O technician: FotoKem | |
| Chuck Winston | .... | film timer: FotoKem | |
Music Department | |||
| Julianne Jordan | .... | music consultant | |
| Megan McNamara | .... | music supervisor | |
Other crew | |||
| Kirk Balden | .... | title designer | |
| Michael Donaldson | .... | production legal (as Michael C. Donaldson) | |
| Jim Hannafin | .... | vice president of business development: FotoKem | |
| Joey Liew | .... | production intern | |
Thanks | |||
| Scott Atlas | .... | special thanks | |
| Danielle Banks | .... | special thanks (as Ms. Danielle Banks) | |
| Michael Barker | .... | more special thanks | |
| Ned Beatty | .... | special thanks | |
| Julianne Beebe | .... | special thanks (as Ms. Julianne Beebe) | |
| Barbara Bel Geddes | .... | special thanks | |
| Robby Benson | .... | special thanks | |
| Catherine Borek | .... | special thanks (as Ms. Catherine Borek) | |
| Elizabeth Cheshire | .... | special thanks | |
| Joyce Cohen | .... | special thanks | |
| Ronny Cox | .... | special thanks | |
| David Cryer | .... | special thanks | |
| Dominique Derrenger | .... | more special thanks | |
| R. Jay Engel | .... | more special thanks | |
| Karen Greene | .... | special thanks (as Ms. Karen Greene) | |
| Jennifer Gross | .... | more special thanks | |
| Adrienne Gruben | .... | more special thanks | |
| Tony Hall | .... | more special thanks | |
| Bradley K. Hamilton | .... | dedicated to the memory of | |
| Katherine P. Hamilton | .... | dedicated to the memory of | |
| Pamalee G. Hamilton | .... | more special thanks | |
| Glen Harrell | .... | special thanks (as Mr. Glen Harrell) | |
| Robert Hawk | .... | more special thanks | |
| Rick Hess | .... | more special thanks | |
| Hal Holbrook | .... | special thanks | |
| Christopher Johnson | .... | more special thanks | |
| Eleanore Kennedy | .... | more special thanks | |
| Michael Kennedy | .... | more special thanks | |
| William Lanteau | .... | special thanks | |
| Jon Levin | .... | more special thanks | |
| Linda Lichter | .... | more special thanks | |
| Mark Lipson | .... | more special thanks | |
| Susan Meiselas | .... | more special thanks | |
| Antonio Mendoza | .... | more special thanks | |
| Joe Milner | .... | more special thanks | |
| Rupert Nadeau | .... | more special thanks | |
| Glynnis O'Connor | .... | special thanks | |
| Charlotte Rae | .... | special thanks | |
| Kelcey Richardson | .... | special thanks (as Principal Kelcey Richardson) | |
| Liza Richardson | .... | more special thanks | |
| Roberto Rionda | .... | more special thanks | |
| Richard Rogers | .... | more special thanks | |
| Corey Shaff | .... | more special thanks | |
| Terry Steppes | .... | special thanks (as Mr. Terry Steppes) | |
| Dylan Telner | .... | more special thanks | |
| Sada Thompson | .... | special thanks | |
| Clint Walsh | .... | more special thanks | |
| Edith Weil | .... | more special thanks | |
| Jeanne Williams | .... | more special thanks | |
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| Full cast and crew | Company credits | External reviews |
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OT: Our Town is a documentary I'm glad I watched. It's an inspirational story in the vein of those dramas about teachers who make a difference in a falling apart urban school. But really, the kids are what make the movie work.
The filming and editing are good enough, nothing special. It also seems like the filming crew were dropped in the middle of the action with no time to get much back-story. The pieces of background and context they do get are really priceless.
It's nice to see the kids go through this play. To me, the most striking aspect was just how vulnerable and tender the kids actually are, despite the rough neighborhood and the rough situations life has given them.
There are some touching moments as the kids come together and connect with each other. They touch on some issues of feeling competent, dealing with romance, and negotiating relationships with parents. In some ways it's a bit cathartic like a "Breakfast Club" set in Compton instead of John Hughes' suburban Chicago. It's nice to see them come together, but just like The Breakfast Club you have to wonder if it will really last past the experience they had together.
Lets hope these kids remember their successes and go on to be successful and happy in life. They deserve it.