- 3 wins & 3 nominations.
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Cast verified as complete
Liv Ullmann | ... |
Marianne
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Erland Josephson | ... |
Johan
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Börje Ahlstedt | ... |
Henrik
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Julia Dufvenius | ... |
Karin
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Gunnel Fred | ... |
Martha
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Directed by
Ingmar Bergman |
Written by
Ingmar Bergman | ... | () |
Produced by
Pia Ehrnvall | ... | executive producer |
Cinematography by
Stefan Eriksson | ||
Jesper Holmström | ||
Per-Olof Lantto | ||
Sofi Stridh | ||
Raymond Wemmenlöv |
Editing by
Sylvia Ingemarsson |
Editorial Department
Ulf Nordin | ... | color grader |
Jesper Svedin | ... | assistant editor |
Production Design by
Göran Wassberg |
Art Direction by
Enrico Papi | ... | (Conduttore) |
Costume Design by
Inger Pehrsson | ... | (as Inger Pehrson) |
Makeup Department
Cecilia Drott | ... | makeup artist (as Cecilia Drott-Norlén) |
Second Unit Director or Assistant Director
Torbjörn Ehrnvall | ... | assistant director |
Art Department
Teddy Holm | ... | painter |
Åsa Persson | ... | assistant production designer |
Rasmus Rasmusson | ... | set dresser |
Håkan Sanchis | ... | construction manager |
Jan-Erik Savela | ... | property master |
Ulla Smith Örn | ... | graphic designer |
Jan Stenmark | ... | graphic designer |
Karin Söderberg | ... | upholsterer |
Sound Department
Anders Degerberg | ... | sound (as Anders Degerman) |
Carl Edström | ... | sound (as Calle Edström) |
Börje Johansson | ... | sound |
Göran Nylander | ... | sound technician |
Per Nyström | ... | sound |
Erik Näsman | ... | sound technician |
Ulf Olausson | ... | sound |
Gábor Pasztor | ... | re-recording mixer (as Gabor Pasztor) |
Visual Effects by
Mats Holmgren | ... | digital colourist (uncredited) |
Stunts
Kimmo Rajala | ... | stunt coordinator (uncredited) |
Camera and Electrical Department
Sven Jarnerup | ... | assistant camera |
Per Sturk | ... | electrician |
Lars Stålberg | ... | electrician |
Per Sundin | ... | lighting technician |
Mike Tiverios | ... | steadicam operator (as Michael Tiverios) |
Bengt Wanselius | ... | still photographer |
Adrian Wester | ... | grip |
Costume and Wardrobe Department
Inger Eiserwall | ... | assistant costumer |
Music Department
Herbert Blomstedt | ... | conductor (uncredited) |
Hans Fagius | ... | musician (uncredited) |
Åsa Forsberg | ... | cello solo (uncredited) |
Torleif Thedeen | ... | cello solo (uncredited) |
Script and Continuity Department
Kerstin Sundberg | ... | script supervisor |
Additional Crew
Pia Ehrnvall | ... | project manager |
Gylla Ersson | ... | publicist |
Ann-Mari Langer | ... | production accountant |
Hanna Pauli | ... | prompter |
Ola Westman | ... | technical coordinator |
Irene Wiklund | ... | technical manager |
Production Companies
- SVT Fiktion
- Danmarks Radio (DR) (in collaboration with)
- Norsk Rikskringkasting (NRK) (in collaboration with)
- RAI Radiotelevisione Italiana (in collaboration with)
- Yleisradio (YLE) (in collaboration with)
- Zweites Deutsches Fernsehen (ZDF) (in collaboration with)
- ZDF Enterprises (in collaboration with)
- Network Movie Film-und Fernsehproduktion (in collaboration with)
- Nordiska TV-Samarbetsfonden (in collaboration with)
- Österreichischer Rundfunk (ORF) (in collaboration with)
- Nordisk Film & TV-Fond (in collaboration with)
Distributors
- Sveriges Television (SVT) (2003) (Sweden) (tv)
- Atopia (2005) (Canada) (theatrical) (Quebec)
- CDI Films (2004) (Argentina) (theatrical)
- IFA (2004) (Argentina) (theatrical)
- Mongrel Media (2005) (Canada) (theatrical)
- Rosebud (2004) (Greece) (theatrical)
- Rézo Films (2004) (France) (theatrical)
- Sony Pictures Classics (2005) (United States) (theatrical) (subtitled)
- Arthaus (2008) (Germany) (DVD)
- Arthaus (2014) (Germany) (Blu-ray) (DVD)
- Midas Filmes (2018) (Portugal)
- Palisades Tartan (2009) (United Kingdom)
- Rai 3 (2004) (Italy) (tv)
- Svensk Filmindustri (SF) (2004) (Sweden) (DVD)
- Transeuropa Video Entertainment (TVE) (2005) (Argentina) (DVD)
- Transeuropa Video Entertainment (TVE) (2005) (Argentina) (VHS)
Special Effects
Other Companies
Storyline
Plot Summary |
Marianne and Johan meet again after thirty years without contact, when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss. Staying at a cottage on the property are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds herself unwillingly drawn into a complicated and upsetting power struggle. Written by Sujit R. Varma |
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Parents Guide | View content advisory » |
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Box Office
Cumulative Worldwide Gross | $975,181 |
Did You Know?
Trivia | The film is very autobiographical. The character of Anna is actually Ingrid von Rosen, Ingmar Bergman's wife, who died of cancer, and was his greatest love. The photography of Anna used in the film is also of Ingrid. The movie is also dedicated "to Ingrid", as stated in the opening title screen. See more » |
Goofs | There are some interesting discrepancies in relation to the time line of the characters. The ages given for the characters are 63 (Marianne), 86 (Johan) and 61 (Henrik). Marianne says that she has not seen Johan for 32 years and that they had been married for 16 years. This means that she married Johan when she was 15 and he was 38. Johan had a falling out with his son when Henrik was 18/19, which must have been after Johan's marriage to Marianne. See more » |
Movie Connections | Featured in Bergman Island (2004). See more » |
Soundtracks | Cello Suite no. 5 in C Minor, Movement 4: Saraband See more » |
Quotes |
Henrik:
Dad, where does all this hostility come from? Johan: Speak for yourself. When you were 18 or 19, I tried to get close to you. You'd been seriously ill, and your mother wanted us to talk things out. I said to you, "I know I've been a bad father, and I want to do better." And you screamed at me--yes, screamed--"A bad father? You've never been a father at all!" Then you said you could do without my forced exertions. One should respect honest hatred, and I respect yours. But I really couldn't care less if you hate me. You barely exist. If it weren't for Karin, who thank God takes after her mother, you wouldn't exist for me at all. So there's no hostility here, I assure you. See more » |