| Photos (See all 13 | slideshow) | Videos (see all 5) |
| Liv Ullmann | ... | Marianne | |
| Erland Josephson | ... | Johan | |
| Börje Ahlstedt | ... | Henrik | |
| Julia Dufvenius | ... | Karin | |
| Gunnel Fred | ... | Martha |
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | ||
Cinematography by | |||
| Stefan Eriksson | |||
| Jesper Holmström | |||
| Per-Olof Lantto | |||
| Sofi Stridh | |||
| Raymond Wemmenlöv | |||
Film Editing by | |||
| Sylvia Ingemarsson | |||
Production Design by | |||
| Göran Wassberg | |||
Costume Design by | |||
| Inger Pehrsson | (as Inger Pehrson) | ||
Makeup Department | |||
| Cecilia Drott | .... | makeup artist (as Cecilia Drott-Norlén) | |
Second Unit Director or Assistant Director | |||
| Torbjörn Ehrnvall | .... | assistant director | |
Art Department | |||
| Teddy Holm | .... | painter | |
| Åsa Persson | .... | assistant production designer | |
| Rasmus Rasmusson | .... | set dresser | |
| Håkan Sanchis | .... | construction manager | |
| Jan-Erik Savela | .... | property master | |
| Ulla Smith Örn | .... | graphic designer | |
| Jan Stenmark | .... | graphic designer | |
| Karin Söderberg | .... | upholsterer | |
Sound Department | |||
| Anders Degerberg | .... | sound (as Anders Degerman) | |
| Carl Edström | .... | sound (as Calle Edström) | |
| Börje Johansson | .... | sound | |
| Göran Nylander | .... | sound technician | |
| Per Nyström | .... | sound | |
| Erik Näsman | .... | sound technician | |
| Ulf Olausson | .... | sound | |
| Gábor Pasztor | .... | sound re-recording mixer (as Gabor Pasztor) | |
Visual Effects by | |||
| Mats Holmgren | .... | digital colourist (uncredited) | |
Stunts | |||
| Kimmo Rajala | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Sven Jarnerup | .... | assistant camera | |
| Per Sturk | .... | electrician | |
| Lars Stålberg | .... | electrician | |
| Per Sundin | .... | lighting technician | |
| Mike Tiverios | .... | Steadicam operator (as Michael Tiverios) | |
| Bengt Wanselius | .... | still photographer | |
| Adrian Wester | .... | grip | |
Costume and Wardrobe Department | |||
| Inger Eiserwall | .... | assistant costumer | |
Editorial Department | |||
| Ulf Nordin | .... | color grader | |
| Jesper Svedin | .... | assistant editor | |
Other crew | |||
| Pia Ehrnvall | .... | project manager | |
| Gylla Ersson | .... | publicist | |
| Ann-Mari Langer | .... | production accountant | |
| Hanna Pauli | .... | prompter | |
| Kerstin Sundberg | .... | script supervisor | |
| Ola Westman | .... | technical coordinator | |
| Irene Wiklund | .... | technical manager | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Sweden section |
I am by no mean qualified to give a full range analysis of the film Saraband by Ingmar Bergman, but would like to give my personal comments.
This may be the last great film as an art genre, as opposed to film as entertainment. In the early days of film directors where trying to please a reading audience. No living director has protected this heritage better than Bergman. He can still compete with the best authors of his time.
The quietness which surrounds this film, the excellent actor performances, the long footages of close-ups of faces, the first cello sonato of Bach (Saraband), the old man who is a bit like Bergman himself; all this makes the film a masterpiece. The dialogs hold great literary quality. Bergman and his film crew are able to show people who are inactive on the outside, but active on the inside; it is quietness which speaks! There is no time for trivial dialog in the films of Bergman: Here you will find people who talk out about the great tragedies in life. The composition gives you a feeling of being in a theatre.
Bergman is a living challenge to anyone who wants to take film seriously as an art form!