Marianne, some thirty years after divorcing Johan, decides to visit her ex-husband at his summer home. She arrives in the middle of a family drama between Johan's son from another marriage and his granddaughter.
Ingmar Bergman's The Serpent's Egg follows a week in the life of Abel Rosenberg, an out-of-work American circus acrobat living in poverty-stricken Berlin following Germany's defeat in World... See full summary »
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in ... See full summary »
Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "... See full summary »
The Queen of the Night offers her daughter Pamina to Tamino, but he has to bring her back from her father and priest Sarastro. She gives a magic flute to Tamino and magic bells to the bird ... See full summary »
Inventor Carl Åkerblom is a rosy-cheeked 54 year-old admirer of Franz Schubert - and a patient in the psychiatric ward of Akademiska Hospital in Uppsala, after having attempted to beat to ... See full summary »
Marianne and Johan meet again after thirty years without contact, when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss. Staying at a cottage on the property are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds herself unwillingly drawn into a complicated and upsetting power struggle. Written by
Sujit R. Varma
Annibale (or Hannibal) Fagnola (1866-1939) is regarded as one of the greatest Italian violin makers of the 20th Century. See more »
There are some interesting discrepancies in relation to the time line of the characters. The ages given for the characters are 63 (Marianne), 86 (Johan) and 61 (Henrik). Marianne says that she has not seen Johan for 32 years and that they had been married for 16 years. This means that she married Johan when she was 15 and he was 38. Johan had a falling out with his son when Henrik was 18/19, which must have been after Johan's marriage to Marianne. See more »
Now I know what all those slow movies were trying to imitate.
I had seen a lot of movies like it, but NOT QUITE. This is one of the most flawless movie I've ever seen. A revelation -- (I had never seen an Ingmar Bergman movie before.)
The ease with which emotions are communicated through the screen is unbelievable. I have never seen anything like it. What is it that makes it so different and so memorable? Every single element in this film contributes to its general beauty, the moaning cello, the words, the eyes of the amazing actors, EVERYTHING. No superfluous scenes, no unnecessary sophistication. Bergman is a master of emotional precision.
It is just a personal opinion but just like "Talk to her" was my favourite from last year, "Saraband" is the best movie I've seen this year. I recommend that you go see it if you get the chance. Don't think. Just go. If you don't like it, it will be one more movie you didn't like. But if you don't see it you risk missing a kind of cinematic orgasm.
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