| Photos (see all 10 | slideshow) | Videos (see all 2) |
| Anna Paquin | ... | Regina | |
| Lena Olin | ... | Maria | |
| Iain Glen | ... | Mark | |
| Giancarlo Giannini | ... | Albert Rua | |
| Fele Martínez | ... | Carlos | |
| Stephan Enquist | ... | Paul | |
| Fermí Reixach | ... | Villalobos (as Fermi Reixach) | |
| Francesc Pagés | ... | Driver Traffic Jam | |
| Craig Stevenson | ... | Electrician | |
| Paula Fernández | ... | Girl 1 | |
| Gemma Lozano | ... | Girl 2 | |
| Xavier Allepuz | ... | Boy 3 | |
| Joseph Roberts | ... | Boy 4 | |
| Marc Ferrando | ... | Boy 5 | |
| Josh Gaeta | ... | Boy 6 | |
| Mattew Dixon | ... | Boy 7 | |
| Carlos Castañón | ... | Friend 1 | |
| Carles Punyet | ... | Friend 2 | |
| Reg Wilson | ... | Librarian | |
| Ferran Lahoz | ... | Taxi Driver Regina | |
| Pedro Antonio Segura | ... | Patient Traffic Jam | |
| Astrid Fenollar | ... | Old Woman 1 | |
| Lidia Dorado | ... | Old Woman 2 | |
| Clara Manguillot | ... | Old Woman 3 | |
| rest of cast listed alphabetically: | |||
| Miquel Bordoy | |||
| David Martí | ... | Man sleeping on bus (uncredited) | |
Directed by | |||
| Jaume Balagueró | |||
Writing credits | ||
| Jaume Balagueró | (written by) and | |
| Fernando de Felipe | (written by) | |
| Miguel Tejada-Flores | (additional dialogue) | |
Produced by | |||
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Teresa Gefaell | .... | line producer | |
| Guy J. Louthan | .... | executive producer | |
| Bea Morillas | .... | secretary of production | |
| Antonia Nava | .... | co-executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Brian Yuzna | .... | creative producer | |
| Brian Yuzna | .... | producer | |
Original Music by | |||
| Carles Cases | |||
Cinematography by | |||
| Xavi Giménez | |||
Film Editing by | |||
| Luis de la Madrid | |||
Casting by | |||
| Elena Arnao | |||
| Matt Western | |||
Production Design by | |||
| Llorenç Miquel | |||
Set Decoration by | |||
| Deborah Chambers | |||
Costume Design by | |||
| Eva Arretxe | |||
Makeup Department | |||
| Alma Casal | .... | makeup designer | |
| Nieves Martin | .... | hair stylist | |
| Satur Merino | .... | hair stylist (as Saturnino Merino) | |
| Brad Wilder | .... | makeup artist: Anna Paquin | |
Second Unit Director or Assistant Director | |||
| Luis de la Madrid | .... | second unit director (credited only as editor) | |
| Anna Rua | .... | second assistant director | |
| Rita Rubio | .... | third assistant director | |
| Iñaki Sanchez | .... | second second assistant director | |
| Fernando Sánchez-Izquierdo | .... | assistant director | |
Art Department | |||
| Félix Álvarez | .... | painter | |
| Pedro Jesús De la Fuente | .... | construction coordinator | |
| Paco Escofet | .... | assistant set decorator | |
| Mani Martínez | .... | set construction assistant (as Mariano Martinez) | |
| Ramón Moya | .... | construction manager | |
| Joan Sabaté | .... | property master | |
| Antonio Sánchez | .... | supervising carpenter | |
| Silvia Steinbrecht | .... | set dresser | |
Sound Department | |||
| Manuel Carrión | .... | foley artist | |
| Dani Fontrodona | .... | sound | |
| Salva Mayolas | .... | sound | |
| Ferran Mengod | .... | sound editor | |
| Marc Orts | .... | sound re-recording mixer | |
Special Effects by | |||
| Xavi Bastida | .... | special effects makeup | |
| Daniel Izar de la Fuente | .... | special effects technician | |
| Daniel Izar de la Fuente | .... | special liquid effects assistant | |
| Taller Maravillas | .... | special effects | |
| David Martí | .... | special effects | |
| José M. Meneses | .... | special effects technician: DDT | |
| Amador Rehak | .... | special effects | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
Visual Effects by | |||
| Gloria Bernabeu | .... | digital compositor | |
| Martin Contel | .... | CG artist | |
| Luis de la Madrid | .... | visual effects editor | |
| Laura Maynadé | .... | digital effects coordinator | |
| Quico Noizeux | .... | scanner/recorder | |
| Quico Noizeux | .... | title graphics | |
| Jaume Vilaseca | .... | visual effects supervisor | |
Stunts | |||
| Mónica Consuegra | .... | stunts | |
| Ángel Plana | .... | stunts | |
Camera and Electrical Department | |||
| Ferrán Calvo | .... | second assistant camera | |
| Albert Carreras | .... | camera operator | |
| Francesc Carreras | .... | first assistant camera | |
| Óscar Faura | .... | director of photography: second unit | |
| Marc Gómez del Moral | .... | second assistant camera: second unit | |
| Juan Carlos Gómez | .... | first assistant camera: second unit | |
| Carles Guerrero | .... | grip (as Charly Guerrero) | |
| Sebastián Hernandis | .... | underwater camera operator | |
| José Manuel Herrero | .... | underwater camera operator | |
| Gonzalez Leonardo Javier | .... | grip | |
| Gonzalez Leonardo Javier | .... | key grip | |
| Roger Martínez | .... | first assistant camera | |
| Diego Moyano | .... | electrician | |
| José Luis Rodríguez | .... | gaffer | |
| Ramón Sánchez | .... | Steadicam operator | |
| Manuel Zambrana | .... | still photographer | |
Casting Department | |||
| Matt Western | .... | casting: UK | |
Costume and Wardrobe Department | |||
| María Engo | .... | additional wardrobe assistant | |
Editorial Department | |||
| José Calderón | .... | negative cutter | |
| Sean Hubbert | .... | additional editorial assistant | |
| Bernat Vilapana | .... | first assistant editor | |
| Oskar Pérez | .... | post-production coordinator (uncredited) | |
Other crew | |||
| Allan Baker | .... | story editor | |
| Ingrid Fernández de Castro | .... | production assistant | |
| Mariana Gironella | .... | script supervisor | |
| Elizabeth Himelstein | .... | dialect coach: Ms. Paquin | |
| Richard Hyland | .... | production accountant | |
| Alberto Marini | .... | development executive | |
| Alberto Marini | .... | director's creative assistant | |
| Mary Kay McCoy | .... | dialogue coach | |
| Manuel Monzón Fueyo | .... | development executive | |
| Helena Moreno Núñez | .... | development executive | |
| Martin Samper | .... | making-of | |
| Elena Serra | .... | development executive | |
| Elisa Sirvent | .... | location manager | |
| Elisa Sirvent | .... | production assistant | |
| Ursi Van der Herten | .... | assistant: Brian Yuzna | |
| Matt Western | .... | director: UK | |
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| Tenebre | Eastern Promises | The Lair of the White Worm | The Amityville Horror | The People Under the Stairs |
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Spain continues with the revival of atmospheric, story-driven horror but this film is definitely a lot less impressive or memorable than for example "The Others", "The Devil's Backbone" or Balaguero's own "The Nameless". Well actually, I'm being too polite here... "Darkness", despite featuring some good ideas, is a dull and overly confusing haunted house/ restless ghosts story. Admittedly, it all looks beautiful and scary at first, but it doesn't take long before you realize that the shock-moments are the same old clichéd and meaningless tricks (sudden appearances, toys that start to function by themselves, slamming doors...) and that the premise actually doesn't make the slightest bit of sense, albeit smoothly presented. We follow a rather dysfunctional family that recently moved from the US to Spain, where the father has his roots and granddaddy still is a prominent doctor. Their giant house is very isolated and hides many old secrets and it's unhappy teenage daughter Regina who senses the danger first. Soon after, father Mark re-develops the disease everyone thought he was cured of and the young son Paul starts to behave mysteriously. Maybe it's because I lost interest pretty quick, but eventually I didn't understand one iota about the connection between an old dark house, a solar eclipse, a chronic illness and the sacrificial murders of seven young children. To make it all a little worse, there are numerous illogical aspects in the script that annoyed the hell out of me. What caring mother would simply ignore strangulation marks on her son's neck and say they're accidental bruises? Or what male adolescent would spend all his time and even risk his life for a girl he never even received a kiss from? Moreover, it's never made clear in which era "Darkness" is set! There's no reason to assume it's not set in present day, yet the cars and even the telephones look prehistoric. And in case you're wondering: no, it's not always raining cats and dogs in Spain, in fact, I always presumed it's Europe's sunniest country! However, it helps that this poor movie is blessed with a great cast and the cinematography is often very enchanting. The obligatory twist in the end is entirely implausible and proves all the more that "Darkness" is a beautifully decorated but empty package. Avoid!