| Photos (See all 10 | slideshow) | Videos (see all 2) |
| Anna Paquin | ... | Regina | |
| Lena Olin | ... | Maria | |
| Iain Glen | ... | Mark | |
| Giancarlo Giannini | ... | Albert Rua | |
| Fele Martínez | ... | Carlos | |
| Stephan Enquist | ... | Paul | |
| Fermí Reixach | ... | Villalobos (as Fermi Reixach) | |
| Francesc Pagès | ... | Driver Traffic Jam | |
| Craig Stevenson | ... | Electrician | |
| Paula Fernández | ... | Girl 1 | |
| Gemma Lozano | ... | Girl 2 | |
| Xavier Allepuz | ... | Boy 1 | |
| Joseph Roberts | ... | Boy 2 | |
| Marc Ferrando | ... | Boy 3 | |
| Josh Gaeta | ... | Boy 4 | |
| Mattew Dixon | ... | Boy 5 | |
| Carlos Castañón | ... | Friend 1 | |
| Carles Punyet | ... | Friend 2 | |
| Reg Wilson | ... | Librarian | |
| Ferran Lahoz | ... | Taxi Driver Regina | |
| Pedro Antonio Segura | ... | Patient Traffic Jam | |
| Astrid Fenollar | ... | Old Woman 1 | |
| Lidia Dorado | ... | Old Woman 2 | |
| Clara Manguillot | ... | Old Woman 3 | |
| rest of cast listed alphabetically: | |||
| David Martí | ... | Man Sleeping on Bus (uncredited) | |
Directed by | |||
| Jaume Balagueró | |||
Writing credits | ||
| Jaume Balagueró | (written by) and | |
| Fernando de Felipe | (written by) | |
| Miguel Tejada-Flores | (additional dialogue) | |
Produced by | |||
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Teresa Gefaell | .... | line producer | |
| Guy J. Louthan | .... | executive producer | |
| Bea Morillas | .... | secretary of production | |
| Antonia Nava | .... | co-executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Brian Yuzna | .... | creative producer | |
| Brian Yuzna | .... | producer | |
Original Music by | |||
| Carles Cases | |||
Cinematography by | |||
| Xavi Giménez | |||
Film Editing by | |||
| Luis de la Madrid | |||
Casting by | |||
| Elena Arnao | |||
| Matt Western | |||
Production Design by | |||
| Llorenç Miquel | |||
Set Decoration by | |||
| Deborah Chambers | |||
| Silvia Steinbrecht | |||
Costume Design by | |||
| Eva Arretxe | |||
Makeup Department | |||
| Alma Casal | .... | makeup department head | |
| Nieves Martin | .... | hair stylist | |
| Satur Merino | .... | hair stylist (as Saturnino Merino) | |
| Brad Wilder | .... | makeup artist: Anna Paquin | |
Second Unit Director or Assistant Director | |||
| Luis de la Madrid | .... | second unit director (credited only as editor) | |
| Anna Rua | .... | second assistant director | |
| Rita Rubio | .... | third assistant director | |
| Iñaki Sánchez | .... | second second assistant director | |
| Fernando Sánchez-Izquierdo | .... | assistant director | |
Art Department | |||
| Pedro Jesús De la Fuente | .... | construction coordinator | |
| Paco Escofet | .... | assistant set decorator | |
| Jordi Huguet | .... | storyboard artist | |
| Mani Martínez | .... | set construction assistant (as Mariano Martinez) | |
| José Luis Moya | .... | construction coordinator | |
| Ramón Moya | .... | construction manager | |
| Joan Sabaté | .... | property master | |
| Gustavo Suñer | .... | props | |
| Antonio Sánchez-Romo | .... | supervising carpenter | |
| Félix Álvarez | .... | painter | |
Sound Department | |||
| Manuel Carrión | .... | foley artist | |
| Dani Fontrodona | .... | sound | |
| Manel López | .... | boom operator | |
| Manel López | .... | sound editor | |
| Salva Mayolas | .... | sound | |
| Ferran Mengod | .... | dialogue editor | |
| Jordi Monrós | .... | foley recordist | |
| Marc Orts | .... | sound re-recording mixer | |
| Jaume Puig | .... | sound consultant: Dolby | |
Special Effects by | |||
| Xavi Bastida | .... | special effects makeup | |
| Spencer Gray | .... | special effects assistant | |
| Daniel Izar de la Fuente | .... | special effects technician | |
| Daniel Izar de la Fuente | .... | special liquid effects assistant | |
| Taller Maravillas | .... | special effects | |
| David Martí | .... | special effects | |
| José M. Meneses | .... | special effects technician: DDT | |
| Amador Rehak | .... | special effects | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
Visual Effects by | |||
| Gloria Bernabeu | .... | digital compositor | |
| Martin Contel | .... | CG artist | |
| Jordi Costa | .... | cg artist | |
| Luis de la Madrid | .... | visual effects editor | |
| Laura Maynadé | .... | digital effects coordinator | |
| Quico Noizeux | .... | scanner/recorder | |
| Quico Noizeux | .... | title graphics | |
| Jaume Vilaseca | .... | visual effects supervisor | |
Stunts | |||
| Mónica Consuegra | .... | stunts | |
| Ángel Plana | .... | stunts | |
Camera and Electrical Department | |||
| Ferran Calvó | .... | second assistant camera | |
| Albert Carreras | .... | camera operator | |
| Francesc Carreras | .... | first assistant camera | |
| Óscar Faura | .... | director of photography: second unit | |
| Manel Fernández | .... | lighting technician | |
| Javier González Leonardo | .... | grip | |
| Javier González Leonardo | .... | key grip | |
| Charly Guerrero | .... | grip | |
| Javier Guerrero | .... | best boy electrician | |
| Marc Gómez del Moral | .... | second assistant camera: second unit | |
| Juan Carlos Gómez | .... | first assistant camera: second unit | |
| Sebastián Hernandis | .... | underwater camera operator | |
| José Manuel Herrero | .... | underwater camera operator | |
| José Ángel Manrique | .... | grip | |
| Kike Martínez | .... | electrician: dailies | |
| Roger Martínez | .... | first assistant camera | |
| Diego Moyano | .... | electrician | |
| José Luis Rodríguez | .... | gaffer | |
| Ramón Sánchez | .... | Steadicam operator | |
| Manuel Zambrana | .... | still photographer | |
Casting Department | |||
| Matt Western | .... | casting: UK | |
Costume and Wardrobe Department | |||
| María Engo | .... | additional wardrobe assistant | |
Editorial Department | |||
| Félix Bueno | .... | post-production assistant | |
| José Calderón | .... | negative cutter | |
| Sean Hubbert | .... | additional editorial assistant | |
| Bernat Vilaplana | .... | first assistant editor | |
| Oskar Pérez | .... | post-production coordinator (uncredited) | |
Other crew | |||
| Eduardo Albaladejo | .... | management of rights: Filmax Entertainment | |
| Allan Baker | .... | story editor | |
| Vicente Canales | .... | head of sales | |
| Ingrid Fernández de Castro | .... | production assistant | |
| Mariana Gironella | .... | script supervisor | |
| Elizabeth Himelstein | .... | dialect coach: Ms. Paquin | |
| Richard Hyland | .... | production accountant | |
| Alberto Marini | .... | development executive | |
| Alberto Marini | .... | director's creative assistant | |
| Mary Kay McCoy | .... | dialogue coach | |
| Manuel Monzón | .... | development executive (as Manuel Monzón Fueyo) | |
| Helena Moreno Núñez | .... | development executive | |
| Martin Samper | .... | making-of | |
| Elena Serra | .... | development executive | |
| Elisa Sirvent | .... | location manager | |
| Elisa Sirvent | .... | production assistant | |
| Ursi Van der Herten | .... | assistant: Brian Yuzna | |
| Manel Vicaria | .... | press and promotion | |
| Matt Western | .... | director: UK | |
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| Phenomena | Gothika | Deep Red | Suspiria | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I was quite impressed with Jaume Balaguero's first feature "The Nameless" which mightn't have been original, but it was coldly disturbing and effectively suspenseful. Now I heard and read nothing but poor things on his second feature "Darkness". I couldn't escape the negativity, and naturally I was expecting something very weak. However came away from it thinking what an interesting failure into supernatural/occult territory. The main problem is due the story's stale familiarity, which never really is given the chance to rise above its foreseeable hints, embarrassingly shallow script and ludicrously ragged framework. Talk about hazy, and I mean real hazy. It's cryptic, but extremely convoluted and mundane. Even with Balaguero's understated, glossed up icy direction, which works in some eerie, and jarring visuals that go a long way of building up a quiet intensity and dreary atmosphere.
Still everything about it is downright mechanical and probably a bit long in the tooth, but it didn't seem to bother me because I found it rather intriguing despite the muddled, paper-thin intentions. There's just something lurking behind this jilted mess that I found fascinating, but the narrative does get lost amongst the busy visual style. From the beginning, we learn it's all about the casually paced build-up, but the shocks are too clichéd (like creaky sounds, moving shadows) and the final pay-off doesn't have too much of a sting to it. Technically the film looks the part with its dark composition and sterile cinematography, and the weeping, otherworldly music score works a haunting tone. The sound devices are so old-hat and forced, but they're pinpoint, vitriolic and really do surround you. The characters don't fair any better, and I thought the performances from a solid cast were modest enough even with their flimsy characterisations. Anna Paquin was suitably appealing and maturely strong, but a awful Lena Olin looked quite uninterested and Iain Glen was terribly uneven. Giancarlo Giannini stays on cruise control, and Stephan Enquist turns in a fine performance.