Darkness (2002)

Director:

Jaume Balagueró

Writers:

Jaume Balagueró (written by) and
Fernando de Felipe (written by) ...

Release Date:

25 December 2004 (USA)

Genre:

Horror | Mystery | Thriller

Tagline:

Some secrets should never come to light

Plot:

A teenage girl moves into a remote countryside house with her family, only to discover that their gloomy new home has a horrifying past that threatens to destroy the family.

Plot Keywords:

House | Darkness | Blood | Teenage Girl | Children

Awards:

2 wins & 3 nominations

Cast

  (Cast overview, first billed only)

Anna Paquin	...	Regina
Lena Olin	...	Maria
Iain Glen	...	Mark
Giancarlo Giannini	...	Albert Rua
Fele Martínez	...	Carlos
Stephan Enquist	...	Paul
Fermí Reixach	...	Villalobos (as Fermi Reixach)
Francesc Pagés	...	Driver Traffic Jam
Craig Stevenson	...	Electrician
Paula Fernández	...	Girl 1
Gemma Lozano	...	Girl 2
Xavier Allepuz	...	Boy 3
Joseph Roberts	...	Boy 4
Marc Ferrando	...	Boy 5
Josh Gaeta	...	Boy 6

Also Known As:

Darkness (Spain)
The Dark (USA)

MPAA:

Rated R for terror/violence and language. (original version); Rated PG-13 for disturbing images, intense terror sequences, thematic elements and language. (edited version)

Runtime:

102 min | USA:88 min (PG-13 version)

Country:

USA | Spain

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital EX

Certification:

Canada:PG (Ontario) | Iceland:16 | Australia:MA (original rating) | South Korea:15 | Argentina:16 | Australia:M | Brazil:14 | Chile:14 | Finland:K-15 | France:-12 | Germany:16 | Ireland:15A (cut) | Japan:PG-12 | Netherlands:12 | Philippines:R-13 | Singapore:NC-16 | Singapore:PG (cut) | Spain:13 | UK:15 | USA:Unrated (unrated DVD version) | USA:R (original rating) | USA:PG-13 (edited for re-rating)

Filming Locations:

Barcelona, Cataluña, Spain

Company:

Castelao Producciones

Trivia:

Director Jaume Balagueró attempted to recruit actress Natalie Portman to play the part of Regina, which eventually went to Anna Paquin.

Goofs:

Audio/visual unsynchronized: Twenty-three minutes into the movie, Regina comes down the stairs and sees that her dad has found a secret room under the stairs. Her father comes out holding a picture apparently very interested. Regina asks her father, "What's that?" looking at the space under the stairs. We then see a still frame where just barely, you can see Regina's father still in the space looking at the picture even though he had just stepped out of that area.

Quotes:

Regina: Since when are you afraid of the dark?
Paul: Everything is different here.

Movie Connections:

Referenced in The Benchwarmers (2006)

Everything is pitch black.

I was quite impressed with Jaume Balaguero's first feature "The Nameless" which mightn't have been original, but it was coldly disturbing and effectively suspenseful. Now I heard and read nothing but poor things on his second feature "Darkness". I couldn't escape the negativity, and naturally I was expecting something very weak. However came away from it thinking what an interesting failure into supernatural/occult territory. The main problem is due the story's stale familiarity, which never really is given the chance to rise above its foreseeable hints, embarrassingly shallow script and ludicrously ragged framework. Talk about hazy, and I mean real hazy. It's cryptic, but extremely convoluted and mundane. Even with Balaguero's understated, glossed up icy direction, which works in some eerie, and jarring visuals that go a long way of building up a quiet intensity and dreary atmosphere.

Still everything about it is downright mechanical and probably a bit long in the tooth, but it didn't seem to bother me because I found it rather intriguing despite the muddled, paper-thin intentions. There's just something lurking behind this jilted mess that I found fascinating, but the narrative does get lost amongst the busy visual style. From the beginning, we learn it's all about the casually paced build-up, but the shocks are too clichéd (like creaky sounds, moving shadows) and the final pay-off doesn't have too much of a sting to it. Technically the film looks the part with its dark composition and sterile cinematography, and the weeping, otherworldly music score works a haunting tone. The sound devices are so old-hat and forced, but they're pinpoint, vitriolic and really do surround you. The characters don't fair any better, and I thought the performances from a solid cast were modest enough even with their flimsy characterisations. Anna Paquin was suitably appealing and maturely strong, but a awful Lena Olin looked quite uninterested and Iain Glen was terribly uneven. Giancarlo Giannini stays on cruise control, and Stephan Enquist turns in a fine performance.