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As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty ()


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Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.

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Cast

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...
Self / Narrator
Rest of cast listed alphabetically:
...
Self (archiveFootage)
Robert Breer ...
Self (archiveFootage)
Hollis Frampton ...
Self (archiveFootage)
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Self (archiveFootage)
Ken Jacobs ...
Self (archiveFootage)
Peter Kubelka ...
Self (archiveFootage)
Adolfas Mekas ...
Self (archiveFootage)
Oona Mekas ...
Self (archiveFootage)
Sebastian Mekas ...
Self (archiveFootage)
Hermann Nitsch ...
Self (archiveFootage)
Nam June Paik ...
Self (archiveFootage)
P. Adams Sitney ...
Self (archiveFootage)
...
Self (archiveFootage)
Jane Wodening ...
Self (archiveFootage) (as Jane Brakhage)

Directed by

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Jonas Mekas

Written by

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Jonas Mekas ... (written by)

Produced by

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Jonas Mekas ... producer

Music by

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Auguste Varkalis

Cinematography by

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Jonas Mekas

Editing by

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Jonas Mekas

Sound Department

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Jonas Mekas ... sound

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Keywords
Genres
Parents Guide View content advisory »
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Additional Details

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Also Known As
  • As I Moved Ahead Occasionally I Saw Brief Glimpses of Beauty (United States)
  • Двигаясь вперед, иногда я видел краткие проблески красоты (Russia)
  • En el camino, de cuando en cuando, vislumbré breves momentos de belleza (Ecuador)
  • Ao Caminhar Entrevi Lampejos de Beleza (Brazil)
  • Kiedy szedłem przed siebie, widziałem krótkie mgnienia piękna (Poland)
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Runtime
  • 288 min
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Did You Know?

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Trivia "The ultimate Dogma movie before the birth of Dogma," is how its maker, Jonas Mekas described it. See more »
Soundtracks Both Sides Now See more »
Quotes [first lines]
Jonas Mekas: I have never been able, really, to figure out where my life begins and where it ends. I have never, never been able to figure it all out, what's all about. What it all means. So when I began, now, to put all these rolls of film together, to string them together, the first idea was to keep them chronologic. But then I gave up, and I just began splicing them together by chance, the way that I found them on the shelf, because I really did not know where any piece of my life really belongs. So let it be. Let it go. Just by pure chance. Disorder. There is some kind of order in it, order of its own, which I do not really understand, same as I never understood life around me. The real life, as they say, or the real people. I never understood them. I still do not understand them, and I do not really want to understand them.
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