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As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000)

Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.

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Cast

Credited cast:
Jonas Mekas ...
Himself / Narrator
Rest of cast listed alphabetically:
Jane Brakhage ...
Herself (archive footage)
Stan Brakhage ...
Himself (archive footage)
Robert Breer ...
Himself (archive footage)
Hollis Frampton ...
Himself (archive footage)
...
Himself (archive footage)
Ken Jacobs ...
Himself (archive footage)
Peter Kubelka ...
Himself (archive footage)
Adolfas Mekas ...
Himself (archive footage)
...
Herself (archive footage)
Sebastian Mekas ...
Himself (archive footage)
P. Adams Sitney ...
Himself (archive footage)
...
Himself (archive footage)
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Storyline

Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.

Plot Summary | Add Synopsis


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Details

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12 December 2001 (USA)  »

Also Known As:

As I Moved Ahead Occasionally I Saw Brief Glimpses of Beauty  »

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Technical Specs

Runtime:

(12 parts)

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"The ultimate Dogma movie before the birth of Dogma," is how its maker, Jonas Mekas described it. See more »

Quotes

Jonas Mekas: Memories, memories. They come and go in no particular order.
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User Reviews

 
Nothing is too insignificant
21 October 2001 | by (Vienna) – See all my reviews

Mekas seemingly attempts to re/de construct his life, splicing together apparently random snippets of home movies he shot over the past 30-odd years. Birthdays, Travels, Picknicks in Central Park, his daughters first steps, a parade in New York City, jumbled and bunched together, occasionally introduced or accompanied by short bits of rumination in written or spoken form. Mekas comments his own life (at least the parts he decided to show us), talks of friends and family and things past. And of his Faible for all things unimportant, which is the core of this work of life. In the end it's an hypnotic, melancholic piece of epic proportions, an Ode to the small wonders of life, those "glimpses of beauty".


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