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- "Punishment Park" is a pseudo-documentary purporting to be a film crews's news coverage of the team of soldiers escorting a group of hippies, draft dodgers, and anti-establishment types across the desert in a type of capture the flag game. The soldiers vow not to interfere with the rebels' progress and merely shepherd them along to their destination. At that point, having obtained their goal, they will be released. The film crew's coverage is meant to insure that the military's intentions are honorable. As the representatives of the 60's counter-culture get nearer to passing this arbitrary test, the soldiers become increasingly hostile, attempting to force the hippies out of their pacifist behavior. A lot of this film appears improvised and in several scenes real tempers seem to flare as some of the "acting" got overaggressive. This is a interesting exercise in situational ethics. The cinéma vérité style, hand-held camera, and ambiguous demands of the director - would the actors be able to maintain their roles given the hazing they were taking - pushed some to the brink. The cast's emotions are clearly on the surface. Unfortunately this film has gone completely underground and is next to impossible to find. It would offer a captivating document of the distrust that existed between soldiers willfully serving in the military and those persons who opposed the war peacefully.
- Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.
- A gang of Nazi bikers prepares for a race as sexual, sadistic, and occult images are cut together.
- This collage of found film footage, assembles porn movie, children's instructional film, sports coverage and 50s Hollywood musicals to construct an investigation of gay men's differing attitudes towards the female body. A clever and contentious film.
- Claimed by some to be one of the most unconventional and experimental films ever made, Wavelength is a structural film of a 45-minute long zoom in on a window over a period of a week. Very unconventional and experimental, indeed.
- At a morgue, forensic pathologists conduct autopsies of the corpses assigned.
- The psychological and emotional motivations of gay sexual fetish, especially relating to gay male teens maturing into men and their sexual exploits.
- Stan Brakhage films the birth of his first child, Myrrena.
- A dissatisfied dreamer awakes, goes out in the night seeking a 'light' and is drawn through the needle's eye. A dream of a dream, he returns to bed less empty than before.
- A global look at the impact of military use of nuclear technology and people's perception of it.
- Follows the journey taken by 17-year-old Martin through Latin America - by bicycle - from his snow-frozen school in Tierra del Fuego in search of his 'real' father, a cartoonist turned anthropologist believed to be in the Amazon jungle.
- Clips of atomic explosions, pornography, and B-movies are spliced together to evoke certain emotions.
- A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.
- A independent director is faced with artistic difficulty when he asks his actresses to show nudity.
- A surreal, nightmarish collection of imagery.
- A "found foliage" film composed of insects, leaves, and other detritus sandwiched between two strips of perforated tape.
- Involves a nurse trapped in an unhappy marriage who escapes the big city in search of greener pastures in Blessed Prairie, Oklahoma. Swerving from earnest homage to dark satire.
- An unknown creature has murdered the Creator of Universe and unleashed the ability to produce miracles. This ability is now in the hands of human beings who have driven themselves into destructive envy and the horrible chaos of suddenly becoming Gods themselves.
- Notes of journey life of Stan Brakhage like a befits of a diary book in a very strong sense of experimentation, romantic, modernist and abstract.
- In a series of 26 short autobiographical vignettes, Su Friedrich methodically analyzes and reflects on her childhood and the emotional scars left by her detached and self-involved father.
- A compilation of selected bits of archival footage put to a narration of news reports describing the day President John F. Kennedy was assassinated.
- "Damned If You Don't is a real prize. Beautifully shot in black and white, it blends conventional narrative technique with impressionistic camerawork, symbols and voicovers to create an intimate study of sexual expression and repression. It begins with footage from a stylish old potboiler about an isolated convent, whose tale of passions leashed and unleashed provides the leitmotif for a young lesbian who watches it and the lonely nun she pursues and seduces. As the two women's lives come closer to joining, voiceovers from the biography of a 16th century lesbian nun and the reminiscences of a woman's closeted romances at a Catholic school flesh out the theme. When the two women finally meet and make love, the woman's careful unwrapping of the nun's complicated prison of clothing is both foreplay and liberating metaphor. The film is as hypnotic as a dream."
- Bruce Conner's 1966 dazzling dance short, "Breakaway", a film poem marrying the rhythm of the editing, movement of the body and the camera to a beautiful effect.
- A 3 minute pan to the left.
- An experimental short film by Stan Brakhage which displays various lights and colors.
- A young man strolls through a city. He walks under a bridge toward a rail yard. A young woman sees him and walks beside him. They cross the tracks and walk into the countryside. They stop at a river. They hold hands. It starts to rain; it's a downpour. They seek shelter in an abandoned shack. They kiss, long and hard. It stops raining; they leave together but seem alone. They part at the railroad tracks. She watches him go, but he doesn't look back.
- A camera in a classroom continuously sways back and forth at various speeds as people occasionally move around the setting.
- Essential, integral experimental work from the late 1950s is an incredible dance of montage and super-imposition starring none other than New York City's various bridges, transforming them into an urban jungle (jazz version) or an alien landscape (electro-acoustic version)
- A visual documentary inspired by Erik Satie, showcasing the sights and sounds of the industrialized Castro Street in Richmond, California.
- A short film by Stan Brakhage in which New York City's Third Avenue elevated train is filmed before its destruction.
- A montage of images of film making is followed by a silent western story.
- A surreal and comic exploration of an office space and the decorations of a living room.
- Skin, eyes, knees, horses, hair, sun, earth. Old song of Mexican hero, Valentin, sung by blind Jose Santollo Nadiso en Santa Cruz de la Soledad.
- Phrases of Stephen Foster, set to music by Joel Heartling, are set to film in this autobiographical piece: a solitary female voice, occasionally joined by a chorus, sings phrases of sorrow as we watch a solitary man in shadows in an unadorned house: he stretches out, he picks his feet, he walks across a room, he rocks in a chair. Occasionally he watches two young children at play; the film sometimes speeds up. Handwritten words, like "dark void" and "waiting longing," cross the screen. Film and phrases often come in short bursts. Outdoor it looks gray and cold.
- A professional surfer and his rescued French friend venture to Hawaii after winning a plane ticket at a California surf contest. Spaghetti fights and half baked hijinx ensue.
- A short film composed of eight static shots of a city street.
- The third part of Dog Star Man (1964), an experimental film wherein a man climbs a mountain along with his dog.
- Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat.
- A short black and white film where circus performers entertain children.
- An experimental film with images of hippos, families, children playing, and more. This is part of the Song series by Stan Brakhage.
- GENTLY DOWN THE STREAM is constructed from fourteen dreams taken from eight years' worth of my journals. The text is scratched directly on to the film so that you hear your own voice as you read. The accompanying images of women, water, animals and saints were chosen for their indirect but potent correspondence to the text.
- Stan Brakhage's artistic view of the cosmos.
- An experimental short film of flashing images made by Stan Brakhage.
- The prelude to Dog Star Man (1964), an experimental film wherein a man climbs a mountain along with his dog.
- An experimental film by Stan Brakhage combining flashing lights and colors. This is part of the Arabic Numeral Series.
- This way madness - or experimental filmmaking - lies. A solitary man in coat and tie enters an apartment that may be a converted garage. It's midnight. He appears agitated and distraught. He throws a glass of water in his face and laughs. He takes off the coat and tie. His moods swing. He stares at a light bulb. He removes his shirt. He lights a cigarette. He looks at a book. He does something drastic and self-destructive. He opens doors to a garden that we see as a film's negative. We see his face as if peering around a plant. The garden doors close behind him.
- An experimental short by Stan Brakhage which overlaps various footage, focusing on rocks and ice boulders, with colors and lights.
- A stand of birches. Sunlight brightens and dims, revealing more or less of the woods. A little grass is on the forest floor. Is there a shape in the shadows? Something green is out of focus. The light flashes, and the screen goes dark from time to time. We look up close at the bark of trees. Is the god of the forest to be seen?
- Extreme close-ups of 38 vulvas, aged three months to fifty-six years, including two blacks, one half-oriental girl, two lesbians, one prostitute, two adult virgins, three mothers to be, three grandmothers, four women menstruating, one girl with gonorrhea (learned just days after the shoot), a woman who learned she had uterine cancer three weeks after the shoot, and a lot of mothers. Intended as an educational film by and for women, but screened to mixed audiences, the women photographed were mostly friends and acquaintances, or children of friends and acquaintances, of the director. The Glide Methodist Church's education division, which specialized in community service related to sexuality and pregnancy, produced the film, despite the director's male colleagues finding the concept unsavory.