| Sam Elliott | ... | Detective Lukas Black | |
| Jamie Kennedy | ... | Albert Straka | |
| Carlton Elizabeth | ... | Sara Carreni | |
| Michael Cavalieri | ... | Frank Carreni | |
| Lori Heuring | ... | Emily | |
| Keith David | ... | Detective Charles Desett | |
| Bridget Ellen | ... | Tina | |
| Nick Swardson | ... | Shaun | |
| Michael Philip | ... | Jim | |
| Ancorneil | ... | Mrs. Shay | |
| Karen Bailey | ... | Marlene | |
| Jonny Van Okur | ... | Wayne | |
| Ruta Lee | ... | Antique Store Patron | |
| Robert Harvey | ... | Detective Tableau | |
| Aaron Zuber | ... | Psychotic Criminal | |
| Archie Drury | ... | Walter | |
| Nasser Faris | ... | Store Keeper (as Al Faris) | |
| Elisa Benini | ... | Teenage Sarah | |
| Peter Allias | ... | Sarah's Father |
Directed by | |||
| Jack N. Green | (as Jack Green) | ||
Writing credits(in alphabetical order) | ||
| Christopher Keller | ||
Produced by | |||
| Michael Cavalieri | .... | associate producer | |
| David Gebbia | .... | producer (as The Gebbia Brothers) | |
| Gloria Gebbia | .... | executive producer | |
| John Gebbia | .... | executive producer | |
| Richard Gebbia | .... | producer (as The Gebbia Brothers) | |
| Peter N. Green | .... | associate producer | |
| Christopher Keller | .... | executive producer | |
Original Music by | |||
| Normand Corbeil | |||
Cinematography by | |||
| Jack N. Green | |||
Film Editing by | |||
| Samuel Craven | |||
Casting by | |||
| Steve Brooksbank | |||
Production Design by | |||
| Franco-Giacomo Carbone | |||
Set Decoration by | |||
| Ann Shea | |||
Costume Design by | |||
| Alexis Scott | |||
Makeup Department | |||
| Martina Kohl | .... | makeup department head | |
Production Management | |||
| Cory R. Konger | .... | unit production manager | |
| Aaron Zuber | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sam Hill | .... | first assistant director | |
| Timothy R. Price | .... | second assistant director | |
| Paul Schneider | .... | second second assistant director | |
Art Department | |||
| Scott Bauer | .... | assistant property master | |
| Tim Fassino | .... | set dresser | |
| Michael E. Johnson | .... | set dresser | |
| Charles Kern | .... | stand-by painter | |
| Talon McKenna | .... | carpenter | |
| Kimberly Wannop | .... | art department assistant | |
| Diana Anctil | .... | production painter (uncredited) | |
Sound Department | |||
| Nicholas R. Allen | .... | boom operator | |
| Willy Allen | .... | supervising sound editor | |
| Steven Avila | .... | assistant sound editor | |
| Trip Brock | .... | co-supervising sound editor | |
| Michael J. Fox | .... | adr mixer | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Kelly Vandever | .... | sound re-recording mixer | |
| Jackie Oster | .... | adr editor (uncredited) | |
Visual Effects by | |||
| Ziad Seirafi | .... | CGI supervisor: titles | |
| Dan Walker | .... | digial opticals | |
Stunts | |||
| Jimmy Romano | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jason Andrew | .... | grip | |
| Ryan Green | .... | camera operator: "a" camera | |
| Frank R. Jimenez Jr. | .... | gaffer | |
| Tony Rivetti Jr. | .... | unit still photographer | |
Casting Department | |||
| Gregory Douglas | .... | casting assistant | |
Editorial Department | |||
| Laura M. Grody | .... | assistant editor | |
Music Department | |||
| Roger Hewett | .... | orchestrator | |
Transportation Department | |||
| Eric Moon | .... | driver | |
| Michael Perrotti | .... | transportation coordinator | |
Other crew | |||
| Allan Bragg | .... | stand-in: Sam Elliot | |
| Jimmy Holcomb | .... | production coordinator | |
| Mark Benton Johnson | .... | location manager (as Mark B. Johnson) | |
| Jessica Littlefield | .... | production assistant | |
| Karon May | .... | script supervisor | |
| David Mendoza | .... | production assistant | |
| Ryan Stafford | .... | production assistant | |
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| Jimmy and Judy | The Last Seduction | Dead Ringers | Best Laid Plans | Body of Evidence |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb USA section |
Schlemiel falls in love with screwed-up junkie slut and gets involved with murder. The story unfolds in flashback. If you can't figure out what part Sam Elliott's character has in all this, you must have gotten an F in Plotting 102. A (very) little bit of NYPD BLUE type nudity for those who care, but this is no erotic thriller by any stretch.
Script is awful (writer is also producer -- it always pays to bring the ball), but performances would probably be OK in a high school play with a lot of bondage sex, cursing, sexual violence, and drug use. (The 12-stringer doesn't object to any of those except when they're handled as poorly as they are here.) Femme lead Carlton Elizabeth looks like a model and tries hard with what there is. It's not her fault that she's styled and shot throughout as if she's badly in need of a) a bath, b) a meal, and c) an implant reset.
Grimy, shot-in-the-dark film may look better on big screen, but I've only seen it on HBO in tv ratio and was reaching for a flashlight by the second reel. Aggressively unappealing characters and who-cares plot torpedo this one quickly. Not likely to be on anyone's resumé this time next year, but a sure bet to run on HBO as often as they carry SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE.
On a scale of 1-10, 1 from the 12-stringer, but I still think there should be a 0 category.