Mysterious bomber is planting explosive devices in Seattle. Since their quality takes too big a toll among Seattle Police bomb experts, John Pierce, former head of the Bomb Squad, ... See full summary »
Charles Martin Smith,
Film cutter Katie Griffin is hopelessly in love with writer Richard Mannhart, and starts an affair with him. When Mannhart's wife is killed in a road accident, Katie tells the police she ... See full summary »
Lucy (Leslie Hope), her husband Michael (Victor Ertmanis), and their business partner William (Dan Left) are the owners of a small publishing company in Toronto. The stability of their ... See full summary »
After years of suffering under her beating husband, Sarah decides to no longer take any humiliation or battery - and kills him. For that, Marshal Speakes - her father in law - sentences her... See full summary »
Fact-based bio of early film director-producer, Bill Tilghman (Sam Elliott). Tighman was a real life cowboy, who rode with the Earps & faced down countless bad guys. When he turned to films... See full summary »
John Kent Harrison
Terri Hansen is discovered in the desert beside the blackened husk of her car which contains the charred corpse of her husband. When forensic evidence makes her out to be her husband's ... See full summary »
Schlemiel falls in love with screwed-up junkie slut and gets involved with murder. The story unfolds in flashback. If you can't figure out what part Sam Elliott's character has in all this, you must have gotten an F in Plotting 102. A (very) little bit of NYPD BLUE type nudity for those who care, but this is no erotic thriller by any stretch.
Script is awful (writer is also producer -- it always pays to bring the ball), but performances would probably be OK in a high school play with a lot of bondage sex, cursing, sexual violence, and drug use. (The 12-stringer doesn't object to any of those except when they're handled as poorly as they are here.) Femme lead Carlton Elizabeth looks like a model and tries hard with what there is. It's not her fault that she's styled and shot throughout as if she's badly in need of a) a bath, b) a meal, and c) an implant reset.
Grimy, shot-in-the-dark film may look better on big screen, but I've only seen it on HBO in tv ratio and was reaching for a flashlight by the second reel. Aggressively unappealing characters and who-cares plot torpedo this one quickly. Not likely to be on anyone's resumé this time next year, but a sure bet to run on HBO as often as they carry SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE.
On a scale of 1-10, 1 from the 12-stringer, but I still think there should be a 0 category.
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