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Directed by | |||
| Raja Gosnell | |||
Writing credits(WGA) | ||
| Darryl Quarles | (story) | |
| Darryl Quarles | (screenplay) and | |
| Don Rhymer | (screenplay) | |
Produced by | |||
| Peaches Davis | .... | co-producer | |
| David T. Friendly | .... | producer | |
| Michael Green | .... | producer | |
| David Higgins | .... | co-producer | |
| Jeff Kwatinetz | .... | executive producer | |
| Martin Lawrence | .... | executive producer | |
| Rodney Liber | .... | executive producer | |
| Arnon Milchan | .... | executive producer | |
| Aaron Ray | .... | co-producer | |
Original Music by | |||
| Richard Gibbs | |||
Cinematography by | |||
| Michael D. O'Shea | |||
Film Editing by | |||
| Kent Beyda | |||
| Bruce Green | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Craig Stearns | |||
Art Direction by | |||
| Randy Moore | |||
| Miles Teves | |||
Set Decoration by | |||
| Ellen Totleben | |||
Costume Design by | |||
| Francine Jamison-Tanchuck | |||
Makeup Department | |||
| Gary Archer | .... | dental prosthetics | |
| Greg Cannom | .... | special makeup effects | |
| Chris Gallaher | .... | special makeup effects artist | |
| Glen Hanz | .... | sculptor: Captive Audience Productions | |
| John Kim | .... | makeup effects technician: Captive Audience Productions | |
| Mary Kim | .... | makeup effects production supervisor: Captive Audience Productions Inc. | |
| Mark Nieman | .... | silicone prosthetic technician: Captive Audience Productions ) | |
| Nadyne Peoples | .... | additional makeup artist | |
| Michael Peterson | .... | lab makeup effects | |
| Beverly Jo Pryor | .... | key makeup artist | |
| Joseph Michael Regina | .... | key makeup artist | |
| Roxanne Rizzo | .... | makeup artist | |
| Brian Sipe | .... | special makeup effects artist | |
| Bryan Smith | .... | mold maker: Captive Audience Productions | |
| Jennifer Teves | .... | production supervisor: Captive Audience Productions | |
| Todd Tucker | .... | special makeup effects artist | |
| Keith VanderLaan | .... | makeup effects producer: Captive Audience Productions | |
| Brian Wade | .... | special effects makeup sculptor | |
| Wesley Wofford | .... | prosthetic makeup artist | |
Production Management | |||
| Steven Brown | .... | production manager | |
Art Department | |||
| Anthony Aguilar | .... | propmaker | |
| Bobby Bednar | .... | general foreman: construction | |
| Wren Boney | .... | props buyer | |
| Mariko Braswell | .... | set designer | |
| David T. Cannon | .... | construction coordinator | |
| Charisse Cardenas | .... | set designer | |
| Vincent D'Aquino | .... | greensman | |
| William DeBiasio | .... | set dresser | |
| Bryan Duff | .... | assistant property master | |
| Michael Grover Forster | .... | propmaker gangboss | |
| Craig Gadsby | .... | leadman | |
| Rod Garvin | .... | painter | |
| Jeff Halvorsen | .... | set dresser | |
| Kent Jones | .... | paint foreman | |
| Al Kenders | .... | painter (as Al 'Painter' Kenders) | |
| Lyle Maves | .... | lead plasterer foreman | |
| Bryan McBrien | .... | greens foreman | |
| Robert Misetich | .... | paint foreman | |
| Rudy Reachi | .... | property master | |
| Kathleen Walker | .... | art department coordinator | |
Special Effects by | |||
| Connie Angland | .... | special effects technician | |
| Larry Fioritto | .... | special effects coordinator | |
| Wes Mattox | .... | special effects foreman | |
| Virgil Sanchez | .... | special effects foreman | |
| Doyle Smiley | .... | special effects foreman | |
| Shea Clayton | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Patrick Flanagan | .... | digital artist | |
| Tyler Foell | .... | compositing supervisor | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Ralph Maiers | .... | digital compositor: Digiscope | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Peter W. Moyer | .... | visual effects supervisor: Digital Filmworks | |
| Patrick Murphy | .... | digital artist: Pixel Magic | |
| Marco S. Paolini | .... | digital compositor | |
| Rich Thorne | .... | visual effects supervisor | |
Stunts | |||
| Dick Baker | .... | stunts | |
| Andy Cheno | .... | stunts | |
| Arnold Chon | .... | stunts | |
| Liisa Cohen | .... | stunts (as Liisa 'Sparky' Cohen) | |
| Eugene Collier | .... | stunts | |
| Keith Cooke | .... | stunts | |
| Ousaun Elam | .... | stunts | |
| Clay Donahue Fontenot | .... | stunt double: Terrence Dashon Howard | |
| Eddie Hice | .... | stunts | |
| Hollis Hill | .... | stunts | |
| David Hugghins | .... | stunts | |
| Melvin Jones | .... | stunts | |
| David Leitch | .... | stunts | |
| Will Leong | .... | stunts | |
| Kent W. Luttrell | .... | stunt rigger | |
| Ernie F. Orsatti | .... | stunt coordinator (as Ernie Orsatti) | |
| Stan Lee Rice | .... | assistant stunt coordinator | |
| Stan Lee Rice | .... | stunt double: Martin Lawrence | |
| Big Daddy Wayne | .... | stunts | |
| Mitch Toles | .... | precision driver (uncredited) | |
Casting Department | |||
| Reggie Jackson II | .... | casting assistant | |
| Reggie Jackson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Diane Charles | .... | set costumer | |
| Joseph T. Mastrolia | .... | set costumer | |
| Katrina Mastrolia | .... | set costumer | |
| Robert Mata | .... | costumer: Mr. Lawrence | |
| Leticia Sandoval | .... | specialty costumes | |
Editorial Department | |||
| Andrea Bottigliero | .... | first assistant editor | |
| Thomas Calderon | .... | assistant editor | |
| Margaret Liu | .... | assistant editor | |
| Ivan Martin del Campo | .... | apprentice editor | |
| Mark Nakamine | .... | digital color correction | |
| Eric Osmond | .... | assistant editor | |
| Peter Tackaberry | .... | assistant editor | |
| Bronwyn Waddington | .... | assistant editor | |
| Lynne Warr | .... | assistant editor | |
Music Department | |||
| Spring Aspers | .... | music supervisor | |
| Bronwen Boyan | .... | music coordinator | |
| Tim Boyle | .... | score mixer | |
| Todd Bozung | .... | associate music editor | |
| Celeste Chada | .... | music licensing | |
| Jason Frederick | .... | music scoring assistant | |
| Marvin R. Morris | .... | music editor | |
| Katherine Quittner | .... | music editor | |
| John Rodd | .... | orchestral scoring recordist | |
| Allan K. Rosen | .... | music editor | |
| Patrick Russ | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: french horn | |
| Steve Wilkinson | .... | musician | |
Transportation Department | |||
| Billy G. Arter | .... | transportation coordinator | |
| David R. Blakely | .... | driver | |
| Roger Bojarski Jr. | .... | driver | |
| Richard C. Ryan | .... | transportation co-captain | |
| Alberto Coto | .... | driver (uncredited) | |
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| Home Alone 3 | Big Momma's House 2 | Cookie's Fortune | Shadow of a Doubt | The Amateurs |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Big Momma's House is directed by Raja Gosnell, written by Darryl Quarles and Don Rhymer, and stars Martin Lawrence, Paul Giamatti, Nia Long & Terrance Howard. Lawrence plays FBI Agent Malcolm Turner who goes undercover as "Big Momma" Hattie Mae Pierce (Ella Mitchell), so as to hopefully snare escaped convict Lester Vesco (Howard). "Big Momma" is the aunt of Vesco's ex-wife, Sherry (Long), who is on her way to "Big Momma's" to hide out after hearing of Lester's escape.
In spite of baffling critics-and not finding many casual film viewers willing to say they enjoyed it! the film was a surprise hit and opened as the number two movie in North America. It went on to gross over $117 million at the box office and subsequently ensured that a sequel would follow down the line (it arrived in 2006). The film isn't pretending to be anything other than the mindless comedy it is. If viewed on those terms then it can be enjoyed. Sure some of the gags are puerile, and Lawrence is an acquired taste, tho his energy and comedy timing are first rate here. But it does work to a degree. It's been done better in the likes of Tootsie and Mrs. Doubtfire, and the plot, with it's boorish romantic strand, is merely an excuse for "Big Momma" to get into daft scrapes. Yet the action is nicely staged and the pace of the piece never sags. There's also fun to be had in watching Giamatti & Howard looking like they just know they should be doing better stuff than this!.
Forgettable juvenile fluff for sure, but likable enough; in that brain at the door-bucket of popcorn-way. 6/10