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Directed by | |||
| Raja Gosnell | |||
Writing credits(WGA) | ||
| Darryl Quarles | (story) | |
| Darryl Quarles | (screenplay) and | |
| Don Rhymer | (screenplay) | |
Produced by | |||
| Peaches Davis | .... | co-producer | |
| David T. Friendly | .... | producer | |
| Michael Green | .... | producer | |
| David Higgins | .... | co-producer | |
| Jeff Kwatinetz | .... | executive producer | |
| Martin Lawrence | .... | executive producer | |
| Rodney Liber | .... | executive producer | |
| Arnon Milchan | .... | executive producer | |
| Aaron Ray | .... | co-producer | |
Original Music by | |||
| Richard Gibbs | |||
Cinematography by | |||
| Michael D. O'Shea | |||
Film Editing by | |||
| Kent Beyda | |||
| Bruce Green | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Craig Stearns | |||
Art Direction by | |||
| Randy Moore | |||
| Miles Teves | |||
Set Decoration by | |||
| Ellen Totleben | |||
Costume Design by | |||
| Francine Jamison-Tanchuck | |||
Makeup Department | |||
| Gary Archer | .... | dental prosthetics | |
| Greg Cannom | .... | special makeup effects | |
| Chris Gallaher | .... | special makeup effects artist | |
| Glen Hanz | .... | sculptor: Captive Audience Productions | |
| John Kim | .... | makeup effects technician: Captive Audience Productions | |
| Mary Kim | .... | makeup effects production supervisor: Captive Audience Productions Inc. | |
| Mark Nieman | .... | silicone prosthetic technician: Captive Audience Productions ) | |
| Nadyne Peoples | .... | additional makeup artist | |
| Michael Peterson | .... | lab makeup effects | |
| Beverly Jo Pryor | .... | key makeup artist | |
| Joseph Michael Regina | .... | key makeup artist | |
| Roxanne Rizzo | .... | makeup artist | |
| Brian Sipe | .... | special makeup effects artist | |
| Bryan Smith | .... | mold maker: Captive Audience Productions | |
| Jennifer Teves | .... | production supervisor: Captive Audience Productions | |
| Todd Tucker | .... | special makeup effects artist | |
| Keith VanderLaan | .... | makeup effects producer: Captive Audience Productions | |
| Brian Wade | .... | special effects makeup sculptor | |
| Wesley Wofford | .... | prosthetic makeup artist | |
Production Management | |||
| Steven Brown | .... | production manager | |
Art Department | |||
| Anthony Aguilar | .... | propmaker | |
| Bobby Bednar | .... | general foreman: construction | |
| Wren Boney | .... | props buyer | |
| Mariko Braswell | .... | set designer | |
| David T. Cannon | .... | construction coordinator | |
| Charisse Cardenas | .... | set designer | |
| Vincent D'Aquino | .... | greensman | |
| William DeBiasio | .... | set dresser | |
| Bryan Duff | .... | assistant property master | |
| Michael Grover Forster | .... | propmaker gangboss | |
| Craig Gadsby | .... | leadman | |
| Rod Garvin | .... | painter | |
| Jeff Halvorsen | .... | set dresser | |
| Kent Jones | .... | paint foreman | |
| Al Kenders | .... | painter (as Al 'Painter' Kenders) | |
| Lyle Maves | .... | lead plasterer foreman | |
| Bryan McBrien | .... | greens foreman | |
| Robert Misetich | .... | paint foreman | |
| Rudy Reachi | .... | property master | |
| Kathleen Walker | .... | art department coordinator | |
Special Effects by | |||
| Connie Angland | .... | special effects technician | |
| Larry Fioritto | .... | special effects coordinator | |
| Wes Mattox | .... | special effects foreman | |
| Virgil Sanchez | .... | special effects foreman | |
| Doyle Smiley | .... | special effects foreman | |
| Shea Clayton | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Patrick Flanagan | .... | digital artist | |
| Tyler Foell | .... | compositing supervisor | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Ralph Maiers | .... | digital compositor: Digiscope | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Peter W. Moyer | .... | visual effects supervisor: Digital Filmworks | |
| Patrick Murphy | .... | digital artist: Pixel Magic | |
| Marco S. Paolini | .... | digital compositor | |
| Rich Thorne | .... | visual effects supervisor | |
Stunts | |||
| Dick Baker | .... | stunts | |
| Andy Cheno | .... | stunts | |
| Arnold Chon | .... | stunts | |
| Liisa Cohen | .... | stunts (as Liisa 'Sparky' Cohen) | |
| Eugene Collier | .... | stunts | |
| Keith Cooke | .... | stunts | |
| Ousaun Elam | .... | stunts | |
| Clay Donahue Fontenot | .... | stunt double: Terrence Dashon Howard | |
| Eddie Hice | .... | stunts | |
| Hollis Hill | .... | stunts | |
| David Hugghins | .... | stunts | |
| Melvin Jones | .... | stunts | |
| David Leitch | .... | stunts | |
| Will Leong | .... | stunts | |
| Kent W. Luttrell | .... | stunt rigger | |
| Ernie F. Orsatti | .... | stunt coordinator (as Ernie Orsatti) | |
| Stan Lee Rice | .... | assistant stunt coordinator | |
| Stan Lee Rice | .... | stunt double: Martin Lawrence | |
| Big Daddy Wayne | .... | stunts | |
| Mitch Toles | .... | precision driver (uncredited) | |
Camera and Electrical Department | |||
| Mark 'Boylee' Boyle | .... | second assistant camera | |
| Glenn Corbett | .... | rigging gaffer | |
| Bob Gorelick | .... | Steadicam operator | |
| Bob Gorelick | .... | camera operator: "b" camera | |
| Jack M. Guberman | .... | best boy electric: second unit | |
| Craig Horwitz | .... | rigging electrician | |
| Jay M. Huntoon | .... | video assist operator: second unit | |
| Michael A. Jones | .... | electrician | |
| Aaron Katz | .... | video assist operator | |
| Darren Langer | .... | electrician | |
| Jerry L. Mandley | .... | lighting technician | |
| Don McCuaig | .... | director of photography: second unit (as Donald M. McCuaig) | |
| Ronald A. Miller | .... | rigging grip | |
| Sean J. O'Shea | .... | first assistant camera | |
| Jack S. Schlosser | .... | gaffer | |
| Tim Sheridan | .... | second assistant camera (as Tim 'Teet' Sheridan) | |
| Steve Suveg | .... | rigging grip | |
| Kirk Tedeski | .... | video playback coordinator | |
| R. Gern Trowbridge | .... | electrician: additional photography | |
| Mark Vollmer | .... | best boy: second unit | |
| Ken Little Jr. | .... | assistant camera (uncredited) | |
Casting Department | |||
| Reggie Jackson II | .... | casting assistant | |
| Reggie Jackson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Diane Charles | .... | set costumer | |
| Joseph T. Mastrolia | .... | set costumer | |
| Katrina Mastrolia | .... | set costumer | |
| Robert Mata | .... | costumer: Mr. Lawrence | |
| Leticia Sandoval | .... | specialty costumes | |
Editorial Department | |||
| Andrea Bottigliero | .... | first assistant editor | |
| Thomas Calderon | .... | assistant editor | |
| Margaret Liu | .... | assistant editor | |
| Ivan Martin del Campo | .... | apprentice editor | |
| Mark Nakamine | .... | digital color correction | |
| Eric Osmond | .... | assistant editor | |
| Peter Tackaberry | .... | assistant editor | |
| Bronwyn Waddington | .... | assistant editor | |
| Lynne Warr | .... | assistant editor | |
Music Department | |||
| Spring Aspers | .... | music supervisor | |
| Bronwen Boyan | .... | music coordinator | |
| Tim Boyle | .... | score mixer | |
| Todd Bozung | .... | associate music editor | |
| Celeste Chada | .... | music licensing | |
| Jason Frederick | .... | music scoring assistant | |
| Marvin R. Morris | .... | music editor | |
| Katherine Quittner | .... | music editor | |
| John Rodd | .... | orchestral scoring recordist | |
| Allan K. Rosen | .... | music editor | |
| Patrick Russ | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: french horn | |
| Steve Wilkinson | .... | musician | |
Transportation Department | |||
| Billy G. Arter | .... | transportation coordinator | |
| David R. Blakely | .... | driver | |
| Roger Bojarski Jr. | .... | driver | |
| Richard C. Ryan | .... | transportation co-captain | |
| Alberto Coto | .... | driver (uncredited) | |
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| Home Alone 3 | Big Momma's House 2 | Cookie's Fortune | Shadow of a Doubt | The Amateurs |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I was in my early teens when this was released ten years ago, and I never heard of it at the time. In early 2006, I went to the theatre while this movie's sequel, "Big Momma's House 2", was playing, but since I had never seen the original by this point and could see that the sequel was widely hated, it was obviously not the movie I was going to see. Instead, I went to see "The Matador" on that particular trip to the movie theatre. It took me over four years after that to get around to watching the original "Big Momma's House", and just before seeing it, I had low expectations, thinking it would probably be a very unfunny comedy, even if it wasn't absolutely terrible. However, while it's unsurprisingly not that great, I did laugh.
Malcolm Turner is an FBI agent who is very skilled in disguising himself for undercover operations. After it is announced that a murderer and robber named Lester Vesco has just escaped from prison, where he was serving his life sentence, Malcolm and fellow FBI agent John Maxwell are sent to catch him. The FBI believes that the criminal's ex-girlfriend, Sherry Pierce, was also involved in criminal activity, but they haven't been able to prove it. Malcolm and John go to the neighbourhood in Georgia where Sherry's morbidly obese grandmother, Hattie Mae Pierce (a.k.a. Big Momma) lives, and begin to spy on her. Sherry is on her way to her grandmother's house with her son, Trent, but before they arrive, Big Momma leaves town unexpectedly, so Malcolm decides to pose as the feisty elderly woman! He takes on her lifestyle while trying to get the truth from Sherry, and also finds himself falling for the criminal's ex-girlfriend!
Before it is announced that Lester has escaped from prison and Malcolm and John go to spy on Big Momma's house, the film begins with the two FBI agents busting a dog fight, and I guess parts of this sequence are somewhat funny, but no more than that. The film continues to be mostly straight-faced after this, as we learn about the escaped prisoner, the two agents are sent on their mission, and Malcolm disguises himself as Big Momma. The early part where Malcolm has to hide in the shower while Big Momma defecates is memorable, but not in a good way. For a while, it didn't seem like I would be able to give "Big Momma's House" a rating higher than 5/10. I frequently snickered, but it didn't look like I would ever find any BIG laughs in the film. However, that eventually changed. While it's still not that consistent later on, it certainly can be funny with the things Malcolm has to do while in disguise, including a baby delivery. The scene with Sherry seeing Malcolm as himself and the FBI agent claiming to be a handyman is also a really funny part. The story and characters can also be interesting.
This 2000 release is definitely not generally considered one of the great modern-day comedies, and after seeing it, I can understand why, but I've seen much worse excuses for comedy. I wouldn't have been too surprised if I had thought "Big Momma's House" was really lame when I watched it, but while I'm sure many people think it is, I can't say I do. It is uneven, but sometimes funny. Also, there isn't nearly as much juvenile toilet humour in the movie as that one defecation scene suggests! Martin Lawrence plays the lead role here. I haven't seen him in any other film and have only seen a bit of his stand-up comedy, so I'm not that familiar with his work, but think he does a pretty good job with his performance here. This film is a little cheesy and doesn't have the most original plot, and more thought could have been put into the ending as well, but if you want a silly, raunchy comedy, this particular one might work, at least in some parts.