An observable, fast-talking party man Darnell Wright, gets his punishment when one of his conquests takes it personally and comes back for revenge in this 'Fatal Attraction'-esque comic ... See full summary »
FBI agent Malcolm Turner is known best for being a brilliant, master of disguise. Malcolm's latest assignment sends him to small-town Georgia, where he's assigned to trap a brutal bank robber (and a recent prison escapee) who they suspect will be coming down to visit his ex-girlfriend Sherry and her son. Malcolm sets up a stakeout across from the home of a larger-than-life southern matriarch known as Big Momma, who's about to be visited by Sherry. It's a simple plan, but there's one big problem: Unbeknownst to Sherry, Big Momma has unexpectedly left town. So Malcolm, decides to impersonate the cantankerous Southern granny. Using a few tricks of disguise, he completely transforms himself into Big Momma, even taking on the corpulent septuagenarian's everyday routine-from cooking soul food to delivering babies to "testifying" at the local church. In the mean time, Malcolm starts falling for Sherry, who may or may not be hiding some stolen cash. Now, Malcolm/Big Momma must somehow find a ... Written by
Screenwriter Darryl Quarles came up with the idea for the name "Big Momma" because it was what the neighborhood kids used to call his own real life mother. See more »
When Big Momma goes downtown with Sherry, the car is parked with the top down as Lester comes up to them. When Sherry heads across the street and Big Momma walks away to head to the self-defense class, the car is seen in the background with the top up. See more »
[on the phone]
Yeah, he knows what he's doing.
[faces Malcolm immediately afterwards]
What the hell are you doing?
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Martin Lawrence is often trusty in the world of comedy. Maybe I'm just overcoming his awful "Blue Streak," but I felt this comedy--though saggy at times--was quite funny. The premise is undoubtedly implausible. How's a whole neighborhood going to believe that this undercover cop with a latex body that looks somewhat like Big Momma is actually Big Momma? There's a lot of disbelief to suspend. But the gags often worked and I can say I laughed about 75 percent of the time. Some are predictable, like when Big Momma takes a karate class and starts beating the teacher--played by Anthony Anderson--to a pulp, but they still work due to the way they're handled. And Lawrence turns in yet another fine comic performance, with a script that could've used a rewrite but was nowhere near as bad as the crackerjack script he had to work with in "Blue Streak." The talented comic helps keep the movie togehter, with a little assistance from the supporting cast. Paul Giamatti, who was great as Pig Vomit in the acclaimed "Private Parts," is funny as Lawrence's partner. We also have "Me Myself and Irene's" Anthony Anderson and Cedric the Entertainer.
The plot is chaotic, sometimes predictable, and becomes more and more implausible by the minute but the comedy works and because of that we're able to excuse the script's shortcomings. "Big Momma" doesn't deliver the biggest laughs, but it's good, fun entertainment on a lonely weekday afternoon.
My score: 7 (out of 10)
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