| Monica Keena | ... | Roseanne Skolnick | |
| Ellen Barkin | ... | Maggie Skolnick | |
| Michael Ironside | ... | Fred Skolnick | |
| Vincent Kartheiser | ... | Vincent | |
| James DeBello | ... | Jimmy | |
| Jeffrey Wright | ... | Chris | |
| Conchata Ferrell | ... | Bella | |
| Marshall R. Teague | ... | Coach (as Marshall Teague) | |
| Nicki Aycox | ... | Cecil | |
| Christian Payne | ... | Dean | |
| Anthony C. Chow | ... | Teacher | |
| Bonnie Somerville | ... | Stuck Up Girl | |
| Lucinda Jenney | ... | Vincent's Mom | |
| Jim Boyce | ... | Mr. Dwyer | |
| Matt Champagne | ... | Counselor Lord | |
| Blake Shields | ... | Moznick (as Blake C. Shields) | |
| Jim Swanson | ... | Rat Fink Neighbor | |
| Tommy Perna | ... | Officer Lambert | |
| Tommy Bush | ... | Chief Judson | |
| Susan Davis | ... | Grandmother | |
| Brad Greenquist | ... | Calvin Berry | |
| Dennis Liss | ... | Bailiff | |
| Jeff Lawrence | ... | Judge Jack | |
| Valerie Wildman | ... | Prosecutor | |
| Jack Angel | ... | Russ | |
| rest of cast listed alphabetically: | |||
| Tiger Mendez | ... | Man in photograph (uncredited) | |
| Dayna Price | ... | Lucy (uncredited) | |
Directed by | |||
| Rob Schmidt | |||
Writing credits(WGA) | ||
| Larry Gross | (written by) | |
Produced by | |||
| Larry Gross | .... | producer | |
| Pamela Koffler | .... | producer | |
| Sara Rose | .... | associate producer | |
| Christine Vachon | .... | producer | |
| Dara Weintraub | .... | co-producer (as Dara L. Weintraub) | |
Original Music by | |||
| Michael Brook | |||
Cinematography by | |||
| Bobby Bukowski | |||
Film Editing by | |||
| Gabriel Wrye | |||
Casting by | |||
| Matthew Barry | |||
| Susan Shopmaker | |||
Production Design by | |||
| Ruth Ammon | |||
Set Decoration by | |||
| Amy Vuckovich | |||
Costume Design by | |||
| Sophie Carbonell | (as Sophie de Rakoff Carbonell) | ||
Makeup Department | |||
| Kenneth Michael Beck | .... | key hair stylist | |
| Amanda Carroll | .... | key makeup artist | |
| Mishell Chandler | .... | assistant hair stylist | |
| Daniel Curet | .... | key hair stylist | |
| Chriss Curry | .... | assistant hair stylist | |
| Debbie Zoller | .... | makeup artist | |
Production Management | |||
| Dara Weintraub | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Lynn K. D'Angona | .... | first assistant director (as Lynn d'Angona) | |
| Marybeth Hagner | .... | first assistant director: second unit | |
| Nina Jack | .... | assistant director | |
| Carla R. Ponzio | .... | second assistant director (as Carla Rose Ponzio) | |
Art Department | |||
| Michael A. Belgrave | .... | set dresser | |
| Carrie Goggin | .... | set dresser | |
| Michael Lindsay | .... | property master | |
| Bruce Miyaki | .... | set dresser | |
| Missy Parker | .... | art department coordinator | |
| Stephen J. Readmond | .... | set dresser | |
| G. Jeanette Rivera | .... | art department coordinator | |
| Carisa Rosenthal | .... | on-set dresser | |
| Adam Toht | .... | storyboard artist | |
| Julie Witherington | .... | assistant property master (as Julie Sexsmith) | |
Special Effects by | |||
| Frank Ceglia | .... | special effects coordinator | |
| Mark DiSarro | .... | special effects assistant | |
Visual Effects by | |||
| Doug Beswick | .... | visual effects | |
| Cosmas Paul Bolger Jr. | .... | digital effects compositor | |
| Edward Irastorza | .... | visual effects coordinator: Flat Earth | |
| Kevin Kutchaver | .... | visual effects | |
| Christopher Leone | .... | digital artist | |
| Kevin O'Neill | .... | visual effects supervisor | |
| Kevin Struckman | .... | data management supervisor: Flat Earth Productions | |
| Mark Tamny | .... | digital compositor | |
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
Stunts | |||
| Noby Arden | .... | stunts | |
| Frankie 'G' Garbutt | .... | stunts (as Frank Garbutt) | |
| Hollis Hill | .... | stunts | |
| Al Jones | .... | stunt coordinator | |
| Brett A. Jones | .... | stunts (as Brett Jones) | |
| Casey O'Neill | .... | stunts (as Casey O'Neil) | |
| Brad Orrison | .... | stunts | |
Casting Department | |||
| Paul Codiga | .... | casting assistant | |
| John Lopez | .... | casting assistant | |
| Debe Waisman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Christine Bieselin Clark | .... | wardrobe supervisor (as Christine Bieselin) | |
| Kimberly Johnson | .... | set costumer: second unit | |
| Rikke Rosbaek | .... | wardrobe assistant | |
Editorial Department | |||
| Joe Fineman | .... | post-production consultant | |
| Anne Hall | .... | assistant editor | |
| Dan Muscarella | .... | color timer | |
| Jeff Orgill | .... | assistant editor | |
| Philip Pucci | .... | first assistant editor | |
| Danielle Steckler | .... | editorial intern | |
| Michael Toji | .... | post-production coordinator | |
Music Department | |||
| Frank Black | .... | composer: additional score | |
| Liza Richardson | .... | music supervisor | |
| Joey Santiago | .... | composer: additional score | |
| Pete Scaturro | .... | composer: additional score | |
| Damian Wagner | .... | soundtrack music | |
| Gabriel Wrye | .... | music editor | |
Transportation Department | |||
| Guy Merrick | .... | transportation captain | |
| Michael Merrick | .... | transportation coordinator | |
Thanks | |||
| Jeffrey Schwarz | .... | special thanks | |
|
|
|
|
|
| Freeway | My Own Private Idaho | The Basketball Diaries | Persepolis | Empire Falls |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
I'll admit, I was not in the most jovial of moods when I sat down to view Crime and Punishment in Suburbia, so the plot had a far greater impact than it would have had I been in an upbeat mood. But, at the same time I was expecting yet another glossy teen flick where a mess of pretty people prance around on the screen for ninety minutes, after which the credits roll to the tune of a popular radio hit. However, I found quite the opposite. I was genuinely moved by this film. Though it is not the most original movie I've seen, it touched me in a very unique way.
Ultimately, do not judge this movie by it's generic, mainstream movie cover. It is actually a high quality piece of cinema. And fellow teenagers, drop your Cruel Intentions and Bring It Ons and give this a try. It might not be oscar award material, but it is far more engaging than any of the pg-13 tripe they try and pawn off on you at blockbuster. Give it a shot. If you like it, good. If you don't, oh well.