This is a contemporary fable loosely based on Fyodor Dostoyevsky's "Crime and Punishment". Roseanne is outwardly a perfect and popular teen. However, her image is hiding the abuse at her ... See full summary »
When their abusive parents are killed in a car crash, twin sisters Rosie and Violet vow to run away to Kentucky in search of a better life. While on the road, the girls meet up with Pete, a... See full summary »
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In a small town near China's North Korea border, a state police station exerts itself as a solicitous caretaker of the locals. As it goes out to catch criminals and punish them too, professionalism fades into the background.
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This is a contemporary fable loosely based on Fyodor Dostoyevsky's "Crime and Punishment". Roseanne is outwardly a perfect and popular teen. However, her image is hiding the abuse at her stepfather's hands, and she decides to take revenge. The events that follow are a mix of dark humor and an exploration of modern morality as Roseanne faces not only a fellow suburbanite who knows, but her own conscience as well. Written by
I'll admit, I was not in the most jovial of moods when I sat down to view Crime and Punishment in Suburbia, so the plot had a far greater impact than it would have had I been in an upbeat mood. But, at the same time I was expecting yet another glossy teen flick where a mess of pretty people prance around on the screen for ninety minutes, after which the credits roll to the tune of a popular radio hit. However, I found quite the opposite. I was genuinely moved by this film. Though it is not the most original movie I've seen, it touched me in a very unique way.
Ultimately, do not judge this movie by it's generic, mainstream movie cover. It is actually a high quality piece of cinema. And fellow teenagers, drop your Cruel Intentions and Bring It Ons and give this a try. It might not be oscar award material, but it is far more engaging than any of the pg-13 tripe they try and pawn off on you at blockbuster. Give it a shot. If you like it, good. If you don't, oh well.
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