| Photos (See all 64 | slideshow) | Videos (see all 5) |
| Sandra Bullock | ... | Gwen Cummings | |
| Viggo Mortensen | ... | Eddie Boone | |
| Dominic West | ... | Jasper | |
| Elizabeth Perkins | ... | Lily | |
| Azura Skye | ... | Andrea | |
| Steve Buscemi | ... | Cornell | |
| Alan Tudyk | ... | Gerhardt | |
| Mike O'Malley | ... | Oliver (as Michael O'Malley) | |
| Marianne Jean-Baptiste | ... | Roshanda | |
| Reni Santoni | ... | Daniel | |
| Diane Ladd | ... | Bobbie Jean | |
| Margo Martindale | ... | Betty | |
| Susan Krebs | ... | Evelyn | |
| Loudon Wainwright III | ... | Guitar Guy | |
| Katie Scharf | ... | Young Gwen | |
| Meredith Deane | ... | Young Lily | |
| Elizabeth Ruscio | ... | Mom | |
| Kathy Payne | ... | Aunt Helen | |
| Lisa Sutton | ... | Dr. Stavros | |
| Joanne Pankow | ... | Saleslady / Night Tech | |
| Corinne Reilly | ... | Vanessa | |
| Andrew Dolan | ... | Groom | |
| Maeve McGuire | ... | Groom's Mother | |
| Jim Moody | ... | Chauffeur | |
| Christina Chang | ... | Bridesmaid | |
| Adam Pervis | ... | Younger Boy at Gas Station | |
| Dan Byrd | ... | Older Boy at Gas Station | |
| Ric Reitz | ... | Father at Gas Station | |
| Suellen Yates | ... | Andrea's Mother | |
| Frank Hoyt Taylor | ... | Equine Therapist | |
| Brittani Warrick | ... | Traci | |
| Elijah Kelley | ... | Darnell | |
| Mike Dooly | ... | Marty | |
| Wendee Pratt | ... | Elaine | |
| Bill Anagnos | ... | NY Cabdriver | |
| Jack Armstrong | ... | Falcon in Soap Opera Cast | |
| Judith Chapman | ... | Deirdre in Soap Opera Cast | |
| Suzanne Davis | ... | Darian in Soap Opera Cast | |
| Rod McCary | ... | Dr. Griffin Hartley in Soap Opera Cast | |
| rest of cast listed alphabetically: | |||
| Matt Cedeño | ... | Bob Ramirez (uncredited) | |
| Patricia M. Fairchild | ... | Cafeteria Worker (uncredited) | |
| Bruno Gunn | ... | Michael Anderson (uncredited) | |
| Christopher Murphy | ... | Paul (uncredited) | |
| Harsh Nayyar | ... | Newsstand Vendor (uncredited) | |
| Brent Ponder | ... | Partier (uncredited) | |
| Stan Wood | ... | Parker House Patient (uncredited) | |
Directed by | |||
| Betty Thomas | |||
Writing credits(WGA) | ||
| Susannah Grant | (written by) | |
Produced by | |||
| Celia D. Costas | .... | co-producer (as Celia Costas) | |
| Jenno Topping | .... | producer | |
Original Music by | |||
| Richard Gibbs | |||
Cinematography by | |||
| Declan Quinn | (director of photography) | ||
Film Editing by | |||
| Peter Teschner | (edited by) | ||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Marcia Hinds | (as Marcia Hinds-Johnson) | ||
Art Direction by | |||
| Bo Johnson | |||
Set Decoration by | |||
| Debra Schutt | |||
Costume Design by | |||
| Ellen Lutter | |||
Makeup Department | |||
| Judith H. Bickerton | .... | hairstylist | |
| Dale Brownell | .... | hairstylist (as Dale E. Brownell) | |
| Colleen Callaghan | .... | key hairstylist | |
| Kymbra Callaghan | .... | makeup artist | |
| Sharon Ilson | .... | key makeup artist | |
| Stephen Kelley | .... | makeup artist | |
| Sandra S. Orsolyak | .... | makeup artist (as Sandra Orsolyak-Allen) | |
| Janine Rath | .... | key hairstylist | |
| Karen Reuter Fabbo | .... | makeup artist: New York | |
| Kerrie Smith | .... | hair stylist: New York | |
| Robert Steinken | .... | hair stylist: Asheville | |
| Pamela S. Westmore | .... | key makeup artist (as Pamela Westmore) | |
| Jim Beinke | .... | makeup effects producer (uncredited) | |
| Tony Gardner | .... | special makeup effects artist (uncredited) | |
| Rosanne Puchal | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Celia D. Costas | .... | unit production manager (as Celia Costas) | |
| Patricia Anne Doherty | .... | unit production manager: New York (as Patricia Doherty Hess) | |
| Monica Levinson | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Chad Graves | .... | second second assistant director | |
| Richard Graves | .... | first assistant director | |
| Susan J. Hellmann | .... | second assistant director | |
| Michael Pitt | .... | second second assistant director: New York | |
| Bac DeLorme | .... | second assistant director: second unit (uncredited) | |
| Bruce Milton | .... | trainee assistant director (uncredited) | |
Art Department | |||
| C. Scott Baker | .... | set designer | |
| Diana Burton | .... | property master: New York (as Diana E. Burton) | |
| Rick Butler | .... | art director: Asheville | |
| Paul Cheponis | .... | set dresser | |
| Glen R. Feldman | .... | assistant property master (as Glen Feldman) | |
| Geoffrey S. Grimsman | .... | set designer | |
| Robert Guerra | .... | art director: New York | |
| Alan Hook | .... | assistant art director | |
| Tom Jones Jr. | .... | construction coordinator | |
| Ed Jones | .... | greensman: Asheville | |
| Bill King | .... | set designer | |
| Paul Oliver | .... | lead scenic (as Paul W. Oliver) | |
| Marthe Pineau | .... | set dresser | |
| Robert Butch Samarzich | .... | greensman | |
| 'Polar Bear' Shaw | .... | leadman (as Polar Bear Shaw) | |
| Andrea 'Drew' Sywanyk | .... | on-set dresser (as Andrea Sywanyk) | |
| Margot Therre | .... | charge scenic: New York | |
| Dick Tice | .... | leadman: New York (as Richard Tice) | |
| Dean Wilson | .... | property master | |
| Kenneth Bryant | .... | set dresser: North Carolina (uncredited) | |
| Elisabeth Clay | .... | assistant art department coordinator (uncredited) | |
| Danielle Couture | .... | painter (uncredited) | |
| Chris Crowder | .... | gang boss (uncredited) | |
| Frank Didio | .... | head carpenter (uncredited) | |
| Thurston Edwards | .... | construction auditor (uncredited) | |
| Patrick Fuhrman | .... | set dresser (uncredited) | |
| Robert L. Girard | .... | propmaker (uncredited) | |
| Vincent Guarriello | .... | key construction grip (uncredited) | |
| Michael J. Hall | .... | construction foreman (uncredited) | |
| George W. Harding III | .... | greensman: Columbia (uncredited) | |
| Randy Kenan | .... | mill foreman (uncredited) | |
| Brian Kontz | .... | scenic painter (uncredited) | |
| Janet Kusnick | .... | concept artist (uncredited) | |
| Alicia Lowe | .... | art department coordinator (uncredited) | |
| Lee Nesbitt | .... | art department coordinator (uncredited) | |
| James F. Oñate | .... | scenic gang boss (uncredited) | |
| Ron Petagna | .... | construction coordinator (uncredited) | |
| Roger Scruggs | .... | general foreman (uncredited) | |
| Michael Shapiro | .... | set dresser (uncredited) | |
| John Weeks | .... | carpenter (uncredited) | |
Special Effects by | |||
| Connie Brink | .... | special effects coordinator | |
| David Hill | .... | special effects technician (uncredited) | |
| Walter Kiesling | .... | special effects technician (uncredited) | |
Stunts | |||
| Daniel W. Barringer | .... | stunt coordinator | |
| Sandy Berumen | .... | stunts (as Sandra Berumen) | |
| Vic Bucossi | .... | stunts (as Victor Bucossi) | |
| Donna Evans | .... | stunts (as Donna Evans Merlo) | |
| Don Hewitt | .... | stunts | |
| Cal Johnson | .... | stunts | |
| Jalil Jay Lynch | .... | stunts | |
| Steve Mack | .... | stunts | |
| Dean Mumford | .... | stunts | |
| Don Picard | .... | stunts | |
| Jodi Michelle Pynn | .... | stunts | |
| Manny Siverio | .... | stunts | |
| Jim Stephan | .... | stunts | |
| Dick Warlock | .... | stunts (as Richard Warlock) | |
| Amy Yanagisawa | .... | stunts | |
Casting Department | |||
| Marty Cherrix | .... | extras casting | |
| Kathy Driscoll | .... | casting associate (as Kathleen Driscoll-Mohler) | |
| Shay Griffin | .... | regional casting (as Shay Bentley Griffin) | |
| Jon Scott Strotheide | .... | casting associate | |
| Sylvia Fay | .... | extras casting: New York (uncredited) | |
Costume and Wardrobe Department | |||
| Lisa R. Frucht | .... | wardrobe supervisor (as Lisa Frucht) | |
| John Glaser | .... | assistant costume designer | |
| Vanessa Jenik | .... | costumer (as Vanessa Carin Jenik) | |
| Jessica S. Smith | .... | costumer (as Jessica Smith) | |
| Joel Voorhies | .... | wardrobe | |
| Pauline White-Kassulke | .... | wardrobe supervisor | |
| Deirdre N. Williams | .... | wardrobe supervisor: New York (as Deirdre Williams) | |
| Kate Sawyer | .... | set costumer (uncredited) | |
Editorial Department | |||
| Matt Friedman | .... | digital assistant editor (as Matthew Friedman) | |
| Mo Henry | .... | negative cutter | |
| Nina Kawasaki | .... | first assistant editor | |
| Tamara McDonough | .... | second assistant editor | |
| Carrie Puchkoff | .... | assistant editor | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Kelly Reese | .... | dailies colorist (uncredited) | |
Music Department | |||
| Randall Poster | .... | musical supervisor | |
| Patrick Russ | .... | orchestrator | |
| Nick South | .... | music editor | |
| Jeff Vaughn | .... | score mixer | |
| Jeff Vaughn | .... | score recordist | |
| Brian Bulman | .... | assistant music editor: temp tracking (uncredited) | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
| George Doering | .... | musician (uncredited) | |
| Jim Dunbar | .... | music consultant (uncredited) | |
| James Raymond | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Steven Baldwin | .... | transportation captain: Asheville (as Steven A. Baldwin) | |
| Robert Gillis | .... | transportation co-captain | |
| Neil Hyman | .... | transportation captain (as Neil A. Hyman) | |
| Brian Maxwell | .... | transportation captain: New York | |
| Stacy Barnhill | .... | driver (uncredited) | |
| John McLaughlin | .... | driver (uncredited) | |
| Robert Van Apeldoorn | .... | transportation (uncredited) | |
| Charlie Wright | .... | driver (uncredited) | |
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| Rachel Getting Married | C.R.A.Z.Y. | Introducing Dorothy Dandridge | Igby Goes Down | Head-On |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
28 DAYS / (2000) ***
"28 Days" is one of the most accurate movies about alcoholism and drug addiction I can remember. The film does not glamorize or poke fun at its thematic content, but instead shimmers in truth depicting the problems in which a nowhere life can lead. Why would anyone want to see a movie about someone spending time in rehab, regardless of how well crafted it is? Because "28 Days" is an interesting, sometimes funny, and involving tale with empathetic, down to earth characters. Do not let this production pass by you without a watch.
The film's main character is named Gwen Cummings and is played by the talented Sandra Bullock. She lives a wild, crazy life with her boyfriend, Jasper (Dominic West). Gwen is an alcoholic and a drug addict, and does not get much support from her similar love interest. As the movie opens, the two get drunk at a club, come home, have sex, and put out a fire with wine. The next day, Gwen arrives late to her sister's wedding, only to destroy an expensive dessert and crash a limousine into a house.
The Gwen Cummings character is developed clearly and effectively. We learn about her lifestyle, recognize faults, and are shown a dark history through painfully real flashbacks. This is one of the things that make "28 Days" so involving. We discover elements about the character and notice inner changes as she learns of them herself. I really cared about this character.
Gwen is given a choice, she can serve jail time for her wrongdoing or can waive that and spend 28 days in a rehab clinic. She chooses rehab. The head counselor is Cornell (Steve Buscemi), who shows empathy but also coyness. Also present at his heath clinic is an assortment of characters who sing sappy melodies and share group love, including Daniel (Reni Santoni), with thick glasses and medical capabilities, Andrea (Azura Skye), Gwen's young roommate, and Eddie Boone (Viggo Mortensen), a famous baseball pitcher with a drinking problem.
Gwen's experiences in rehab seem truthful and accurate. Her withdrawals and agonies are realistic and knowledgeable. It is obvious the filmmakers and Sandra Bullock thoroughly researched the stresses and details of rehab.
Sandra Bullock performs with the right amount of immaturity and charisma. This wonderful actress is set free in this kind of heart filled role; she is best when the main character. Here, Gwen is free to tread the surface of the movie and still allows other characters to contribute to her defining.
About half way through, the movie losses its much needed focus on Gwen and drifts into detailing relationships, friendships, and other characters. While most of the events that take place surround Gwen, the movie was on the right track with its first half. "28 Days" is smart enough to recognize its blunder, however, and by the final scenes it regains the emotionally correct material and concludes with high standards.
The filmmakers are advertising it as a comedy, but only an isolation of sequences offer hilarity or slapstick. This movie teaches us lessons through its characters. And the lessons are well taught.