| Photos (See all 87 | slideshow) | Videos (see all 9) |
| Kevin Spacey | ... | Lester Burnham | |
| Annette Bening | ... | Carolyn Burnham | |
| Thora Birch | ... | Jane Burnham | |
| Wes Bentley | ... | Ricky Fitts | |
| Mena Suvari | ... | Angela Hayes | |
| Chris Cooper | ... | Col. Frank Fitts, USMC | |
| Peter Gallagher | ... | Buddy Kane | |
| Allison Janney | ... | Barbara Fitts | |
| Scott Bakula | ... | Jim Olmeyer | |
| Sam Robards | ... | Jim Berkley | |
| Barry Del Sherman | ... | Brad Dupree | |
| Ara Celi | ... | Sale House Woman #1 | |
| John Cho | ... | Sale House Man #1 | |
| Fort Atkinson | ... | Sale House Man #2 | |
| Sue Casey | ... | Sale House Woman #2 | |
| Kent Faulcon | ... | Sale House Man #3 | |
| Brenda Wehle | ... | Sale House Woman #4 | |
| Lisa Cloud | ... | Sale House Woman #5 | |
| Alison Faulk | ... | Spartanette #1 | |
| Krista Goodsitt | ... | Spartanette #2 | |
| Lily Houtkin | ... | Spartanette #3 | |
| Carolina Lancaster | ... | Spartanette #4 | |
| Mona Leah | ... | Spartanette #5 (as Ramona Leah) | |
| Chekesha Van Putten | ... | Spartanette #6 (as Chekesa Van Putten) | |
| Emily Zachary | ... | Spartanette #7 | |
| Nancy Anderson | ... | Spartanette #8 | |
| Reshma Gajjar | ... | Spartanette #9 | |
| Stephanie Rizzo | ... | Spartanette #10 | |
| Heather Joy Sher | ... | Playground Girl #1 | |
| Chelsea Hertford | ... | Playground Girl #2 | |
| Amber Smith | ... | Christy Kane | |
| Joel McCrary | ... | Catering Boss | |
| Marissa Jaret Winokur | ... | Mr. Smiley's Counter Girl | |
| Dennis Anderson | ... | Mr. Smiley's Manager | |
| Matthew Kimbrough | ... | Firing Range Attendant | |
| Erin Cathryn Strubbe | ... | Young Jane Burnham | |
| rest of cast listed alphabetically: | |||
| Bruce Cohen | ... | Bartender (uncredited) | |
| Elaine Corral Kendall | ... | Newscaster (uncredited) | |
| David C. Fisher | ... | Wedding Guest (uncredited) | |
| Tom Miller | ... | Advertising Executive (uncredited) | |
Directed by | |||
| Sam Mendes | |||
Writing credits(WGA) | ||
| Alan Ball | (written by) | |
Produced by | |||
| Alan Ball | .... | co-producer | |
| Bruce Cohen | .... | producer | |
| Dan Jinks | .... | producer | |
| Stan Wlodkowski | .... | co-producer | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| Conrad L. Hall | |||
Film Editing by | |||
| Tariq Anwar | |||
| Christopher Greenbury | |||
Casting by | |||
| Debra Zane | |||
Production Design by | |||
| Naomi Shohan | |||
Art Direction by | |||
| David Lazan | (as David S. Lazan) | ||
Set Decoration by | |||
| Jan K. Bergstrom | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Cydney Cornell | .... | hair stylist: Ms. Bening | |
| Patricia Dehaney-Le May | .... | key hair stylist | |
| Julie Hewett | .... | makeup artist: Ms. Bening | |
| Juliet Loveland | .... | makeup artist: second unit | |
| Tania McComas | .... | key makeup artist | |
| Carol A. O'Connell | .... | key hair stylist | |
| Cheri Ruff | .... | hair stylist: second unit | |
| Steven R. Soussanna | .... | hair stylist: second unit (as Steve R. Soussana) | |
| Christine M. Steele | .... | makeup artist | |
| Debra-Lee Davidson | .... | additional makeup artist (uncredited) | |
| Buffy Zerefski | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Lisa Dennis Kennedy | .... | post-production supervisor | |
| Cristen Carr Strubbe | .... | unit production manager | |
Art Department | |||
| Brook Bacon | .... | swing gang | |
| Michael Casey | .... | lead person (as Michael P. Casey) | |
| Kevin Chambers | .... | swing gang | |
| Tony Chance | .... | storyboard artist | |
| Molly Click | .... | art department coordinator | |
| Andrea Dopaso | .... | set designer | |
| Rob Garlow | .... | propmaker foreman (as Robert Garlow) | |
| Jim Heritage | .... | plasterer foreman | |
| Mike Higelmire | .... | lead person (as Michael Higelmire) | |
| Tom Hrupcho | .... | paint foreman | |
| Richard W. Jones | .... | greens foreman | |
| Ian Kay | .... | on-set dresser | |
| Gary Kudroff | .... | swing gang | |
| Carolyn Lassek | .... | on-set dresser | |
| Lance Mancuso | .... | construction first aid | |
| Joe Ondrejko | .... | construction coordinator | |
| Lisa Penaranda | .... | set decoration coordinator | |
| Lynda Reiss | .... | property master | |
| Robin Richesson | .... | storyboard artist | |
| John A. Scott III | .... | swing gang | |
| Catherine Smith | .... | assistant art director | |
| Suzan Wexler | .... | set designer | |
| Angela M. Whiting | .... | assistant property master (as Angela Whiting) | |
| Chris Zimmerman | .... | stand-by painter | |
| Ted Haigh | .... | graphic artist (uncredited) | |
| Allen Lafferty | .... | propmaker (uncredited) | |
| Angela O'Neill | .... | assistant property master (uncredited) | |
| Maureen Osborne | .... | buyer (uncredited) | |
| Chris Samp | .... | stand-by painter (uncredited) | |
| Parker Swanson | .... | additional props (uncredited) | |
Sound Department | |||
| Brian Basham | .... | adr recordist | |
| Bob Beemer | .... | sound re-recording mixer | |
| Bryan Bowen | .... | sound effects editor | |
| Simon Coke | .... | dialogue editor | |
| Dean Drabin | .... | adr mixer | |
| Carl Fischer | .... | boom operator | |
| Paul Flinchbaugh | .... | digital sound assistant | |
| Scott Martin Gershin | .... | supervising sound editor | |
| Nerses Gezalyan | .... | foley mixer | |
| Mark Gordon | .... | dialogue editor | |
| Trevor Jolly | .... | adr supervisor | |
| Lee W. Lebaigue | .... | digital sound assistant (as Lee LeBaigue) | |
| Scott Millan | .... | sound re-recording mixer | |
| James Moriana | .... | foley artist | |
| Thomas O'Neil Younkman | .... | first assistant sound editor | |
| Mark Ormandy | .... | additional sound | |
| Tom Ozanich | .... | foley editor | |
| Alan Rankin | .... | sound effects editor | |
| Richard Van Dyke | .... | production sound mixer | |
| Rich Weingart | .... | adr mixer (as Richard Weingart) | |
| Jeffrey Wilhoit | .... | foley artist (as Jeffrey B. Wilhoit) | |
| Greg Zimmerman | .... | foley recordist | |
| Peter Zinda | .... | foley editor | |
| David Abrahamsen | .... | sound (uncredited) | |
| Sean England | .... | sound re-recordist (uncredited) | |
| Tom Lalley | .... | sound re-recording engineer (uncredited) | |
| Dan Lipe | .... | cable person (uncredited) | |
| James Marchione | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Jason Hansen | .... | special effects assistant | |
| John C. Hartigan | .... | special effects coordinator | |
| Wayne Incorvaia | .... | special effects assistant | |
| Eugene P. Rizzardi | .... | special effects assistant (as Gene Rizzardi) | |
| Paul Sokol | .... | special effects assistant | |
| Michael Thompson | .... | special effects assistant | |
| Chris Walkowiak | .... | special effects assistant (as Christopher Walkowiak) | |
Visual Effects by | |||
| Jenny Behnke | .... | visual effects technical assistant: CFC/MVFX | |
| John Bozzalla | .... | visual effects runner: CFC/MVFX | |
| John Cassella | .... | 3D artist: CFC/MVFX (as John Cassella Jr.) | |
| Robert Chapin | .... | 3D artist: CFC/MVFX | |
| Nicolle Cornute | .... | paint/roto artist: CFC/MVFX | |
| Matt Dessero | .... | visual effects compositor: CFC/MVFX | |
| David Durham | .... | visual effects technical assistant: CFC/MVFX | |
| Susan Evans | .... | paint/roto artist: CFC/MVFX | |
| Donald Fly | .... | visual effects general manager: CFC/MVFX (as Don Fly) | |
| Fortunato Frattasio | .... | visual effects compositor: CFC/MVFX | |
| David Goldberg | .... | visual effects supervisor: CFC/MVFX | |
| Nicolle Gray | .... | visual effects technical assistant: CFC/MVFX | |
| Rob Hodgson | .... | visual effects supervisor: CFC/MVFX | |
| Matt Magnolia | .... | visual effects editorial: CFC/MVFX | |
| James M. McEwen | .... | visual effects gaffer: second unit (as James McEwen) | |
| Sheldon Ramones | .... | visual effects technical assistant: CFC/MVFX | |
| Tomme B. Stanley | .... | paint/roto artist: CFC/MVFX | |
| Jonathan F. Styrlund | .... | visual effects producer: CFC/MVFX | |
| Janet Yale | .... | visual effects producer: CFC/MVFX | |
| Travis Baumann | .... | compositing artist (uncredited) | |
| Paula Bonhomme | .... | visual effects coordinator: CFC/MVFX (uncredited) | |
| Gregory Creaser | .... | digital timer: Pacific Title (uncredited) | |
| Matt Linder | .... | digital artist (uncredited) | |
| Olivier Sarda | .... | digital compositor (uncredited) | |
Stunts | |||
| Phil Culotta | .... | utility stunts | |
| Ben Scott | .... | stunt coordinator | |
Casting Department | |||
| Raquel Osborne | .... | extras casting | |
| Terri Taylor | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Marcy Grace Froehlich | .... | assistant costume designer (as Marcy Froehlich) | |
| Lee Harris | .... | set costumer: second unit | |
| Alix Hester | .... | set costumer | |
| Hope Slepak | .... | costume supervisor (as Hope B. Slepak) | |
| Sanford Slepak | .... | key costumer | |
| Kanani Wolf | .... | set costumer | |
Editorial Department | |||
| Martin Cohen | .... | post-production executive | |
| Vince Filippone | .... | assistant editor: avid | |
| P.J. Harling | .... | assistant editor: avid | |
| Phil Hetos | .... | color timer | |
| Larry Madaras | .... | first assistant editor | |
| Lisa Marie Serra | .... | post-production coordinator | |
| Jeffrey Skinner | .... | editorial production assistant | |
| Tracey Wadmore-Smith | .... | first assistant editor | |
| Kevin Du Toit | .... | post-production assistant (uncredited) | |
Music Department | |||
| Bill Bernstein | .... | music editor | |
| Julian Bratolyubov | .... | music preparation | |
| Jordan Corngold | .... | assistant music editor | |
| Joanie Diener | .... | music editor | |
| Chris Douridas | .... | music supervisor | |
| Tom Hardisty | .... | music recordist (as Tom Hardesty) | |
| Todd Homme | .... | executive in charge of music | |
| David Marquette | .... | music recordist | |
| Leslie Morris | .... | music contractor | |
| Thomas Pasatieri | .... | orchestrator | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| Bill Bernstein | .... | musician: detuned mandolin (uncredited) | |
| George Budd | .... | musician: processed bass flute and phonograph (uncredited) | |
| Rick Cox | .... | musician: banjo ukelele and bass tin whistle (uncredited) | |
| George Doering | .... | musician: mandola, appalachian dulcimer and lap steel guitar (uncredited) | |
| Bruce Dukov | .... | musician: arpeggiated violin (uncredited) | |
| Michael Fisher | .... | musician: tablas, lim-kim drums and bird calls (uncredited) | |
| Steve Kujala | .... | musician: flute (uncredited) | |
| Thomas Newman | .... | musician: piano/saxophone (uncredited) | |
| Chas Smith | .... | musician: pedal steel guitar (uncredited) | |
| Steve Tavaglione | .... | musician: flute and ewi (uncredited) | |
Transportation Department | |||
| Jeff Couch | .... | driver | |
| Ed Evans | .... | driver | |
| Jim Johnson | .... | driver | |
| Alan Kaminsky | .... | driver (as Al Kaminsky) | |
| A. Welch Lambeth | .... | transportation coordinator | |
| Ronald Linxwiler | .... | driver (as Ron Linxwiler) | |
| Randy Lovelady | .... | transportation captain | |
| George R. Matejka | .... | driver | |
| Hector Mendoza | .... | driver | |
| Wayne Parviainen | .... | driver | |
| Glen R. Polzel | .... | driver | |
| Danny Routhicaux | .... | driver (as Daniel Routhieaux) | |
| Paul Schwanke | .... | driver | |
| Tyler Tennesen | .... | driver | |
| Jon Thorgusen | .... | driver | |
| David Trevino | .... | driver (as Dave Trevino) | |
| Daniel Valenzuela | .... | driver | |
| Bill Wolff | .... | driver | |
| Prentis Woods | .... | driver | |
| Mark Yacullo | .... | driver | |
| Jeff Kidman | .... | transportation office manager (uncredited) | |
Thanks | |||
| Nicole Kidman | .... | special thanks | |
| Pete Townshend | .... | special thanks | |
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| Day of the Wacko | Little Children | Eyes Wide Shut | Damage | Before the Devil Knows You're Dead |
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"American Beauty" is tour de force cinema. Sam Mendes' brilliant debut feature depicts a web of characters who yearn for their own 'American Dream' - yet, in the end, only one character truly attains it.
Having seen "Happiness" only recently, I could not help but draw comparisons: both films centre around a microcosm of society in which the people, in their own unique way, all strive to be successful or simply 'happy'. But here the similarities end: the characters in "Happiness" undergo a self-realisation process through which they become increasingly aware of their meaningless existence, and go on to wallow in their own depravity. "Happiness" shows no signs of redemption; whereas in "American Beauty" the audience is offered a sense of hope, of salvation, though the characters must endure a similar fate, or more accurately, they must endure the way of life in which they are trapped.
The pivotal character upon which this theme centres, is the father Lester, played impeccably by Kevin Spacey. He is presented to us as a bit of a loser who plays the subjugated figure in the home and at work. He appears resigned to an unhappy life in which he is treated badly by his wife and daughter and his boss at work. Seemingly beyond redemption, Lester transforms from being a loser.
Mendes portrays this transformation admirably well: he shows Lester on his 'path to enlightenment' pushed up against a grim background of suburbanite existence. These early scenes are well balanced, forming a steady rhythm of TV commercial-like vignettes which prove very comical, if at times unsettling. As Lester reflects in the film: "My life is like a commercial". And how this rings true: like in "Happiness", all the characters hide underneath this veneer of normality and respectability, yet they are all revealed to be nothing but the opposite: depressed, depraved and desperate.
Lester's wife, played by Annette Benning, is the most success-driven character in the story which renders her the most hopeless in the film's tone of moral conviction. "In order to be successful in life one must project the appearance of success" is the maxim she adopts from the 'king' of real estate, Buddy King. It is a phrase which resonates throughout the film: for Benning's pawn, life is all about keeping-up appearances. This is where Lester differs from her: his emancipation is enabled by him discarding the constraints of 'normal life' and following what his heart desires.
Lester is the catalyst in this narrative in which the ancillary characters either follow suit (as does his daughter and Ricky) or pay the price (as does his wife and the Colonel). The irony inherent in this film, and it grows with resonance as the film draws to a conclusion, is that the only character who truly becomes free must sacrifice everything in order to achieve it. Yet it is through his sacrifice that he is able to afford the surviving characters a glimpse of hope in life.
This film left me gasping for air: its hyper-realism conveys, at the same time, a portrait of the suburban comedy, a jolting-shock of realisation, and a cathartic sense of hope. Mendes depicts a certain people who, to varying degrees, all strive for a certain 'American Dream', yet so few actually attain it. Though whilst one may have difficulty with tagging this film with the 'feel good' label, the beauty of "American Beauty" is that it sits half-way between a desperate cry for help and a reassuring sense of happiness and fulfilment and that is cinema at its best.