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American Beauty (1999)

 -  Drama  -  1 October 1999 (USA)
8.5
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Ratings: 8.5/10 from 637,737 users   Metascore: 86/100
Reviews: 2,664 user | 258 critic | 33 from Metacritic.com

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after becoming infatuated with his daughter's attractive friend.

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Title: American Beauty (1999)

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Top 250 #60 | Won 5 Oscars. Another 120 wins & 82 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sale House Woman #1
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Sale House Man #1
Fort Atkinson ...
Sale House Man #2
Sue Casey ...
Sale House Woman #2
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Storyline

Lester and Carolyn Burnham are on the outside, a perfect husband and wife, in a perfect house, in a perfect neighborhood. But inside, Lester is slipping deeper and deeper into a hopeless depression. He finally snaps when he becomes infatuated with one of his daughter's friends. Meanwhile, his daughter Jane is developing a happy friendship with a shy boy-next-door named Ricky, who lives with a homophobic father. Written by Jessie Skinner <eietherbinge@hotmail.com>

Plot Summary | Plot Synopsis

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Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong sexuality, language, violence and drug content | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

1 October 1999 (USA)  »

Also Known As:

Belleza americana  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

£425,558 (UK) (28 January 2000)

Gross:

AUD 11,029,726 (Australia) (15 December 2000)
 »

Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Since Thora Birch was barely 17 at the time she made the film, and thus classified as a minor in the United States, her parents had to approve her brief topless scene in the movie and they and child labor representatives were on the set for the shooting of it. See more »

Goofs

After he is beaten by his father for looking at the Nazi plate, Ricky Fitts looks in the mirror to examine his wounds. The edge of the camera is visible in the mirror for about a second, then the frame is rearranged so it is no longer visible. See more »

Quotes

[first lines]
Jane Burnham: I need a father who's a role model, not some horny geek-boy who's gonna spray his shorts whenever I bring a girlfriend home from school. What a lame-o. Someone really should just put him out of his misery.
Ricky Fitts: Want me to kill him for you?
Jane Burnham: Yeah. Would you?
See more »

Crazy Credits

thanks to all at the Donmar Warehouse in London and Dr. Bill and Alice See more »


Soundtracks

Bali Ha'i
Written by Oscar Hammerstein II and Richard Rodgers
Performed by Peggy Lee
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A little masterpiece...
26 February 2000 | by (Melbourne, Australia) – See all my reviews

"American Beauty" is tour de force cinema. Sam Mendes' brilliant debut feature depicts a web of characters who yearn for their own 'American Dream' - yet, in the end, only one character truly attains it.

Having seen "Happiness" only recently, I could not help but draw comparisons: both films centre around a microcosm of society in which the people, in their own unique way, all strive to be successful or simply 'happy'. But here the similarities end: the characters in "Happiness" undergo a self-realisation process through which they become increasingly aware of their meaningless existence, and go on to wallow in their own depravity. "Happiness" shows no signs of redemption; whereas in "American Beauty" the audience is offered a sense of hope, of salvation, though the characters must endure a similar fate, or more accurately, they must endure the way of life in which they are trapped.

The pivotal character upon which this theme centres, is the father Lester, played impeccably by Kevin Spacey. He is presented to us as a bit of a loser who plays the subjugated figure in the home and at work. He appears resigned to an unhappy life in which he is treated badly by his wife and daughter and his boss at work. Seemingly beyond redemption, Lester transforms from being a loser.

Mendes portrays this transformation admirably well: he shows Lester on his 'path to enlightenment' pushed up against a grim background of suburbanite existence. These early scenes are well balanced, forming a steady rhythm of TV commercial-like vignettes which prove very comical, if at times unsettling. As Lester reflects in the film: "My life is like a commercial". And how this rings true: like in "Happiness", all the characters hide underneath this veneer of normality and respectability, yet they are all revealed to be nothing but the opposite: depressed, depraved and desperate.

Lester's wife, played by Annette Benning, is the most success-driven character in the story which renders her the most hopeless in the film's tone of moral conviction. "In order to be successful in life one must project the appearance of success" is the maxim she adopts from the 'king' of real estate, Buddy King. It is a phrase which resonates throughout the film: for Benning's pawn, life is all about keeping-up appearances. This is where Lester differs from her: his emancipation is enabled by him discarding the constraints of 'normal life' and following what his heart desires.

Lester is the catalyst in this narrative in which the ancillary characters either follow suit (as does his daughter and Ricky) or pay the price (as does his wife and the Colonel). The irony inherent in this film, and it grows with resonance as the film draws to a conclusion, is that the only character who truly becomes free must sacrifice everything in order to achieve it. Yet it is through his sacrifice that he is able to afford the surviving characters a glimpse of hope in life.

This film left me gasping for air: its hyper-realism conveys, at the same time, a portrait of the suburban comedy, a jolting-shock of realisation, and a cathartic sense of hope. Mendes depicts a certain people who, to varying degrees, all strive for a certain 'American Dream', yet so few actually attain it. Though whilst one may have difficulty with tagging this film with the 'feel good' label, the beauty of "American Beauty" is that it sits half-way between a desperate cry for help and a reassuring sense of happiness and fulfilment and that is cinema at its best.


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