An insomniac office worker, looking for a way to change his life, crosses paths with a alter-ego devil-may-care soap maker, forming an underground fight club that evolves into something much, much more...
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
Lester and Carolyn Burnham are, on the outside, a perfect husband and wife in a perfect house in a perfect neighborhood. But inside, Lester is slipping deeper and deeper into a hopeless depression. He finally snaps when he becomes infatuated with one of his daughter's friends. Meanwhile, his daughter Jane is developing a happy friendship with a shy boy-next-door named Ricky, who lives with an abusive father. Written by
Jessie Skinner <email@example.com>
Jim and Jim were deliberately depicted as the most normal, happy-and boring-couple in the film. Alan Ball's inspiration for the characters came from a thought he had after seeing a "bland, boring, heterosexual couple" who wore matching clothes: "I can't wait for the time when a gay couple can be just as boring." Ball also included aspects of a gay couple he knew who had the same forename. See more »
When Lester first sees Colonel Fitts standing outside the closed garage in the rain, he is quite close to the garage door. But when Lester hits the button, the garage door swings out and Colonel Fitts is standing much farther away. See more »
I need a father who's a role model, not some horny geek-boy who's gonna spray his shorts whenever I bring a girlfriend home from school. What a lame-o. Someone really should just put him out of his misery.
Want me to kill him for you?
Yeah. Would you?
See more »
thanks to all at the Donmar Warehouse in London and Dr. Bill and Alice See more »
Probably the best film of 1999. This dark comedy drama marks two fantastic feature film debuts with Alan Ball as writer and Sam Mendes as director (both winning oscars for their sterling efforts).
Kevin Spacey plays Lester Burnham, a man on the brink of a mid-life crisis, who suddenly becomes obsessed with one of his teenage daughters friends played by Mena Suvari. His daughter (Thora Birch) is, as Lester tells us; "a typical teenager. Angry, insecure, confused...". And his wife Caroline (Annette Bening) has an obsession of her own, her public appearance.
Life starts off on a downer for the Burnhams and their new neighbours the Fitts despite their lives looking good from the outside.
As life begins to improve (with most of the main characters finding what they think is love or new relationships) it soon all comes crashing down in the climactic final day.
The writing is nothing short of brilliant and made even more amazing by knowing that it comes from a first time feature film screen writer Alan Ball (who had had years of prior experience writing TV sitcoms - not that you'd be able to guess from the tone of this film).
The directing is on a par with the writing and Sam Mendes manages to get some brilliant performances from the great cast, who are all faultless. No doubt Mendes' theatre directing past played a huge part in directing the actors so well.
Another person worthy of a mention is the late director of photography Conrad L. Hall, another one of the five oscar recipients for this film.
All the elements in this film gel perfectly together to make one superb masterpiece. Not one person, either cast or crew, steals this film or does anymore than anyone else to make this film what it is. Truly an ensemble effort. 10/10.
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