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25 September 1998 (USA) more
Your ally could become your enemy more
A freelancing former US intelligence agent tries to track down a mysterious package that is wanted by both the Irish and the Russians. full summary | full synopsis
1 win & 3 nominations more
Is Jean Reno making a comeback? 22 Bullets (L'immortel) suggests so!
(From QuietEarth. 5 November 2009, 5:55 PM, PST)
True Blood's Alexander Skarsgård Greets Fan on Swedish Film Set
(From TheImproper.com. 27 October 2009, 1:37 PM, PDT)
Brilliance more (527 total)
| Robert De Niro | ... | Sam | |
| Jean Reno | ... | Vincent | |
| Natascha McElhone | ... | Deirdre | |
| Stellan Skarsgård | ... | Gregor | |
| Sean Bean | ... | Spence | |
| Skipp Sudduth | ... | Larry | |
| Michael Lonsdale | ... | Jean-Pierre | |
| Jan Triska | ... | Dapper Gent | |
| Jonathan Pryce | ... | Seamus O'Rourke | |
| Ron Perkins | ... | Man with the Newspaper | |
| Féodor Atkine | ... | Mikhi | |
| Katarina Witt | ... | Natacha Kirilova | |
| Bernard Bloch | ... | Sergi | |
| Dominic Gugliametti | ... | Clown Ice Skater | |
| Alan Beckworth | ... | Clown Ice Skater | |
| Daniel Breton | ... | Sergi's Accomplice | |
| Amidou | ... | Man at Exchange (as Amidou Ben Messaoud) | |
| Tolsty | ... | The 'Boss' | |
| Gérard Moulévrier | ... | Tour Guide (as Gérard Moulevrier) | |
| Lionel Vitrant | ... | The 'Target' | |
| Vincent Schmitt | ... | Arles Messenger | |
| Léopoldine Serre | ... | Arles Little Girl | |
| Lou Maraval | ... | Arles Little Girl | |
| Frédéric Schmalzbauer | ... | German Tour Guide | |
| Julia Maraval | ... | Girl Hostage | |
| Laurent Spielvogel | ... | Tourist in Nice | |
| Ron Jeremy | ... | Fishmonger (scenes deleted) (as Ron Hiatt) | |
| Steve Suissa | ... | Waiter in Nice | |
| Katia Tchenko | ... | Woman Hostage | |
| Dyna Gauzy | ... | Little Screaming Girl | |
| Lilly-Fleur Pointeaux | ... | Little Girl | |
| Amanda Spencer | ... | Little Girl | |
| Dimitri Rafalsky | ... | Russian Interpreter | |
| Vladimir Tchernine | ... | Russian Mechanic | |
| Gérard Touratier | ... | Ice Rink Security Guard | |
| Cyril Prentout | ... | Mikhi's Bodyguard | |
| Henry Moati | ... | Bartender | |
| Christophe Maratier | ... | Armed Police Officer | |
| Pierre Forest | ... | CRS Captain | |
| rest of cast listed alphabetically: | |||
| Nader Boussandel | ... | Weapon seller (uncredited) | |
| Lee Delong | ... | (uncredited) | |
| Christine Musset | ... | Natacha Kirilova's Assistant (uncredited) | |
Directed by | |||
| John Frankenheimer | |||
Writing credits | ||
| J.D. Zeik | (story) | |
| J.D. Zeik | (screenplay) and | |
| David Mamet | (screenplay) (as Richard Weisz) | |
Produced by | |||
| Paul Kelmenson | .... | executive producer | |
| Frank Mancuso Jr. | .... | producer | |
| Ethel Winant | .... | associate producer | |
Original Music by | |||
| Elia Cmiral | |||
Cinematography by | |||
| Robert Fraisse | (director of photography) | ||
Film Editing by | |||
| Antony Gibbs | (as Tony Gibbs) | ||
Casting by | |||
| Margot Capelier | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | |||
Production Design by | |||
| Michael Z. Hanan | |||
Art Direction by | |||
| Gérard Viard | |||
Set Decoration by | |||
| Robert Le Corre | |||
Costume Design by | |||
| May Routh | |||
Makeup Department | |||
| Jean-Charles Bachelier | .... | key hair stylist | |
| Fabienne Bressan | .... | key hair stylist | |
| Ilona Herman | .... | hairdresser: Mr. De Niro | |
| Ilona Herman | .... | makeup artist: Mr. De Niro | |
| Gary Hood | .... | prosthetics makeup artist | |
| Gary Hood | .... | special makeup effects | |
| Paul Le Marinel | .... | key makeup artist | |
| Jane Milon | .... | hair stylist | |
| Liliane Rametta | .... | makeup artist | |
Production Management | |||
| Claude Albouze | .... | unit production manager | |
| Dimitri Foresta | .... | assistant production manager | |
| Derek Kavanagh | .... | unit production manager | |
| Jérôme Servant | .... | assistant unit manager (uncredited) | |
Art Department | |||
| Gilles Allou | .... | construction foreman | |
| Ted Boonthanakit | .... | storyboard artist | |
| Pierre Boudier | .... | construction foreman | |
| Jean-Claude Bourdin | .... | first assistant art director | |
| Jean-Michel Ducourty | .... | first assistant art director | |
| Patrick Dufau | .... | lead man | |
| Marc Flouquet | .... | lead set designer | |
| Jean-Paul Gaillot | .... | construction coordinator | |
| Jacky Hardouin | .... | carpenter | |
| Patrick Jamot | .... | stand-by painter | |
| Bruno Lefebvre | .... | set dresser | |
| Joëlle Meffre | .... | art department coordinator | |
| Claude Périnet | .... | paint foreman | |
| Gilbert Piéri | .... | property master | |
| Gilles Piéri | .... | assistant property master | |
| Laurent Piron | .... | first assistant art director | |
| Yves Seigneuret | .... | set dresser | |
| Christian Vallat | .... | first assistant art director | |
| Michel Vialla | .... | assistant property master | |
| Yvan Hart | .... | plasterer (uncredited) | |
| Michel Rollant | .... | property buyer (uncredited) | |
| Valérie Rozanes | .... | trainee (uncredited) | |
Special Effects by | |||
| Georges Demétrau | .... | special effects coordinator | |
| Denis Duplex | .... | special effects foreman | |
| Alain Couty | .... | special effects (uncredited) | |
| Peter Hawkins | .... | assistant makeup effects (uncredited) | |
| Jason McCameron | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| Mark Breakspear | .... | digital compositor (uncredited) | |
| Sandy DellaMarie | .... | digital production coordinator (uncredited) | |
| Thierry Delobel | .... | digital compositor (uncredited) | |
| Thomas Duval | .... | compositing supervisor (uncredited) | |
| Matt Linder | .... | digital compositor (uncredited) | |
| Antoine Simkine | .... | visual effects executive producer: Duboi (uncredited) | |
Casting Department | |||
| Michele Badrutt | .... | extras casting | |
| Marie-Sylvie Caillierez | .... | extras casting | |
| Fabienne Dubois | .... | extras casting | |
| Barbara Harris | .... | voice casting | |
| Sue Jones | .... | casting: Great Britain | |
| Mercedes Kelso | .... | casting associate (as Mercedes Danforth) | |
| Elizabeth Lang | .... | casting associate (as Elizabeth Lang Fedrick) | |
| Frederic Caillierez | .... | assistant extras casting (uncredited) | |
| Gérard Lyon | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Ann Dunsford | .... | set costumer (as Anne Dunsford-Varenne) | |
| Alan Flyng | .... | key costumer | |
| Karen Muller Serreau | .... | dresser: Mr. De Niro (as Karen Muller-Serreau) | |
| Judy Shrewsbury | .... | assistant costume designer | |
Music Department | |||
| Thomas Bartke | .... | assistant music editor | |
| Mike Flicker | .... | music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Nick Ingman | .... | conductor | |
| Nick Ingman | .... | orchestrator | |
| John Whynot | .... | music mixer | |
| John Whynot | .... | score recordist | |
| Gavyn Wright | .... | orchestra leader | |
| John Bell | .... | orchestrator (uncredited) | |
| Matt Friedman | .... | assistant music editor (uncredited) | |
| Jivan Gasparyan | .... | musician: duduk (uncredited) | |
| Kevin Townend | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Eric Aufèvre | .... | transportation coordinator | |
| Emmanuel Rigaut | .... | transportation captain | |
| Ghislain Le Guisquet | .... | picture car (uncredited) | |
| Olivier Suffert | .... | production driver: Skipp Sudduth & Katarina Witt (uncredited) | |
Thanks | |||
| Jeff Robbins | .... | thanks | |
| Bernard Tschumi | .... | thanks | |
Rated R for strong violence and some language.
122 min
2.35 : 1 more
Netherlands:12 | USA:R (certificate #35655) | Australia:MA (DVD rating) | Brazil:12 | Brazil:14 (DVD re-rating) | New Zealand:M | Argentina:13 | Australia:M | Belgium:KT | Canada:14A | Finland:K-16 | France:U | Germany:16 (w) | Ireland:15 | Italy:T | Norway:15 | Peru:14 | Portugal:M/12 | Singapore:PG | South Korea:15 | Spain:13 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | Iceland:16 | Denmark:15
Director John Frankenheimer actually owned a similar brown Mercedes that was used in the second car chase scene. Although the script did not mentioned which car Vincent and Sam would use to chase the convoy, he suggested having the Mercedes being used in the movie. more
Crew or equipment visible: A couple of crewmembers with a camera are visible between the pillars in the center of the tunnel after Seamus shoots a man in a tunnel during the Paris chase and his car slides around. more
Referenced in "Top Gear: (2006-06-04)" (2006) more
Time To Say Goodbye (Con te partiṛ) more
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John Frankenheimer didn't have a lot of credibility in his last few years. His final film was the rather crap Reindeer Games, with Ben Affleck, and in 1996 he gave us the utterly terrible Island Of Doctor Moreau. However, he did do Ronin in 1998, which makes up for absolutely everything.
It is a detachment from glossy, MTV-directed, Hollywood action movies. If you want trash, like Bad Boys 2, then this isn't for you. Ronin returns to the gritty, rustic and deadly serious actioners of the Seventies, much like Frankenheimer's own French Connection 2.
The title refers to Samurai warriors in ancient Japan who were left with no cause, or purpose, if their master was killed. They'd roam the countryside, pretending to be thieves, beggars, even madmen and hiring their skills out to the highest bidder. Much like the lost, wandering freelancers that make up our cast of characters.
Robert De Niro is Sam, an ex-CIA agent (or is he?), who bands together with a ragtag group of similar ex-spies for a "no questions asked" job with what appears to be the IRA. First we have Vincent (the wonderful Jean Reno), as a French agent who knows where to find just about anything you want. Spence (Sean Bean) is a gung-ho SAS dropout who is waaaaay out of his depth and ends up jeopardising the whole mission. Gregor (Stellan Skarsgard), an ex-KGB spy who knows his gadgets and another American called Larry (who is rather disposable). All of these men are led by Deirdre (Natascha McElhone), a young Irish woman who answers to Seamus O'Rourke (Jonathan Price), an IRA boss who is in a lot of trouble with his superiors.
Still with me? No? Well I'm gonna continue anyway. The group's mission is to steal a metallic briefcase from the Russian Mafia. The contents of this case are a mystery; all we know is that a lot of people are willing to pay mucho plento to get their hands on it.
As if the set-up wasn't tenuous enough, there is immediately too much suspicion within the group to bear. And the already complicated plot is thrown into endless chaos as double-crosses, double-double-crosses, secrets and lies screw things up in a big, big way.
It sounds tough going, but it's not really. I'll admit I didn't really like Ronin when I first saw it (or the second or third for that matter), but it's one of those movies that creeps back on you. Frankenheimer's direction is so flawless and masterful that every frame of every scene flows effortlessly The acting is so well rehearsed and the cast so well chosen that even in every gesture, idiosyncrasy and subtle glance you can read into the characters's hidden motives. It takes a good number of viewings to decipher Ronin, but when the story is this well done, who cares? Since its release there have been few action films that have come close to its intensity. Some, like Bourne Identity/Supremacy try to emulate its bleak tone, but don't match up. Supremacy has a car chase that was desperate to beat Ronin's, but is far too flashy.
That's also the ace up it's sleeve. About 80 minutes into the film, the second car chase is a juggernaut of film-making. Never before and probably never again for a long, long time, has there been a car chase so completely mental. No Michael Bay 1000 cuts a second, no slow-motion, no stunts silhouetted against the sunset, just sheer, relentless adrenaline, as DeNiro and Reno tear up the streets of Paris. It's the centrepiece of the movie and a perfect example of what REAL action film-making is.
Elia Cmiral's score is the other utterly perfect aspect of the movie. Simultaneously lonely, seductive and mysterious, it surely is one of the best themes ever and anyone with sense would go out and buy the soundtrack CD right away.
Though most jive turkeys will disagree - with the Gator? How dare you! - Ronin is perfection from beginning to end, from Frankenheimer's strong, imposing direction to David Mamet's script, riddled with cryptic dialogue and double-meanings.
No one can deny Ronin's importance as a real action picture. No one can watch crap like xXx, or 6 Fast 6 Furious, and claim Ronin to be a bad movie. It has enough, maybe too much, integrity and intelligence to shame anything that comes even halfway close. If you're sick of action flicks, or films in general, where the audience just sits there passively and is fed information, then Ronin is the cure.
It may sound like a bizarre comparison, but it's on par with Lost Highway, as one of those movies you have to figure out in your own damn time.