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Ronin (1998)

7.3
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Ratings: 7.3/10 from 130,380 users   Metascore: 67/100
Reviews: 566 user | 146 critic | 23 from Metacritic.com

A freelancing former US intelligence agent tries to track down a mysterious package that is wanted by both the Irish and the Russians.

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Title: Ronin (1998)

Ronin (1998) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
...
Sam
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...
...
...
...
...
Jan Tríska ...
...
...
Man with the Newspaper
...
Mikhi
...
Natacha Kirilova
Bernard Bloch ...
Dominic Gugliametti ...
Clown Ice Skater
Alan Beckworth ...
Clown Ice Skater
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Storyline

Ronin is the Japanese word used for Samurai without a master. In this case, the Ronin are outcast specialists of every kind, whose services are available to everyone - for money. Dierdre (undoubtedly from Ireland) hires several Ronin to form a team in order to retrieve an important suitcase from a man who is about to sell it to the Russians. After the mission has been completed successfully, the suitcase immediately gets switched by a member of the team who seems to work into his own pocket. The complex net of everyone tricking everyone begins to surface slowly, and deadly... Written by Julian Reischl <julianreischl@mac.com>

Plot Summary | Plot Synopsis

Plot Keywords:

ronin | case | suitcase | russian | ex kgb | See All (157) »

Taglines:

Loyalty is bought, betrayal is a way of life... See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and some language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

25 September 1998 (USA)  »

Also Known As:

Ронин  »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

£875,545 (UK) (20 November 1998)

Gross:

$41,609,593 (USA) (12 February 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Early in the final car chase the drivers speed past a sign that reads "Auto Ecole" which is French for "Driving School." See more »

Goofs

As Witt is skating around the ice there is a shot of the crowd, completely packed. After that, there's a cut to Witt again, but now (only for a second) there is no one in the right side of the audience. The camera then pans left and for the rest of the shots the extras were obviously moved around to keep the appearance of a packed ice rink. See more »

Quotes

Sam: Either you're part of the problem or you're part of the solution or you're just part of the landscape.
See more »


Soundtracks

Les Anges dans nos campagnes
(uncredited)
Written by Traditional
Performed by Nice Carolers
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Brilliance
10 February 1999 | by (The Penumbra) – See all my reviews

John Frankenheimer didn't have a lot of credibility in his last few years. His final film was the rather crap Reindeer Games, with Ben Affleck, and in 1996 he gave us the utterly terrible Island Of Doctor Moreau. However, he did do Ronin in 1998, which makes up for absolutely everything.

It is a detachment from glossy, MTV-directed, Hollywood action movies. If you want trash, like Bad Boys 2, then this isn't for you. Ronin returns to the gritty, rustic and deadly serious actioners of the Seventies, much like Frankenheimer's own French Connection 2.

The title refers to Samurai warriors in ancient Japan who were left with no cause, or purpose, if their master was killed. They'd roam the countryside, pretending to be thieves, beggars, even madmen and hiring their skills out to the highest bidder. Much like the lost, wandering freelancers that make up our cast of characters.

Robert De Niro is Sam, an ex-CIA agent (or is he?), who bands together with a ragtag group of similar ex-spies for a "no questions asked" job with what appears to be the IRA. First we have Vincent (the wonderful Jean Reno), as a French agent who knows where to find just about anything you want. Spence (Sean Bean) is a gung-ho SAS dropout who is waaaaay out of his depth and ends up jeopardising the whole mission. Gregor (Stellan Skarsgard), an ex-KGB spy who knows his gadgets and another American called Larry (who is rather disposable). All of these men are led by Deirdre (Natascha McElhone), a young Irish woman who answers to Seamus O'Rourke (Jonathan Price), an IRA boss who is in a lot of trouble with his superiors.

Still with me? No? Well I'm gonna continue anyway. The group's mission is to steal a metallic briefcase from the Russian Mafia. The contents of this case are a mystery; all we know is that a lot of people are willing to pay mucho plento to get their hands on it.

As if the set-up wasn't tenuous enough, there is immediately too much suspicion within the group to bear. And the already complicated plot is thrown into endless chaos as double-crosses, double-double-crosses, secrets and lies screw things up in a big, big way.

It sounds tough going, but it's not really. I'll admit I didn't really like Ronin when I first saw it (or the second or third for that matter), but it's one of those movies that creeps back on you. Frankenheimer's direction is so flawless and masterful that every frame of every scene flows effortlessly The acting is so well rehearsed and the cast so well chosen that even in every gesture, idiosyncrasy and subtle glance you can read into the characters's hidden motives. It takes a good number of viewings to decipher Ronin, but when the story is this well done, who cares? Since its release there have been few action films that have come close to its intensity. Some, like Bourne Identity/Supremacy try to emulate its bleak tone, but don't match up. Supremacy has a car chase that was desperate to beat Ronin's, but is far too flashy.

That's also the ace up it's sleeve. About 80 minutes into the film, the second car chase is a juggernaut of film-making. Never before and probably never again for a long, long time, has there been a car chase so completely mental. No Michael Bay 1000 cuts a second, no slow-motion, no stunts silhouetted against the sunset, just sheer, relentless adrenaline, as DeNiro and Reno tear up the streets of Paris. It's the centrepiece of the movie and a perfect example of what REAL action film-making is.

Elia Cmiral's score is the other utterly perfect aspect of the movie. Simultaneously lonely, seductive and mysterious, it surely is one of the best themes ever and anyone with sense would go out and buy the soundtrack CD right away.

Ronin is perfection from beginning to end, from Frankenheimer's strong, imposing direction to David Mamet's script, riddled with cryptic dialogue and double-meanings.

No one can deny Ronin's importance as a real action picture. No one can watch crap like xXx, or 6 Fast 6 Furious, and claim Ronin to be a bad movie. It has enough, maybe too much, integrity and intelligence to shame anything that comes even halfway close. If you're sick of action flicks, or films in general, where the audience just sits there passively and is fed information, then Ronin is the cure.

It may sound like a bizarre comparison, but it's on par with Lost Highway, as one of those movies you have to figure out in your own damn time.


197 of 245 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Anyone else feel like DeNiro is miscast in this movie? ReeseJohn
Why was Sean Bean in this film? Walter_Iego
Wow I think I finally get it! doctorbenjiphd
something that kinda pissed me off about this movie americandeparteddog
Why Do All The Cars Keep Flashing Their Lights? JMFOX
My guess about the case content. nmsa
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