| Photos (See all 60 | slideshow) | Videos (see all 4) |
| Mel Gibson | ... | Porter | |
| Gregg Henry | ... | Val Resnick | |
| Maria Bello | ... | Rosie | |
| David Paymer | ... | Arthur Stegman | |
| Bill Duke | ... | Det. Hicks | |
| Deborah Kara Unger | ... | Mrs. Lynn Porter | |
| John Glover | ... | Phil | |
| William Devane | ... | Carter | |
| Lucy Liu | ... | Pearl (as Lucy Alexis Liu) | |
| Jack Conley | ... | Det. Leary | |
| Kris Kristofferson | ... | Bronson | |
| Mark Alfa | ... | Johnny's Friend #2 | |
| Kwame Amoaku | ... | Radioman | |
| Justin Ashforth | ... | Michael, Bartender #1 | |
| Len Bajenski | ... | Fairfax Bodyguard #1 | |
| Kate Buddeke | ... | Counter Girl | |
| Price Carson | ... | Bronson's Heavy #1 | |
| Roddy Chiong | ... | Chow's Thug #2 | |
| Art Cohan | ... | Bronson's Heavy #2 | |
| Andrew Cooper | ... | Whipping Boy | |
| James Deuter | ... | Tailor | |
| Doc Duhame | ... | Fatboy | |
| David Dunard | ... | Doctor | |
| Nathan Effron | ... | Johnny's Friend #1 | |
| Tom Equin | ... | Razor Clean #1 | |
| Brian Heinberg | ... | Bartender #2 | |
| Alex Henteloff | ... | Varrick's Manager | |
| Jeff Imada | ... | Chow's Bodyguard | |
| Michael Park Ingram | ... | Chow's Thug #1 (as Michael Ingram) | |
| Robert Kim | ... | Chow's Courier | |
| Robert Kurcz | ... | Oakwood Arms Manager | |
| Turk Muller | ... | Black Suit | |
| Chet Nichols | ... | Oakwood Arms Tough #1 | |
| George O'Mara | ... | Driver | |
| Yasen Peyankov | ... | Panhandler | |
| Ed Pfeifer | ... | Edward Johnson | |
| Katrina Phillips | ... | Bank Teller | |
| Freddy Rodríguez | ... | Punk Messenger | |
| Michael Skewes | ... | Fairfax Bodyguard #2 | |
| Alex Skuby | ... | Oakwood Arms Tough #2 | |
| Trevor St. John | ... | Johnny Bronson | |
| Lee Stepp | ... | Bar Patron | |
| Daniel Patrick Sullivan | ... | Razor Clean #2 | |
| Tedd Taskey | ... | Waiter | |
| Manu Tupou | ... | Pawnbroker | |
| Marc Vann | ... | Gray | |
| rest of cast listed alphabetically: | |||
| Yûichi Hibi | ... | Gang | |
| Elizabeth Berridge | ... | Hooker in Bar (uncredited) | |
| Michael Chinn | ... | Mr. Obvious (uncredited) | |
| James Coburn | ... | Justin Fairfax (uncredited) | |
| Joe DeVito | ... | Bank Patron (uncredited) | |
| Dani Jayden | ... | School Girl (uncredited) | |
| David Tweet | ... | Haskell (uncredited) | |
| Jovanna Vitiello | ... | Waitress (uncredited) | |
Directed by | |||
| Brian Helgeland | |||
Writing credits | ||
| Donald E. Westlake | (novel "The Hunter") (as Richard Stark) | |
| Brian Helgeland | (screenplay) and | |
| Terry Hayes | (screenplay) theatrical cut | |
Produced by | |||
| Bruce Davey | .... | producer | |
| Stephen McEveety | .... | executive producer | |
Original Music by | |||
| Chris Boardman | |||
Cinematography by | |||
| Ericson Core | (director of photography) | ||
Film Editing by | |||
| Kevin Stitt | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Troy Sizemore | |||
Set Decoration by | |||
| Sandy Struth | |||
Costume Design by | |||
| Ha Nguyen | |||
Makeup Department | |||
| Jennifer Bell | .... | hair stylist | |
| Mindy Hall | .... | makeup artist | |
| Julie Hewett | .... | makeup artist | |
| Medusah | .... | hair stylist | |
| Matthew W. Mungle | .... | special makeup prosthetics | |
| Carrey Gibbons | .... | makeup artist (uncredited) | |
Production Management | |||
| Jim Lemley | .... | unit production manager | |
| Pamela Thur | .... | production manager: New York | |
Second Unit Director or Assistant Director | |||
| Mark Cotone | .... | first assistant director | |
| Jennifer D'Angelo Kircher | .... | second assistant director: second unit | |
| Vince Duque | .... | dga trainee | |
| Forrest L. Futrell | .... | first assistant director: second unit | |
| Franklyn Gottbetter | .... | additional second second assistant director: Chicago | |
| Jayson Merrill | .... | second second assistant director: Chicago | |
| Laura Nisbet | .... | second assistant director | |
| Mic Rodgers | .... | second unit director | |
Art Department | |||
| Ayenne J. Applebaum | .... | lead scenic artist (as Ayenne Applebaum) | |
| George Atamian | .... | swing gang | |
| Luc Bamberger | .... | swing gang | |
| Adam L. Barker | .... | plaster foreman | |
| Jenny Baum | .... | on-set dresser | |
| Victor Bazaz | .... | swing gang | |
| Rick Bioni | .... | assistant property master | |
| Chris Carriveau | .... | lead man | |
| Kenneth Carriveau | .... | swing gang | |
| Harry Conrad Chitwood | .... | construction coordinator (as Conrad Chitwood) | |
| Daniel B. Clancy | .... | set decorator: Chicago | |
| Gina B. Cranham | .... | set designer | |
| William Dambra | .... | assistant props: Chicago | |
| Cece Destefano | .... | art department coordinator: Chicago (as Cecele DeStefano) | |
| Barry Franenberg | .... | property master | |
| Joanna S. Frank | .... | art department assistant: Chicago (as Joanna Mickey) | |
| Brenner Hugh Harris | .... | swing gang | |
| Ronald O. Jaynes | .... | construction foreman | |
| John P. Kenny III | .... | construction coordinator: Chicago | |
| Quentin Matthys | .... | on-set dresser: Chicago | |
| Caty Maxey | .... | art director: Chicago | |
| Mark Meloccaro | .... | construction estimator | |
| John Mikels | .... | stand-by painter: Chicago | |
| S. Quinn | .... | art department coordinator | |
| Adam Scher | .... | set designer | |
| Brent White | .... | stand-by painter | |
| Tim Wilp | .... | head painter: Chicago | |
| Jason Wolf | .... | assistant property master | |
| Anthony Joseph Fatigato | .... | painter (uncredited) | |
| Terry Kempf | .... | property maker (uncredited) | |
| Mike Monckton | .... | lead signwriter (uncredited) | |
| Steven C. Voll | .... | general foreman: re-shoot (uncredited) | |
| Jack White | .... | food stylist (uncredited) | |
Sound Department | |||
| John K. Adams | .... | sound editor | |
| Bobbi Banks | .... | dialogue editor (as Bobbie Banks) | |
| Bill W. Benton | .... | sound re-recording mixer | |
| Beth Bergeron | .... | dialogue editor | |
| Dave Bergstrom | .... | sound re-recording stage engineer | |
| Keith Bilderbeck | .... | sound editor | |
| Trip Brock | .... | dialogue editor | |
| Weldon Brown | .... | adr mixer | |
| Chris Carpenter | .... | sound re-recording mixer | |
| Michael Chandler | .... | sound editor | |
| Dominique Decaudain | .... | foley artist | |
| Dean Drabin | .... | narration mixer | |
| Stephanie Flack | .... | dialogue editor | |
| Cindy Jo Hinkleman | .... | assistant sound editor | |
| Jon Johnson | .... | sound supervisor | |
| Rick Kline | .... | sound re-recording mixer | |
| Bill Meadows | .... | sound recordist | |
| Geoffrey Patterson | .... | production sound mixer (as Geoffrey Lucius Patterson) | |
| Miguel Rivera | .... | sound editor | |
| Kyle Rochlin | .... | foley mixer | |
| Carolyn Sauer | .... | adr recordist | |
| Solange S. Schwalbe | .... | dialogue editor (as Solange Schwalbe) | |
| Edward M. Steidele | .... | foley artist (as Ed Steidele) | |
| Mark Steinbeck | .... | boom operator (as Mark D. Steinbeck) | |
| Bruce Stubblefield | .... | sound supervisor | |
| Thomas Thoms | .... | utility sound technician (as Thomas P. Thoms) | |
| Robert Troy | .... | dialogue editor | |
| Tim Webb | .... | sound recordist | |
| Ben Wilkins | .... | sound editor | |
| Jeffrey A. Williams | .... | utility sound technician: Chicago (as Jeff Williams) | |
| Chris Winter | .... | assistant sound editor | |
| Gary Coppola | .... | foley mixer (uncredited) | |
| Earl Martin | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Michael Ahasay | .... | special effects technician: Chicago (as Mike Ahasay) | |
| Blair Foord | .... | special effects technician (as Blair F. Foord) | |
| Frank Krenmuller | .... | special effects technician: Chicago | |
| Bob Stoker | .... | special effects supervisor | |
| Mario Vanillo | .... | special effects technician | |
Visual Effects by | |||
| Janet Quen | .... | digital effects artist | |
| Brian Begun | .... | digital effects compositor: POP Film (uncredited) | |
| Mark Spatny | .... | visual effects production manager (uncredited) | |
Stunts | |||
| Raymond W. Beal | .... | stunts | |
| Tobiasz Daszkiewicz | .... | stunts | |
| Angela Devita | .... | stunts | |
| Kenny Endoso | .... | stunts | |
| James Fierro | .... | stunts | |
| Joe Gaspar | .... | stunts | |
| Lance Gilbert | .... | stunts | |
| Tim Gilbert | .... | stunts | |
| Matt Johnston | .... | stunts | |
| Rick Le Fevour | .... | stunts | |
| Billy D. Lucas | .... | stunts (as Billy Lucas) | |
| Daniel Maldonado | .... | stunts | |
| John Meier | .... | stunts | |
| Linda Perlin | .... | stunts | |
| Jimmy N. Roberts | .... | stunts | |
| Mic Rodgers | .... | stunt coordinator | |
| Pat Romano | .... | stunts | |
| Mark Roscoe | .... | stunts | |
| James Ryan | .... | stunts | |
| Bobby Stuart | .... | stunts (as Bob Stuart) | |
| Keith Tellez | .... | stunts | |
| Bruce Paul Barbour | .... | stunt performer (uncredited) | |
| Doc Duhame | .... | stunts (uncredited) | |
| Mic Rodgers | .... | stunt double: Mr. Gibson (uncredited) | |
| James Ryan | .... | utility stunts (uncredited) | |
Casting Department | |||
| Terrence Harris | .... | casting associate | |
| Douglas Wright | .... | casting associate | |
| Byron Crystal | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Charlene Amateau | .... | set costumer | |
| Patrick Caulfield | .... | set costumer: Chicago | |
| Kimberly Guenther Durkin | .... | costume supervisor (as Kimberly Guenther) | |
| Gretchen Gain | .... | set costumer: Chicago | |
| Molly Mitchell | .... | key costumer | |
Editorial Department | |||
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Peter McNulty | .... | assistant editor: avid | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Frank G. Urioste | .... | apprentice editor | |
| Marianne Urioste | .... | first assistant editor | |
| David Tweet | .... | assistant film editor (uncredited) | |
Music Department | |||
| Mendel Baylitz | .... | musician: sophistifunk band | |
| Greg Bissonette | .... | musician: sophistifunk band | |
| Chris Boardman | .... | orchestrator | |
| Luis Conte | .... | musician: sophistifunk band | |
| David Culiner | .... | executive in charge of music: Icon Productions | |
| Arlene Fishbach | .... | music clearances | |
| Steve Forman | .... | musician: sophistifunk band | |
| John Goux | .... | musician: guitar solos | |
| Jim Harrison | .... | supervising music editor | |
| Brian Mann | .... | assistant music producer | |
| John Richards | .... | scoring mixer | |
| William Ross | .... | orchestrator | |
| Michael T. Ryan | .... | supervising music editor | |
| Neil Stubenhaus | .... | musician: sophistifunk band | |
| Jeanette Surga | .... | additional music editor | |
| Thomas Vicari | .... | music scoring mixer | |
| Frank Wolf | .... | scoring mixer | |
| Patti Zimmitti | .... | orchestra contractor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| Charley Bob Burnham | .... | transportation coordinator | |
| James Hogan | .... | transportation captain: Chicago | |
| William P. Lafon | .... | driver | |
| Brenda Ryan | .... | driver | |
| Lee Stepp | .... | transportation captain | |
| Gina August | .... | driver (uncredited) | |
| Michael R. Cairo | .... | driver: Chicago second unit (uncredited) | |
| Michael Forte | .... | driver: Mel Gibson (uncredited) | |
| Jody Kreinbrink | .... | transportation (uncredited) | |
| Brita McCollough | .... | driver (uncredited) | |
| Thomas O'Donnell | .... | mobile lighting operator (uncredited) | |
| Robert Wallace | .... | driver (uncredited) | |
Thanks | |||
| Michael Segal | .... | special thanks | |
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| Layer Cake | The Professional: Golgo 13 | Machete | The Dark Knight | The Departed |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
If you don't like violence, then don't watch this movie. If you are open to great storytelling and gritty dialogue, this is the movie for you. In some ways superior to the remake and just as gripping. Some have hated this film just because of what it was, and that's a shame for them that they can't enjoy a film that neither glorifies nor trashes the underside of life. In a weird way, the main character Porter (who was Walker in the Lee Marvin film, played this time by Mel Gibson who is almost as good as Lee Marvin. Nobody could be better than Marvin in this kind of role) has a kind of decency code of his own even though it is more than a bit twisted. After all, in a world inhabited by criminals, the rules change significantly and so once has to either adapt or find a way out. Porter does both in both versions.
No sense in rehashing the plot. Suffice it to say that it is about a crook who got burned and wants what is coming to him and gets even along the way. Besides, the plot has been recounted by so many better reviewers than myself. I can only say that in "Point Blank" the ending is a bit more ambiguous. A precursor to the films of the 1970s.
It's always hard for me to rate one film version over another. It is almost impossible to not want to (in my mind at least) mix and match actors in roles. James Coburn played the same part as did Carroll O'Connor in the original and they are both perfect while being so different. After all, they were both accomplished actors. And maybe I could have done without a lot of the S&M and B&D scenes in the newer version but I chalk that up to the changes in the world since the 1960s.
Long before there was a Quentin Tarrantino, there were great directors like Don Siegel, Sam Peckinpah and Sam Fuller who were as tough as nails and not just some fan who knew how to use the best of all of these guys brilliant touches, and add some sick jokes. But director/writer Brain Helgeland does spectacularly well with the material, while the new cast shines in their roles almost as though they weren't acting, but living the parts. And that goes right down to the underrated David Paymer as a pathetic hustler (who could easily have been played in earlier times by an Elisha Cook Jr. as he did with the Wilmer role from "The Maltese Falcon" yet Paymer does so with more humor.) It is hard to make one root for people so lacking in morals but director, writer and actors manage amazingly well.
Both "Payback" and "Point Blank" are instant classics that should be considered as such. And God bless the memories of Lee Marvin and John Vernon (both in the original "Point Blank" version.) Such fine thespians will be sorely missed. Fortunately, their memories are on celluloid and other mediums to be enjoyed by many more audiences.
You might have guessed I really love these two movies.