A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of "the Outfit", a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life. His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. He makes good early progress, but then falls into the hands of Fairfax, the crime boss. Written by
For release in Australia, the U.S. tagline "Get ready to root for the bad guy" was changed to "Get ready to CHEER for the bad guy" because, as Mel Gibson himself pointed out, in Australia "to root" is slang for "to have sexual intercourse". See more »
when Porter gets in the cab with Stegman, the windows repeatedly change from clear to frosted/foggy with every interior/exterior shot of the cab. See more »
GSW: that's what the hospitals call it: gunshot wound. Doctor has to report it to the police. That makes it hard for guys in my line to get what I call, quality health care.
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Yes - Payback & Point Blank (1967) are very similar. But there is a very good reason for that. Both films are based on the novel 'The Hunter' by Richard Stark, a pseudonym for Donald E Westlake.
The films share several character names such as Brewster, Carter, Stegman and Fairfax and similar plots. In both cases the anti-hero Porter (or Walker) is trying to recover a sum of money after being double-crossed.
Now, I am a huge fan of Point Blank. It takes a relatively simple plot and makes a bit of cinematic poetry out of it. And if I was forced to compare Lee Marvin and Mel Gibson's performances, then I'm sorry but Gibson would lose big time. However, Payback is a much better film than I thought it would be. There are sufficient differences to make the story interesting and though it is told in a much more straightforward and, dare I say, 'safe' way than Point Blank, it is a very well made film and tells a compelling story well. And it's nice to see Gibson return to a somewhat morally ambiguous character a la Mad Max.
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