When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of "the Outfit", a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life. His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. He makes good early progress, but then falls into the hands of Fairfax, the crime boss. Written by
Brian Helgeland was working on the script for this film, in friend and mentor Richard Donner's office, on the Warner Brothers lot during post-production on their previous collaboration, Conspiracy Theory (1997). One day, Helgeland had gathered his script pages, and was on his way home, when Donner asked if he could go to the ADR stage, where he was scheduled to have a session with Mel Gibson, and inform him that he would be late. When Helgeland arrived at the stage, Gibson inquired about the script pages under his arm. After reading the first act, Gibson expressed interest in the project, but Helgeland informed him that he really wanted to direct it. Gibson offered that if he liked the finished script, he would give him a shot. Upon completion, Helgeland sent Gibson the script, expecting him to pass. After a couple of weeks, Gibson called and asked, "Can you be ready to shoot in twelve weeks?" See more »
After Porter blows up the apartment, he looks to see that the keys are in the ignition. The keys are from a Lincoln town car (Ford) but he drives away in a Cadillac Fleetwood. See more »
GSW: that's what the hospitals call it: gunshot wound. Doctor has to report it to the police. That makes it hard for guys in my line to get what I call, quality health care.
See more »
"Payback" is one of those highly entertaining movies that make you forget your sorrows for a moment and entertains you right till the end. Difference with most other entertaining movies is that this movie also has a great story!
The movie is completely driven by the main character played by Mel Gibson. He plays a great and fun criminal who is an anti-hero and a total bad guy but still someone for who you can feel and cheer about. The movie also features lot's of other great actors including James Coburn in a very fun role, Kris Kristofferson, Lucy Liu, Bill Duke and David Paymer. The movie is filled with great and entertaining characters.
The story is just great and has quite some nice twists and moments. The movie is comedy like but it also has a wonderful film-noir feeling with a typical atmosphere. There are also some nice action sequences in which Mel Gibson's character might be featured a bit too much as an hero.
Nothing about this movie indicates that there were troubles on the set during filming with the director Brian Helgeland, on the contrary! Everything about the movie feels very fun like.
48 of 63 people found this review helpful.
Was this review helpful to you?