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After training with his mentor, Batman begins his war on crime to free the crime-ridden Gotham City from corruption that the Scarecrow and the League of Shadows have cast upon it.
A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.
A low-ranking thug is entrusted by his crime boss to dispose of a gun that killed corrupt cops, but things get out of control when the gun ends up in wrong hands.
Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of "the Outfit", a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life. His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. He makes good early progress, but then falls into the hands of Fairfax, the crime boss. Written by
Kwah-LeBaire
Porter uses a Smith & Wesson Model 27 357 Magnum with a four-inch barrel and custom wood grips. See more »
Goofs
At the meeting at the end of the line, Porter goes into the bathroom and takes a urinal between two members of The Outfit. The hit-man on the left pulls the gun out of his waistband. When Porter shoots him, the gun is back in his waistband. See more »
Quotes
[first lines]
Porter:
[voiceover]
GSW: that's what the hospitals call it: gunshot wound. Doctor has to report it to the police. That makes it hard for guys in my line to get what I call, quality health care.
See more »
"Voodoo Child (Slight Return)"
Written and Performed by Jimi Hendrix
Courtesy of Experience Hendrix, Llc/mca Records
under License from Universal Music Special Markets See more »
Easily one of Gibson's best, and one of the best of it's kind you will ever see. Homage to film noir, combined with usual Gibson tongue-in-cheekness, and some fabulous supporting roles from the likes of Coburn, Kristofferson, Liu, and Devane. Henry does a stirling job here opposite Gibson. Liu is simply wonderful in a role that - worryingly perhaps - looks like it was made for her!
Porter's single-minded, no-nonsense determination to get what he sees as justice for himself strikes a chord, and has you rooting for him right to the end. This film rarely lets up on the intensity, and gets better as it goes along. It will make you laugh and cringe at the same time, but you won't want to take your eyes off the screen for a second. It looks good, feels good, and oozes class. Definitely a must-see.
31 of 36 people found this review helpful.
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Easily one of Gibson's best, and one of the best of it's kind you will ever see. Homage to film noir, combined with usual Gibson tongue-in-cheekness, and some fabulous supporting roles from the likes of Coburn, Kristofferson, Liu, and Devane. Henry does a stirling job here opposite Gibson. Liu is simply wonderful in a role that - worryingly perhaps - looks like it was made for her!
Porter's single-minded, no-nonsense determination to get what he sees as justice for himself strikes a chord, and has you rooting for him right to the end. This film rarely lets up on the intensity, and gets better as it goes along. It will make you laugh and cringe at the same time, but you won't want to take your eyes off the screen for a second. It looks good, feels good, and oozes class. Definitely a must-see.