Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
A middle-aged woman frees herself from the spirit-crushing influence of her husband by refusing to remember what her age is. Her husband works long hours as an advertising executive and ... See full summary »
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander. Written by
John H. Henderson <email@example.com>
George Clooney held Mae Whitman in front of his face to hide that his eye was bruised during a basketball game in the scene when Jack shows up at Melanies' apartment. See more »
The plastic wrap on the fishbowl changes between shots. When Melanie first leaves her apartment to go to Maggie's there is no wrap on it. When she's on the street and arrives at school it is covered with wrap and a rubber band. Maggie removes the wrap at "breakfast" and it remains uncovered when Jack takes it to his office. See more »
Pleasant romantic comedy stars Pfeiffer and Clooney as two divorced, overworked parents whose children are bickering classmates. They meet, and don't exactly see eye to eye, but then circumstances force them to put aside their differences and try to help each other out as they struggle to balance their job priorities with their parental obligations, all during a hectic day in New York City. Predictable setup made worthwhile by two very appealing leads, believable situations, and well-drawn characters. Youngsters Whitman and Linz are especially likable as the two children who reluctantly get dragged from one place to the next. ***
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