Exclusive: Pulsar Content and XYZ Films have partnered to handle sales on the Fantastic Fest and Sitges sci-fi drama Tropic, directed by Edouard Salier who also co-wrote with Mauricio Carrasco.
The film follows Lázaro and Tristán (19), twin brothers and best friends, who are training together for the Astronaut Academy entrance tests. One day, Tristán is contaminated with some mysterious residue which makes him monstrous physically and weakened mentally. This disaster forces Lázaro to let go of how he remembers his brother and learn to love him as he is now, in a world where there is no room for monsters.
The French-language feature stars Pablo Cobo, Louis Peres, Marta Nieto, and Marvin Dubart, and was produced by Rezo Productions, Ninon Chapuis, and Jean-Michel Rey. Above is a first-look clip.
The pic will world premiere at Fantastic Fest on September 23 at the Alamo Drafthouse South Lamar and will screen at Sitges...
The film follows Lázaro and Tristán (19), twin brothers and best friends, who are training together for the Astronaut Academy entrance tests. One day, Tristán is contaminated with some mysterious residue which makes him monstrous physically and weakened mentally. This disaster forces Lázaro to let go of how he remembers his brother and learn to love him as he is now, in a world where there is no room for monsters.
The French-language feature stars Pablo Cobo, Louis Peres, Marta Nieto, and Marvin Dubart, and was produced by Rezo Productions, Ninon Chapuis, and Jean-Michel Rey. Above is a first-look clip.
The pic will world premiere at Fantastic Fest on September 23 at the Alamo Drafthouse South Lamar and will screen at Sitges...
- 9/20/2022
- by Andreas Wiseman
- Deadline Film + TV
Timur Bekmambetov, the Russian writer-director-producer behind such pics as 2004’s “Night Watch” and 2008’s “Wanted,” has just started shooting his latest production, the English-language sci-fi thriller “Resurrected” in L.A. with Dave Davis.
Up-and-coming Russian director Egor Baranov, whose credits include the Russian B.O. hit trilogy “Gogol” and Netflix’s “Sparta” series, is directing the film. Bekmanbetov is producing “Resurrected” with Maria Zatulovskaya through the banner Bazelevs, with David Meadeb at Logical Pictures, in association with Aleksandr Fomin at Pulsar Content, the sales banner launched by Gilles Sousa and Marie Garrett.
The film is being made using Bekmanbetov’s pioneering Screenlife storytelling and technology, revolving solely around the screen activity of characters who are seen through their digital devices. Bekmanbetov previously delivered several hit films in this Screenlife format, notably “Searching” which was released worldwide by Sony, as well as the “Unfriended” franchise released by BlumHouse and Universal, and “Profile,...
Up-and-coming Russian director Egor Baranov, whose credits include the Russian B.O. hit trilogy “Gogol” and Netflix’s “Sparta” series, is directing the film. Bekmanbetov is producing “Resurrected” with Maria Zatulovskaya through the banner Bazelevs, with David Meadeb at Logical Pictures, in association with Aleksandr Fomin at Pulsar Content, the sales banner launched by Gilles Sousa and Marie Garrett.
The film is being made using Bekmanbetov’s pioneering Screenlife storytelling and technology, revolving solely around the screen activity of characters who are seen through their digital devices. Bekmanbetov previously delivered several hit films in this Screenlife format, notably “Searching” which was released worldwide by Sony, as well as the “Unfriended” franchise released by BlumHouse and Universal, and “Profile,...
- 6/22/2021
- by Elsa Keslassy
- Variety Film + TV
With Jason Bourne arriving this week, we’re looking back on the career of director Paul Greengrass. As the person who single-handedly popularized the technique of “shaky cam” for the new millennium, Greengrass has seen his signature style emulated in action films as wide-ranging as Quantum of Solace and Taken 2. While so many of these pictures exploit the visual chaos of handheld camerawork to mask lazy fight choreography, Greengrass has always wielded the aesthetic with visionary purpose, whether that purpose be visceral, political, or both.
Indeed, shaky cam may be Greengrass’ most recognizable trademark, but it is the filmmaker’s purposefulness in confronting social and political issues that most fully unites his work past and present. Prior to making feature films, Greengrass worked for ten years at World in Action, a British investigative current events program known for its forceful and unorthodox journalistic style. Leaving a trail of controversy in its wake,...
Indeed, shaky cam may be Greengrass’ most recognizable trademark, but it is the filmmaker’s purposefulness in confronting social and political issues that most fully unites his work past and present. Prior to making feature films, Greengrass worked for ten years at World in Action, a British investigative current events program known for its forceful and unorthodox journalistic style. Leaving a trail of controversy in its wake,...
- 7/28/2016
- by The Film Stage
- The Film Stage
He handles his political subjects without being sentimental or exploitative, delivering consistently compelling thrillers
When Paul Greengrass took over the Bourne franchise, with Bourne Supremacy and Bourne Ultimatum, he did much more than repeat a well-worked formula. He re-invented the action genre, with the grittier-style popularised through the use of cinéma vérité. "To be perfectly honest, I couldn't afford tripods," he said. The journalist in him (he started as a director for World in Action) repeatedly draws him to political subjects – the Falklands (Resurrected), the Irish civil rights movement (Bloody Sunday), 9/11 (United 93) and now Captain Phillips, a taut thriller based on a Somali pirate attack on a Us container ship. He handles these subjects without being sentimental or exploitative, delivering consistently compelling thrillers on difficult subjects. Like Christopher Nolan, another successful British film-maker, Greengrass produces a fast-paced film for a mainstream audience, without compromising the intelligence of the script.
When Paul Greengrass took over the Bourne franchise, with Bourne Supremacy and Bourne Ultimatum, he did much more than repeat a well-worked formula. He re-invented the action genre, with the grittier-style popularised through the use of cinéma vérité. "To be perfectly honest, I couldn't afford tripods," he said. The journalist in him (he started as a director for World in Action) repeatedly draws him to political subjects – the Falklands (Resurrected), the Irish civil rights movement (Bloody Sunday), 9/11 (United 93) and now Captain Phillips, a taut thriller based on a Somali pirate attack on a Us container ship. He handles these subjects without being sentimental or exploitative, delivering consistently compelling thrillers on difficult subjects. Like Christopher Nolan, another successful British film-maker, Greengrass produces a fast-paced film for a mainstream audience, without compromising the intelligence of the script.
- 10/11/2013
- by Editorial
- The Guardian - Film News
BBC and ITV enraged the government with early portrayals of the conflict but it is being supplanted by recent conflicts
British TV deployed rapidly – and with frequent controversy – to attack the Falklands war as a subject. The assiduous historical website British Television Drama records, in the decade after the war, 10 dramas based on the conflict.
The BBC screened five plays within five years of the events, which may surprise those who now associate the corporation with editorial caution and at the time clearly astonished the Ministry of Defence, which made numerous objections and obstructed access to actual locations and equipment.
The earliest pieces were oblique, with Don Shaw's The Falklands Factor dramatising an 18th-century dispute over the islands, and Maggie Wadey's The Waiting War focusing on military and naval families. ITV also enraged the MoD and the government with a children's series, Jan Needle's A Game of Soldiers,...
British TV deployed rapidly – and with frequent controversy – to attack the Falklands war as a subject. The assiduous historical website British Television Drama records, in the decade after the war, 10 dramas based on the conflict.
The BBC screened five plays within five years of the events, which may surprise those who now associate the corporation with editorial caution and at the time clearly astonished the Ministry of Defence, which made numerous objections and obstructed access to actual locations and equipment.
The earliest pieces were oblique, with Don Shaw's The Falklands Factor dramatising an 18th-century dispute over the islands, and Maggie Wadey's The Waiting War focusing on military and naval families. ITV also enraged the MoD and the government with a children's series, Jan Needle's A Game of Soldiers,...
- 4/14/2013
- by Mark Lawson
- The Guardian - Film News
It turns out Paul Greengrass’s penchant for telling stories of amnesiacs and the tribulations of war began life long before the Bourne cycle and Green Zone (2010). Released on DVD for the first time, Resurrected (1989), Greengrass’ debut feature film, tells the story of Private Kevin Deakin (David Thewlis), a soldier who goes missing in battle during the1982 Falklands War.
Read more »...
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- 7/7/2011
- by Daniel Green
- CineVue
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