Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
The retired CIA agent Bryan Mills invites his teenage daughter Kim and his ex-wife Lenore, who has separated from her second husband, to spend a couple of days in Istanbul where he is working. Meanwhile, the patriarch of the community of the Albanian gang of human trafficking, Murad Krasniqi, seeks revenge for the death of his son and organizes another gang to kidnap Bryan and his family. Bryan and Lenore are abducted by the Albanians, but Kim escapes and is the only hope that Bryan has to escape and save Lenore. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
While Bryan Mills and Kim are being chased by Albanians, Mr. Mills gives Kim directions to the U.S. Embassy using a navigator. But the device screen reads "GPS Kapali" which is "GPS Deactivated" for Turkish. Besides, the device screen shows them driving on a coast highway; however, the chase takes place in narrow streets of suburbs then. See more »
He slaughtered our men, our brothers, our sons. The dead cry out to us for justice. On their souls, I swear to you. The man who took our loved ones from us, the man who has brought us such pain and sorrow, we will find him. We will bring him here. We will not rest until his blood flows into this very ground. We will have our revenge.
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The last shot of the credits states: "The making and legal distribution of this film supported over 14,000 jobs and involved over 600,000 work hours." This is the first movie with such message of Fox campaign to educate consumers on economic impact of film and TV. Later on, other Fox-produced films are featuring this message. See more »
If you came to see Liam Neeson kicking ass, my advice is turn back now and save your money. This is entirely due to the inability to actually see what the heck's going on in all of the films actions sequences and stunt co ordinations. The film looks like it was filmed on the site of a permanent earthquake with a camera dangling by a rope. If you have epilepsy this might be one to avoid considering how quick its been edited. Its almost like director Olivier Megaton said "yeah we're going for the subliminal message type look, edit it like that" And you want anything remotely reminiscent of the first films action? well forget about it because it hasn't been included.
What you will be treated to however is a cheap, watered down child friendly, completely unrealistic, trashy, knock off 'Rom Com with bullets' B reel, sold purely on the title of "Taken" alone.
Huge plot holes dominate the script from start to finish, in its purest form its basically an awful rehash of the first film but 1000 times worse, placing Maggie Grace (Bryan Mills daughter) as the heroine trying to rescue her parents from a load of bungling Albanians (yes they are literally that bad, think of Manuel from Faulty Towers and you have your starting point) . Liam Neeson does his best with what he's got, but there's only so much you can do with a turd script like this. Unfortunately its so laughable that Neesons character starts to look like a paranoid delusional psychopath that sees kidnappers everywhere. They must have forgotten to include the scene where Neeson gains his super power to spot evil doers just by looking at them, but hey that's what happens so get over it!
Not only that but did anybody even look at a map before this script was written? Had anybody even been to Turkey or Albania? Clearly its the best location in the world to magically learn how to drive a car, because that's what Maggie Grace does! However there's also a dire lack a qualified torturers because no one can do it, or interrogate or generally manage to do anything right! Alternatively, if you feel like throwing some hand grenades off rooftops without anybody batting an eyelid then this might just be the place for you. Don't worry about the police, they'll be to busy driving around in there 1970s bangers they hauled right off the scrap heap, where this movie also came from.
Unfortunately the worst news is that Taken 3 already seems to be on the horizon. Many of you will be asking 'how...why....who....???' but unfortunately money speaks louder than taste. I imagine the plot will be an all black screen and Liam Neesons voice over "Your money has been taken". The horror that it was a 12a should have sent alarm bells ringing before I even bought the ticket, alas my money and respect for the film industry is now gone forever. What's even more painful is the fact that Luc Besson is partly responsible for this mess, Luc Besson! director and producer of some truly awesome films.
Please don't see this film, please don't be 'Taken' in
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