The Jitters (1989) Poster

(1989)

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5/10
Chinatown magic.
lost-in-limbo12 December 2009
A vastly forgotten, but flavoured late 80's tight budget b-grade horror comedy, that opens with animation filled credits to go onto construct itself around a very interesting concept (with a running gag) involving the Chinese folklore of the Kyonshee --- vampire.

A Chinese shop owner, Frank Lee is murdered one night after fighting against a group of thugs that were terrorising his niece at his shop. A Chinese custom is that if someone unjustly dies, they won't entirely be dead but would take form of a Kyonshee. Out for revenge. However to stop this happening is a Buddhist monk and co, who know the traditions by putting a strip of paper on the forehead. Lee's niece Alice takes over the shop with the help of her boyfriend Michael, but things get worse when the gang turns up again and that of her dead hopping vampire uncle.

A very hit and miss romp, but always endurably campy fun if you can handle its deliberately over-the-top humour, zany nature and clumsy handling due largely to its cheap limitations. It's pretty hard to keep a straight face, even when it does try to be serious… which gladly isn't entirely the case, as the snappy script (not always particularly a witty one) keeps it tongue-in-cheek.. Not perfect, but the dialogues could've been worse. Nonetheless it never outstays its welcome, because it's pretty short and sweet with it running at only 80 minutes. Despite its makeshift look and silly writing, the gimmick behind it is refreshingly creative and you can't knock its enthusiasm. From the fruity acting (James Hong, Andrea Roth and Jonathan Goldstein) to the conventional direction (by John Fasano, who was also behind ''Rock 'n' Roll Nightmare'''and "Black Roses") and a dodgy, but playful music score. While not the best, it remains bearable. On the other hand the make-up effects were decently executed and show some nice icky moments. There's plenty of genuine location work, which gives it a grimy urban atmosphere, but there's an odd moment within the middle of the movie where for about a minute (well it feels like it), it takes time out for some sight seeing of the sights and the people. Pretty pointless, but harmless. The horror and suspense it might try to drill out is overwhelmed by its loopy and asinine comical attitude and it's constant use of slow motion.

Amateurish, but amusingly kooky.
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3/10
look elsewhere for better "Chinese vampire"/"hopping zombie" movies
FieCrier12 March 2005
Pretty bad movie, although it wasn't so bad that I hated it.

I've seen a few "Chinese vampire"/"hopping zombie" movies (both terms are used to translate the word kyonshi/gyonshi/jiangshi - spelling variations due to variant transliterations). Some are straight horror or horror/action. Many are horror/comedy. This one falls into the latter, although the comedy is pretty lame.

As an American (or Canadian)-made Chinese vampire movie, you'd expect it to introduce these creatures to an unfamiliar audience. It does, to some extent, but you wish it had been a better movie. Possibly the directors and producers thought this could be a big hit after Gremlins (1984) and Big Trouble in Little China (1986) (incidentally James Hong is in both the latter and The Jitters). I don't know how much distribution film prints might have gotten, but the video is fairly scarce now.

The opening titles are done over drawings of Chinatown, with the credits drawn in. An animated Chinese vampire hops through some of the streets in the drawings. That was neat.

A woman in Chinatown helps her uncle with his shop. She has a white fiancé. The Uncle has some trouble with a mostly white gang. He fights them off, but they return and kill him. They don't leave with much money, and are sent back by their leader to find the stash he supposedly had. Enter the zombie! The Uncle is now a Chinese vampire, hopping into the store wearing some traditional Chinese clothing, and he now has fangs, a strange growl, and pointy ears. A Buddhist monk shows up and pastes a prayer or some strip of paper with Chinese writing on it onto its forehead, which stops it.

The woman and her boyfriend learn about a place in Chinatown where Buddhists collect these Chinese vampires, apparently to help them eventually be able to pass away properly. The gang continues to make trouble.

One of the gang members who dies from a vampire bite comes back later as a vampire himself, and he turns into an even more dangerous monster when exposed to mirrors. I'm reminded of Gremlins again.

Better to stick with Chinese vampire movies that come from China and Hong Kong.
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Not Bad Film
marloweisdead26 May 2004
Well, I bought this little film on second-hand VHS at some second-hand store some time back, and I must say that I quite enjoyed it -- it even features a character quoting a line from GhostBusters; "I'm terrified beyond rational thought" or something (I forget the exact phrase). I thought the comedy moments were mostly done well, the music was enjoyable also, and the creature effects towards the end were impressive considering that this film must have had a pretty low budget. A cut above the average zero-budget flick, worth picking up if you happen to find yourself in a second-hand store and come across it for a reasonable price. All in all, absolutely watchable and enjoyable.
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1/10
AWFUL
jellopuke29 April 2020
Apart from the unique concept, this is bargain basement trash with nothing redeeming about it. No gore, flat jokes, murky lighting, brutally bad fight choreography, cringe worthy dialogue, terrible sets... It's short, but feels like it's eight hours long. Just a miss in all respects.
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1/10
Just bad...
mikprosser5 October 2001
Chinese vampires that hop around like bunnies who can only be killed by placing a piece of tape on their face chase around a bunch of people with really bad haircuts. Yes, it's as bad as it sounds. There's even some pretty awful kung-fu scenes, not to mention really bad dialogue ("What's that thing over there? Let's kill it!"). Acting is awful and the "terrifying effects" advertised on the box consists of some really really really bad makeup work. If you ever find it in the far far corner of your video store (which is highly unlikely), rent it if you like laughing at awful movies. And believe me, this one is awful...

1/10
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2/10
Oh dear, this film is AWFUL in every respect!!!!
cool_cool_126 June 2006
The Jitters (1989) is a truly awful movie, there are no redeeming features whatsoever, some films are so bad they are good, or at least funny, but this film is just BAD!!!! I love horror movies, low budget is fine by me, but come on they have to be entertaining and ooze class, this film sucks in every respect, boring, with dull characters, awful acting, no suspense, no laughs, no nothing, it's as simple as that!!! A film about jumping/hopping Chinese vampires, you can freeze them by sticking paper to their foreheads, yes thats right, good huh!!!! I heard that the director of this actually made quite a fun horror movie called "Black Roses", well anything will be better than this rubbish but i don't think i want to see anymore of his work, it could be painful. 2/10 for the jitters and i'm being kind!!!!
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9/10
Jumping Chinese vampires = pure fun!
HumanoidOfFlesh10 November 2002
John Fasano,the man behind "Rock'n'Roll Nightmare" and "Black Roses" directed also this silly trash.This film is bad,but I found it to be genuinely enjoyable.The acting is horrible-James Hong's("The Vineyard") performance is actually the best!Of course jumping Chinese vampires are laughable-"The Jitters" is the kind of a movie that certainly will leave you amused.Pure fun,if you like trash cinema!
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8/10
A gloriously wacky marvel
Woodyanders29 April 2014
Warning: Spoilers
A rich Chinatown merchant gets murdered by a pernicious street gang. However, the merchant returns to life as a lethal and vengeful vampire. Director John Fasano, working from an off the wall inventive script by Sonoko Kondo and Jeff McKay, cranks the deliciously loopy kitschiness to the delightfully goofy ninth degree: The campy villains, the crazy fight scenes, the clumsy use of strenuous slow motion, some gnarly'n'gloppy gore, the amiable lighthearted tone, the equally engaging sense of blithely silly humor, the priceless ending credits theme song, and, best of all, those hysterical hopping vampires all merge together to make this dippy doozy an infectiously nutty riot from start to finish. Moreover, it's acted with considerable zest by an enthusiastic cast: Sal Viviano and Marilyn Tokuda make for appealing leads, Doug Silberstein hams it up with enjoyably unrestrained lip-licking brio as nefarious main bad guy Leach, and familiar veteran character actor James Hong has an absolute field day as sage magician Tony Yang Sr. Paul Mitchnick's sharp cinematography vividly captures the glittery neon shine of the urban locations. The energetic syncopated score by Tom Borton and Daniel Linck hits the spirited spot. Moreover, it's impossible to dislike a flick in which Hong gets to bust a few martial arts moves on the bad guys. Good flaky fun.
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Inept, screwy fantasy film
lor_10 April 2023
My review was written in June 1989 after watching the movie on Prism video cassette.

This mixed-up attempt at a live-action comic strip heads to video stores with no warning on how fans are to react to an overly goofy fantasy effort.

With Japanese funding, American production and Toronto Chinatown setting, John Fasano's film is a mishmash to start with. He doesn't help things out by overlaying a noisy musical score and sound effects track that either drowns out or distract from the dialog exchanges.

Wacky premise concerns the Chinese undead known as Gyonsii, a group of vampire-like beings trapped in limbo on Earth (between heaven and hell). Heroine Marilyn Yokuda's toy store-owner dad (Handy Atmadja) joins the zombie ranks when he's murdered by sneak thieves, the leader wearing a Batman t-shirt (in timely fashion).

Yokuda and her Caucasian boyfriend Sal Viviano team up with a pair of young magicians to sort out the undead and avenge daddy's death. Gimmick of the vampires hopping along lets the viewer know quickly it's all tongue in cheek. A silly scene of a zombie suddenly turning into a reptilian monster is inserted as an excuse for the makeup effects crew to trot out pulsating bladders and dribbling goo.

Performances are hard to judge thanks to the soundtrack overlay. Best thing in the pic is a fancy cartoon opening credits sequence; end credits are unreeled slowly to pad the abbreviated running time.
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