A young opera singer is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.
Director:
Writers:
Awards:
- 4 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
Cristina Marsillach | ... |
Betty
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Ian Charleson | ... |
Marco
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Urbano Barberini | ... |
Inspector Alan Santini
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Daria Nicolodi | ... |
Mira
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Coralina Cataldi-Tassoni | ... |
Giulia
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Antonella Vitale | ... |
Marion
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William McNamara | ... |
Stefano
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Barbara Cupisti | ... |
Signora Albertini
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Antonino Iuorio | ... |
Baddini
(as Antonio Juorio)
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Carola Stagnaro | ... |
Alma's mother
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Francesca Cassola | ... |
Alma
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Maurizio Garrone | ... |
Maurizio, the raven trainer
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Cristina Giachino | ... |
Maria, the assistant director
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György Gyõriványi | ... |
Miro
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Bjorn Hammer | ... |
Cop #1
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Peter Pitsch | ... |
Mara Czekova's assistant
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Sebastiano Somma | ... |
Cop #2
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Rest of cast listed alphabetically: | |||
Elizabeth Norberg-Schulz | ... |
Lady Macbeth (soprano) (singingVoice)
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Michele Pertusi | ... |
Macbeth (bass) (singingVoice)
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Dario Argento | ... |
Narrator (Italian version) (uncredited) (voice)
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Enrico Cesaretti | ... |
Theater Keeper (uncredited)
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Rosario Prestopino | ... |
Man that applies makeup on Betty (uncredited)
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Maria Chiara Sasso | ... |
Girl stabbed on the stairs (uncredited)
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Michele Soavi | ... |
Inspector Daniele Soave (uncredited)
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Karl Zinny | ... |
Worker in the backround (uncredited)
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Directed by
Dario Argento |
Written by
Dario Argento | ... | (story) & |
Franco Ferrini | ... | (story) |
Dario Argento | ... | (screenplay) |
Produced by
Dario Argento | ... | producer |
Ferdinando Caputo | ... | executive producer |
Mario Cecchi Gori | ... | co-producer |
Vittorio Cecchi Gori | ... | co-producer |
Music by
Brian Eno | ||
Roger Eno | ||
Steel Grave | ||
Claudio Simonetti | ||
Bill Wyman |
Cinematography by
Ronnie Taylor | ... | director of photography |
Editing by
Franco Fraticelli |
Editorial Department
Piero Bozza | ... | assistant film editor |
Alessandro Gabriele | ... | assistant film editor |
Roberto Priori | ... | second assistant film editor |
Production Design by
Davide Bassan |
Art Direction by
Gian Maurizio Fercioni | ... | (as Gianmaurizio Fercioni) |
Set Decoration by
Valeria Paoloni |
Costume Design by
Lia Francesca Morandini | ... | (as Francesca Lia Morandini) |
Makeup Department
Franco Casagni | ... | makeup artist |
Ferdinando Merolla | ... | hairdresser |
Barbara Morosetti | ... | makeup artist |
Rosario Prestopino | ... | key makeup artist |
Angelo Vannella | ... | hair stylist |
Production Management
Verena Baldeo | ... | production supervisor |
Alessandro Calosci | ... | production supervisor |
Fabrizio Diaz | ... | unit manager |
Olivier Gérard | ... | unit manager (as Olivier Gerard) |
Second Unit Director or Assistant Director
Antonio Gabrielli | ... | first assistant director |
Alessandro Ingargiola | ... | second assistant director |
Michele Soavi | ... | second unit director |
Paolo Zenatello | ... | first assistant director |
Art Department
Gian Maurizio Fercioni | ... | production designer: opera set (as Gianmaurizio Fercioni) |
Maurizio Jacopelli | ... | property master (as Maurizio Iacopelli) |
Renato Lori | ... | assistant art director |
Osvaldo Monaco | ... | property master |
Claudio Stefani | ... | props |
Antonio Tarolla | ... | assistant art director |
Sound Department
Nick Alexander | ... | sound editor |
Luciano Anzellotti | ... | sound effects (as L.M. Anzellotti) |
Massimo Anzellotti | ... | sound effects editor |
Giancarlo Laurenzi | ... | sound mixer |
Romano Pampaloni | ... | dubbing mixer |
Robert Rietty | ... | adr director |
Stefano Rossi | ... | boom operator |
Federico Savina | ... | stereo sound consultant: Dolby Stereo |
Special Effects by
Renato Agostini | ... | special effects designer |
Antonio Corridori | ... | special effects suplier |
Giovanni Corridori | ... | special effects suplier |
Massimo Cristofanelli | ... | special effects technician |
Germano Natali | ... | special effects suplier / special effects |
Sergio Stivaletti | ... | animatronics |
Visual Effects by
Ivan Tozzi | ... | digital color grading restoration |
Camera and Electrical Department
Roberto De Franceschi | ... | clapper loader (as Roberto de Franceschi) |
Massimo Intoppa | ... | assistant camera |
Maurizio Lucchini | ... | assistant camera |
Enrico Maggi | ... | camera operator: second unit |
Gianfranco Massa | ... | still photographer |
Fernando Massaccesi | ... | gaffer (as Ferdinando Massaccesi) |
Ugo Menegatti | ... | assistant camera |
Roberto Nicosia | ... | still photographer (as Roberto Nicosia Vinci) |
Nicola Pecorini | ... | steadicam operator |
Ennio Picconi | ... | key grip |
Luca Robecchi | ... | director of photography: second unit |
Antonio Scaramuzza | ... | camera operator |
Renato Tafuri | ... | director of photography: second unit |
Franco Vitale | ... | still photographer |
Costume and Wardrobe Department
Enrica Barbano | ... | wardrobe assistant |
Francesca Grandi | ... | seamstress |
Music Department
Paola Leolini | ... | performer: soprano, Macbeth Arias |
Francesco Miracle | ... | music consultant: lyrical music (as M. Francesco Miracle) |
Elizabeth Norberg-Schulz | ... | performer: soprano, Macbeth Arias (as Elisabetta Norberg Schultz) |
Michele Pertusi | ... | performer: tenor, Macbeth Arias |
Andrea Piccini | ... | performer: baritone, Macbeth Arias |
Gianfranco Plenizio | ... | music consultant: lyrical music (as M. Gianfranco Plenizio) |
Giovanni Veneri | ... | musical director: Parma Theatre Chorus (as M. Giovanni Veneri) |
Script and Continuity Department
Cinzia Malatesta | ... | script supervisor |
Additional Crew
Angelo Cavallo | ... | production secretary |
Carlo Du Bois | ... | accountant |
Egle Friggeri | ... | production secretary |
Maurizio Garrone | ... | animal consultant |
Leslie La Penna | ... | voice dubbing |
Enrico Lucherini | ... | publicist |
Francesco Marras | ... | production secretary |
Barbara Morosetti | ... | assistant: Sergio Stivaletti |
Gianluca Pignatelli | ... | publicist |
Renato Rinaldo | ... | chief accountant |
Paola Rossi | ... | production secretary |
Federica Zappalà | ... | accountant |
Sandro Acerbo | ... | voice dubbing: Urbano Barberini (uncredited) |
Cristina Boraschi | ... | voice dubbing: Christina Marsillach (uncredited) |
Sergio Di Stefano | ... | voice dubbing: Ian Charleson (uncredited) |
Giorgio Lopez | ... | voice dubbing: Antonino Iuorio (uncredited) |
Fabrizio Manfredi | ... | voice dubbing: William McNamara (uncredited) |
Isabella Pasanisi | ... | voice dubbing: Carolina Cotaldi Tassoni (uncredited) |
Production Companies
- ADC Films
- Cecchi Gori Group Tiger Cinematografica
- RAI Radiotelevisione Italiana (in collaboration with)
Distributors
- Compagnia Distribuzione Internazionale (CDI) (1987) (Italy) (theatrical)
- Orion Pictures (1987) (Non-US) (sales)
- RCA/Columbia Pictures International Video (1988) (West Germany) (VHS)
- RCA/Columbia Pictures International Video (1989) (West Germany) (VHS)
- RCA/Columbia Pictures Video (Netherlands) (VHS)
- RCA/Columbia-Hoyts Home Video (1989) (Australia) (VHS)
- Rank Film Distributors (1990) (United Kingdom) (theatrical)
- Orion Classics (1991) (United States) (theatrical)
- Orion Pictures (1991) (United States) (theatrical) (dubbed)
- South Gate Entertainment (1991) (United States) (VHS)
- VideoVisa (Mexico) (VHS)
- Cecchi Gori Home Video (2000) (Italy) (DVD)
- Anchor Bay Entertainment (2001) (United States) (DVD)
- Anchor Bay Entertainment (2001) (United States) (VHS)
- Blue Underground (2007) (United States) (DVD)
- Living Colour Entertainment (2009) (Netherlands) (DVD)
- '84 Entertainment (2011) (Germany) (DVD)
- Kino Film (2011) (South Korea) (DVD)
- X-Rated Kultvideo (2011) (Germany) (DVD)
- Cult Films (2015) (United Kingdom) (Blu-ray) (DVD) (VOD)
- Koch Media (2015) (Germany) (DVD)
- Les Films du Camélia (2018) (France) (theatrical) (restored version)
- Scorpion Releasing (2018) (United States) (Blu-ray) (limited 3 disc set)
- Universal Sony Pictures Home Entertainment Nordic (2019) (Finland) (Blu-ray) (DVD) (6-disc "Dario Argento Collection")
- Les Films du Camélia (2023) (France) (theatrical) (re-release) (4K restoration)
- Globo Vídeo (Brazil) (VHS)
- Topanga Canyon Films (2018) (Spain)
- Vivivideo (Italy) (VHS)
Special Effects
Other Companies
- Teatro Regio di Parma (filmed at)
- Cinevox Records (soundtrack)
- Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" (orchestra)
- Elite Studio (music recorded at)
- International Recordings (recorded by)
- Gambit International (recorded by)
- E.C.E. (camera equipment)
- Arco 2 (lighting)
- Romana Trasporti Cinematografici S.r.l. (transport)
- De Paolis I.N.C.I.R. (stages)
- Rancati (properties supplied by)
- G. R. P. di Postiglione (properties supplied by)
- Artigiana Arredatori e Tappezzieri (furnishings)
- Costumi d'Arte (costumes)
- Sartoria Farani S.t.L. (costumes)
- Nino Lembo (jewelry)
- Rocchetti e Carboni (wigs)
- L.C.P. (shoes)
- Luigi Paro (birds and animals supplied by)
- Cinesicurtà (insurance)
- Studio A.M. (titles and opticals)
- Modgraphic (graphics)
- Di Angelo Modica (graphics)
- Eastman Kodak (negative)
- Technicolor (prints)
- Dedalo (set dressing)
- THX Ltd. (digital mastering: 2001 & 2007 DVDs)
Storyline
Plot Summary |
Young opera singer Betty gets her big chance when the previous star of a production of Verdi's 'Macbeth' is run over by a car. Convinced that the opera is bad luck, she accepts--and becomes the target (in Argento's unmistakable style) of a psychopath--a man who has inhabited her nightmares since her childhood.
Written by David Carroll |
Plot Keywords | |
Taglines | An Aria of Terror from the Maestro of Horror - Dario Argento See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Sound Mix | |
Filming Locations |
Box Office
Budget | $8,000,000 (estimated) |
Did You Know?
Trivia | The idea of the pins-under-the-eyes torture device came from a joke of Argento's. Argento said it would annoy him when people would look away during the scary scenes in his films. He would jokingly suggest taping pins under people's eyes so they couldn't look away from the film. It would late materialize on the screen for this film. See more » |
Goofs | In the killer's POV shot entering the costume workshop, the camera and camera dolly are seen in a mirror on the right. See more » |
Movie Connections | Featured in Episode #2.9 (1991). See more » |
Soundtracks | White Darkness See more » |
Quotes |
Marco:
I think it's unwise to use movies as a guide for reality. Don't you, Inspector? Inspector Alan Santini: Depends what you mean by reality. See more » |