A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
A young opera singer (Betty) gets her big chance when the previous star of a production of Verdi's Macbeth is run over by a car. Convinced the opera is bad luck she accepts, and becomes the target (in Argento's unmistakable style) of a psychopath - a man she has been dreaming of since childhood. Written by
David Carroll <firstname.lastname@example.org>
The ending of the movie is inspired by the ending of Thomas Harris's book "Red Dragon". In an interview in Luca M. Palmerini's book "Spaghetti Nightmares", Dario Argento states that he did not like Michael Mann's Manhunter (1986), the first film adaptation of "Red Dragon" which used a completely different ending from the one in the novel, but is a fan of Harris's novel. (Ted Tally's screenplay for Red Dragon (2002) later adapted this ending more faithfully.) See more »
During the shootout in Betty's apartment as the masked killer dives out of the way of a shot, and the camera quickly pans after him, a crew member is visible on the right side of the frame, trying to get out of the way. See more »
not Dario's best, but better than most of it's type.
Opera (the U.S. title is terror at the opera) is somewhat of a letdown after some of Dario's other movies like Phenomena, Tenebre, and Suspiria. (i still can't find Inferno anywhere.) it's one of those movies that has a great first half but midway through it's like someone started slowly letting the air out of the screenplay and logic.
the basic plot involves a beautiful opera singer who is being stalked by a deranged obsessed fan. this killer begins killing people close to her in a most unique fashion. he binds and gags her and tape tiny sharp pins under her eyelids so if she tries to close her eyes she'll gouge out her eyes. this forces her to watch while the killer murders her acquaintances in typically brutal and gory Argento fashion.
unfortunately, about midway through the film becomes sluggish and illogical. (this is especially directed towards the killer's motivations. i still haven't completely figured out why he's such a nut.) the ending especially come out of left field in the worst possible sense.
but, for about the first hour or so this is some of Dario's best filmmaking and the camera work is breathtaking. too bad it couldn't maintain it through to the end.
2 of 2 people found this review helpful.
Was this review helpful to you?