| Michael Emil | ... | The Professor | |
| Theresa Russell | ... | The Actress | |
| Tony Curtis | ... | The Senator | |
| Gary Busey | ... | The Ballplayer | |
| Will Sampson | ... | Elevator Attendant | |
| Patrick Kilpatrick | ... | Driver | |
| Ian O'Connell | ... | Assistant Director | |
| George Holmes | ... | Actor | |
| Richard Davidson | ... | Director of Photography | |
| Mitchell Greenberg | ... | Technician | |
| Raynor Scheine | ... | Autograph Hunter | |
| Jude Ciccolella | ... | Gaffer | |
| Lou Hirsch | ... | Charlie | |
| Ray Charleson | ... | Bud | |
| Joel Cutrara | ... | Bar Drunk | |
| Raymond J. Barry | ... | Ballplayer's Father | |
| John Stamford | ... | Young Ballplayer | |
| Desirée Erasmus | ... | Prostitute | |
| David Lambert | ... | Young Professor | |
| Cassie Stuart | ... | Young Actress | |
| Meachell Dunsmoor | ... | Actress as a Child | |
| Daniel Benzali | ... | First Theatrical Agent | |
| R.J. Bell | ... | Second Theatrical Agent | |
| Shinobu Kanai | ... | Japanese Woman | |
| David Montagu | ... | Young Senator |
Directed by | |||
| Nicolas Roeg | |||
Writing credits(in alphabetical order) | ||
| Terry Johnson | ||
Produced by | |||
| Alexander Stuart | .... | executive producer | |
| Jeremy Thomas | .... | producer | |
Original Music by | |||
| Stanley Myers | |||
| Hans Zimmer | |||
Cinematography by | |||
| Peter Hannan | |||
Film Editing by | |||
| Tony Lawson | |||
Casting by | |||
| Lucy Boulting | |||
| Margery Simkin | |||
Production Design by | |||
| David Brockhurst | (as David Brocklehurst) | ||
Art Direction by | |||
| Arthur Max Shafransky | |||
| Celia Barnett | (uncredited) | ||
Costume Design by | |||
| Shuna Harwood | |||
Makeup Department | |||
| Jan Archibald | .... | hair stylist | |
| Christine Beveridge | .... | makeup designer | |
Production Management | |||
| Simon Bosanquet | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lee Cleary | .... | third assistant director | |
| Ann Egbert | .... | key second assistant director | |
| Zsuzsanna Mills | .... | second assistant director | |
| Joseph P. Reidy | .... | assistant director: New York (as Joe Reidy) | |
| Clayton Townsend | .... | second second assistant director | |
| Michael Zimbrich | .... | first assistant director | |
Art Department | |||
| Karen Brookes | .... | production buyer (as Karen Brooks) | |
| Diana Johnstone | .... | set dresser | |
| Hugo Luczyc-Wyhowski | .... | assistant art director | |
| Maxie McDonald | .... | property master | |
| Thomas Hudson Reeve | .... | set property man (as Tom Reeve) | |
| Reg Richards | .... | construction manager | |
| Stephen Shapiro | .... | set constructor | |
| Ernest Smith | .... | scenic artist | |
| Lester Smith | .... | draughtsman | |
Sound Department | |||
| George Akers | .... | dialogue editor | |
| Ted Ball | .... | sound maintenance | |
| Alan Bell | .... | sound editor | |
| Chris Gurney | .... | boom operator | |
| Paul Le Mare | .... | sound | |
| Jacques Leroide | .... | assistant dubbing editor | |
| Brenda Ray | .... | boom operator: New York | |
| Hugh Strain | .... | sound recordist | |
| Martin Trevis | .... | boom operator | |
Special Effects by | |||
| Bob Thorne | .... | special effects technician | |
| Alan Whibley | .... | special effects | |
Visual Effects by | |||
| Alan Church | .... | optical cameraman: General Screen Enterprises | |
| Shulamit Levin | .... | digital restoration (2007 restored version) | |
| Tony Willis | .... | effects cameraman (uncredited) | |
Stunts | |||
| Tracey Eddon | .... | stunts | |
| Terry Forrestal | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mark Cridlin | .... | assistant camera | |
| Colin Davidson | .... | focus puller | |
| Anil Devani | .... | photosonics technician | |
| Alfie Emmins | .... | best boy | |
| James P. Gruebel | .... | key grip: New York (as Jim Gruebel) | |
| Alex Henderson | .... | still photographer | |
| John Krauss | .... | gaffer: New York | |
| Edward Lachman | .... | additional camera operator: New York (as Ed Lachman) | |
| Wayne Leach | .... | electrician | |
| Reg Parsons | .... | gaffer | |
| John Payne | .... | grip | |
| Bob Smith | .... | camera operator | |
Casting Department | |||
| Pat Golden | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Brandon Everett | .... | wardrobe assistant | |
| Susie Money | .... | wardrobe assistant: New York | |
| Sonja Roth | .... | wardrobe supervisor | |
| Ray Usher-Cooper | .... | wardrobe master (as Raymond Usher Cooper) | |
| Allison Wyldeck | .... | wardrobe assistant (as Alison Wyldeck) | |
Editorial Department | |||
| Chris Cook | .... | assistant editor | |
| Christopher Thompson | .... | assistant editor (as Chris Thompson) | |
Music Department | |||
| Gerry Butler | .... | orchestrator | |
| Gil Evans | .... | music arranger: Mozart | |
| Paul Hirsh | .... | musician: shakuhachi | |
| Graham Walker | .... | music supervisor | |
| Ray Williams | .... | music coordinator | |
| Hans Zimmer | .... | composer: additional music | |
Other crew | |||
| Tamara Bally | .... | production coordinator: New York | |
| Sevilla Delofski | .... | assistant to producer | |
| Brian Gibbs | .... | production accountant | |
| Lisa Granditer | .... | secretary to producer | |
| Mary Holdsworth | .... | script supervisor | |
| Tom Hugh-Jones | .... | unit runner | |
| Pauline Hume | .... | graphic artist: titles | |
| Sara Keene | .... | publicist | |
| Roxy Konrad | .... | production coordinator (as Roxy Glassford) | |
| Rachel Neale | .... | location manager (as Rachael Neale) | |
| Gary Nixon | .... | assistant accountant | |
| Betty Swinburne | .... | accounts secretary | |
| Ron Swinburne | .... | supervising production accountant | |
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| The Lonely Passion of Judith Hearne | Thank You for Smoking | Billy Liar | Dead Ringers | In the Company of Men |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
What if Marylin Monroe, Albert Einstein, Joe Dimaggio and Senator McCarthy were to come together in a mind-bending evening of relativity?
This delightful roman à clef never uses the actual names of the characters it so thinly veils and scathingly exposes not only for the individuals they must have been, but also for what they came to represent over time. If you are confused by allegory, or if you like your movies served up predigested and mushy, you won't like this film. It is a demanding opus that rewards on many levels the viewer with the intelligence to appreciate it.
Dropping, for the time being, the rigorous avoidance of using the real names of the characters, we see Einstein, about to deliver a pacifist speech to a United Nations hell-bent for nukes, being visited by Marylin Monroe, after filming the notorious Seven Year Itch scene that some say led to the end of her marriage with Joe Dimaggio. They have a lovely interplay in which Einstein stumbles with suitable professorial clumsiness around the innocence of perhaps the greatest sex symbol of modern times.
Enter Senator McCarthy who thinks Einstein is a Red. He is determined to extract Einstein's assurance that he will support the activities of the House Unamerican Activities Committee while delivering the ultimate weapon in the name of peace. Add Joe, a surprisingly fragile and vulnerable person perhaps not perfectly cast as Gary Busey, who hates Marylin's exhibitionism and believes Einstein has become her lover, even though Marylin only wants to show Einstein that she understands the Special Theory of Relativity.
But there's more.
Just like each of us, these characters have their deepest fears, which they reveal one by one in haunting flashbacks. It is these weaknesses, ultimately, that lend humanity to figures we cannot help but see almost exclusively in the abstract today. Finally, we see the shocking terror of Einstein's vision, and the statement of the movie becomes clear. It is a powerful and memorable moment.
Insignificance is one of my top five movies of all time. It is utterly amazing.