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Insignificance (1985)

 -  Drama | Comedy  -  2 August 1985 (USA)
6.8
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Ratings: 6.8/10 from 1,969 users  
Reviews: 17 user | 21 critic

Four 1950s icons meet in the same hotel room and two of them discover more in common between them than they ever anticipated.

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Title: Insignificance (1985)

Insignificance (1985) on IMDb 6.8/10

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Cast

Cast overview, first billed only:
Michael Emil ...
Professor
...
Actress
...
Senator
...
...
Elevator Attendant
...
Driver
Ian O'Connell ...
Assistant Director
George Holmes ...
Actor
Richard Davidson ...
Director of Photography
Mitchell Greenberg ...
Technician
...
Autograph Hunter
...
Gaffer
Lou Hirsch ...
Charlie
Ray Charleson ...
Bud
Joel Cutrara ...
Bar Drunk
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Storyline

Four 1950's cultural icons (Albert Einstein, Marilyn Monroe, Joe DiMaggio and Senator Joseph MacCarthy) who conceivably could have met and probably didn't, fictionally do in this modern fable of post-WWII America. Visually intriguing, the film has a fluid progression of flash-backs and flash-forwards centering on the fictional Einstein's current observations, childhood memories and apprehensions for the future. Written by Jeanne Baker <jbaker@erim.org>

Plot Summary | Add Synopsis

Taglines:

A comedy about life, death, sex and the universe . . . relatively speaking See more »

Genres:

Drama | Comedy

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

2 August 1985 (USA)  »

Also Known As:

Insignificance  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Since the film was a British production, all of the interiors for Insignificance (1985) were shot at Lee Studios in Wembley, London, with only limited on-location filming of exteriors in New York, See more »

Goofs

The movie takes place in 1954. In one scene, a man is in a bar watching the World Series. The TV announcer for the game starts talking about "Campanella, Hodges, and Berra" being involved in a play. In 1954 those 3 players played for Brooklyn Dodgers and NY Yankees, however the 1954 World Series was between the Cleveland Indians and NY Giants, therefore none of those 3 even played. See more »

Quotes

The Actress: I only said I knew, because you said you knew.
The Professor: I lied. Knowledge isn't truth. It's just mindless agreement. You agree with me, I agree with someone else - we all have knowledge. We haven't come any closer to the truth. You can never understand anything by agreeing, by making definitions. Only by turning over the possibilities. That's called thinking. If I say I know, I stop thinking. As long as I keep thinking, I come to understand. That way, I might approach some truth.
See more »

Connections

Features Hiroshima Mon Amour (1959) See more »

Soundtracks

Wild Hearts
Words & Music by Will Jennings, Roy Orbison
Sung by Roy Orbison
Produced by David Briggs, Roy Orbison
See more »

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User Reviews

Great Cinematic Experience
13 June 2000 | by (United States) – See all my reviews

The collaboration between Nicolas Roeg and his wife Theresa Russell is one of the greatest between a director and an actress in film history, ranking right up there with Sternberg/Dietrich and Griffith/Gish. This is one of the fruits. Russell is "The Actress" (Marilyn Monroe) in a phantasmagoric nightpiece that brings together her, Albert Einstein, Senator Joe McCarthy, and Joe Dimaggio in a 1950s New York hotel during the filming of The Seven-Year Itch. The encounters between the four are mind-bending and richly entertaining, especially Monroe's delirious explanation of the special theory of relativity, using toy trains and balloons, for a delighted Einstein. (Monroe was a closet want-to-be intellectual, surprisingly well-read and capable of thoughtful comments in interviews.) Roeg's directing style is rich, propulsive, wonderfully matched to the material (which began as a stage play, although there's nothing the least stagy here, or gratuitously "opened out", either). The apocalyptic finale is fully the equal of the most comparable scene I can think of, the house-destruction at the end of Antonioni's Zabriskie Point. A not-to-be-missed experience. (By the way: what has become of Russell? Like Debra Winger, another of the great talents of her generation and her acting partner in Black Widow, she has hit her forties and Hollywood responds by giving these amazing performers nothing whatsoever to do. It's a darn shame. I'd look for Russell in more Roeg films, of course, but he seems to be in hiding too.)


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