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Alexander Stuart (I)


Based in Shanghai, Los Angeles, London. British-born. Screenplays include Bitten for Angelina Jolie/Warner Bros; Head Shots for Jodie Foster/Lorenzo di Bonaventura/Paramount; Under The Skin for director Jonathan Glazer/Nick Wechsler/Film4, starring Scarlett Johansson; Whiteout for Universal/Dark Castle/Warner Bros, starring Kate Beckinsale; Toby ... See full bio »

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Known For

Filmography

Jump to: Writer | Producer | Thanks | Self
Hide Hide Show Show Writer (5 credits)
 2014 Love Me Haiti (Short) (screenplay)
 2000 The End of America (TV Movie documentary)
 1999 The War Zone (novel) / (screenplay)
 1984 The Man Who Shot Christmas (Short) (written by)
 1984 Ordeal by Innocence (screenplay)
Hide Hide Show Show Producer (2 credits)
 1985 Insignificance (executive producer)
 1984 The Man Who Shot Christmas (Short) (co-producer)
Hide Hide Show Show Thanks (1 credit)
 2013/I Under the Skin (the filmmakers would like to thank - screenwriter, first three drafts, uncredited)
Hide Hide Show Show Self (1 credit)
 2000 The End of America (TV Movie documentary)
Himself; narration
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Personal Details

Other Works:

Novelist. Books include "The War Zone" (1989, Doubleday), "Five And A Half Times Three" (1990, Hamish Hamilton, written with Ann Totterdell, about the death from cancer of their five-and-a-half-year-old son, Joe Buffalo), "Tribes" (1992, Doubleday), "Life On Mars" (1996, Doubleday) and the children's books, "Joe, Jo-Jo And The ... See more »

Publicity Listings:

11 Interviews | 13 Articles | 2 Pictorials | See more »

Official Sites:

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Alternate Names:

Alexander Chow-Stuart
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Did You Know?

Personal Quote:

Once my son was diagnosed with cancer, I had this huge amount of pain and anger about how this could happen to the child I loved so much. And I definitely directed that into The War Zone. I wrote it differently than anything I've written. I would rush back to the house while he was in chemotherapy and just write for two hours. I almost felt as if I were channeling it.

Trivia:

For his first venture as a producer, he persuaded director Nicolas Roeg
  • whom he had only met once, for a magazine interview - to see the


play, Insignificance, that Stuart was trying to get the rights to. Roeg came on the play's last night, agreed to direct the movie, and helped Stuart set the project up with producer Jeremy Thomas. See more »

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