A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
John Waters' second film, shot on 8mm, and featuring Divine for the first time. Essentially a plotless collage of random incidents involving sex, drugs, religion and 'The Wizard of Oz', it ... See full summary »
Francine Fishpaw is an upper middle class suburban housewife in Baltimore. Unfortunately for this "good Christian woman", the money to support her lifestyle comes from her husband's porno theater, the neighbors are protesting, her son is the notorious "Baltimore Stomper", her daughter is knocked up by a local hoodlum, and her husband is having an affair with his secretary. Written by
Stephen J. LeBlanc <firstname.lastname@example.org>
During the credits, the title song "Polyester" describes the action seen on screen, leading the audience through a helicopter shot of the suburbs into Francine's house (commenting on its French Provincial decor) and upstairs to meet her. See more »
My first John Waters gross-out movie had me hooked to his works, but after seeing his other, much better earlier movies, I see that POLYESTER isn't as great as it was cracked up to be.
Divine is much too whiny (but good and campy) as Francine Fishpaw, a troubled housewife whose husband is a cheating porno theater owner, daugher is a slut, son is a glue-sniffing foot fetishist, and mother is a hateful kleptomaniac. She finds salvation in her friend Cuddles(played superbly by Edith Massey) and new beau Todd Tomorrow (an overacting Tab Hunter). While POLYESTER has plenty of great scenes (Dexter stomping on womens' feet, LuLu ditching a dorky date for her real boyfriend BoBo, the gigantic Jean Hill hijacking a bus and popping a car tire with her teeth), it is one of the weaker Waters movies. Yet it still hasn't swayed totally into the mainstream and therefore has a cheap, low-budget feel about it. It also features great cameos from Waters regulars Mink Stole (Elmer's mistress), Mary Vivian Pearce (a nun), Susan Lowe (foot stomper victim), Cookie Mueller (foot stomper victim), Marina Melin (foot stomper victim), Sharon Niesp (a nun), George Figgs (abortion picketer), and the guy who played Dawn Davenport's teacher in FEMALE TROUBLE.
POLYESTER is not one of my highly recommended Waters movies, but is a great start for those who want to gradually build a following of his films and is a nice farewell to lovable Edith Massey in her last Waters movie.
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