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Directed by | |||
| Ralph Bakshi | |||
Writing credits | ||
| Chris Conkling | (screenplay) and | |
| Peter S. Beagle | (screenplay) | |
| J.R.R. Tolkien | (novels "The Fellowship of the Ring" and "The Two Towers") | |
Produced by | |||
| Saul Zaentz | .... | producer | |
Original Music by | |||
| Leonard Rosenman | |||
Cinematography by | |||
| Timothy Galfas | (director of photography) | ||
Film Editing by | |||
| Donald W. Ernst | |||
| Peter Kirby | |||
Art Direction by | |||
| Phil Carroll | (uncredited) | ||
Makeup Department | |||
| Patricia Messina | .... | key makeup artist (uncredited) | |
Production Management | |||
| Denise O'Dell | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| John Sparey | .... | assistant director | |
Art Department | |||
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
Sound Department | |||
| Stephen Katz | .... | consultant: Dolby | |
| Carl Lewis | .... | assistant sound editor (as Cari Lewis) | |
| Bob Minkler | .... | sound re-recording mixer | |
| Bill Mumford | .... | sound re-recording mixer | |
| Dan Sharp | .... | assistant sound editor (as Daniel Sharp) | |
| Bill Varney | .... | sound re-recording mixer | |
| Cathy McKelvey | .... | assistant sound editor (uncredited) | |
| John Post | .... | sound effects editor (uncredited) | |
| Curt Schulkey | .... | adr editor (uncredited) | |
| Curt Schulkey | .... | dialogue editor (uncredited) | |
Visual Effects by | |||
| James W. Riley | .... | visual effects producer (uncredited) | |
Camera and Electrical Department | |||
| Phil Bray | .... | still photographer | |
Animation Department | |||
| Marcia Adams | .... | landscape painter | |
| Christopher D. Andrews | .... | animation effects (as Christopher Andrews) | |
| Craig Armstrong | .... | key animator | |
| Dale Baer | .... | key animator | |
| Dale Baer | .... | layout artist | |
| Brenda Banks | .... | key animator | |
| Carl Bell | .... | key animator | |
| Nino Carbe | .... | animation effects | |
| Mary Jane Cole | .... | ink and paint special effects | |
| Jesus Cortes | .... | key animator | |
| Janet Cummings | .... | color modeler | |
| Janet Cummings | .... | ink and paint supervisor | |
| Retta Davidson | .... | assistant animator | |
| James A. Davis | .... | key animator | |
| Lillian Evans | .... | key animator | |
| Dotti Foell | .... | animation checker | |
| Frank Gonzales | .... | key animator | |
| Steven E. Gordon | .... | key animator (as Steven Gordon) | |
| Stan Green | .... | animation effects | |
| Edgar Gutierrez | .... | cel reproductions | |
| Vince Gutierrez | .... | ink and paint supervisor | |
| Lee Guttman | .... | ink and paint supervisor | |
| Ann Hamilton | .... | ink and paint special effects | |
| Kevin Hanna | .... | layout artist | |
| Edwin B. Hirth III | .... | landscape painter | |
| Mentor Huebner | .... | layout artist | |
| Charlotte Huffine | .... | assistant animator | |
| Barry E. Jackson | .... | landscape painter (as Barry Jackson) | |
| Sam Jaimes | .... | animator | |
| David Jonas | .... | layout artist | |
| Sean Joyce | .... | key animator | |
| Lisa Kahatriya | .... | ink and paint supervisor (as Lisa Kshatriya) | |
| Chrystal Klabunde | .... | key animator (as Chrystal Russell) | |
| Rob LaDuca | .... | assistant animator (as Rob La Duca) | |
| Terry Lennon | .... | assistant animator (as Terrence Lennon) | |
| Ed Newmann | .... | assistant animator (as Edward Newmann) | |
| Linda Pearce | .... | ink and paint special effects | |
| Manuel Perez | .... | animator (as Manny Perez) | |
| Daniel Pia | .... | animation production supervisor | |
| Michael G. Ploog | .... | layout artist (as Mike Ploog) | |
| Carol Kieffer Police | .... | landscape painter (as Carol Kieffer) | |
| Lou Police | .... | background assistant | |
| Sally Reymond | .... | ink and paint supervisor | |
| Nelda Ridley | .... | ink and paint supervisor | |
| Lenord Robinson | .... | key animator | |
| Joe Roman | .... | animator | |
| Phil Roman | .... | animator | |
| Emalene Seutter | .... | ink and paint special effects (as Emaline Seutter) | |
| Paul Smith | .... | key animator | |
| Irven Spence | .... | key animator | |
| J. Michael Spooner | .... | background assistant | |
| Karin Stover | .... | ink and paint special effects | |
| Martin Taras | .... | animator | |
| Barry Temple | .... | assistant animator | |
| Ruth Tompson | .... | ink and paint supervisor | |
| Hank Tucker | .... | key animator | |
| Ira Turek | .... | background assistant | |
| John Vita | .... | landscape painter (as Johnnie Vita) | |
| Ed Wexler | .... | key animator (as Edward Wexler) | |
| Bruce Woodside | .... | key animator | |
| Louise Zingarelli | .... | layout artist | |
| Micki Zurcher | .... | ink and paint supervisor | |
| Kristine Brown | .... | final checker (uncredited) | |
| Daryl Carstensen | .... | xerox checker (uncredited) | |
| Davis Doi | .... | assistant animator (uncredited) | |
| Brad Frost | .... | assistant animator (uncredited) | |
| Edward Goral | .... | inbetween artist (uncredited) | |
| Ray Harris | .... | assistant animator (uncredited) | |
| Larry Leker | .... | animator (uncredited) | |
| Madlyn O'Neill | .... | paint technician (uncredited) | |
| Gary Randall | .... | animator (uncredited) | |
| Richard Raynis | .... | background illustrator (uncredited) | |
| Rusty Stoll | .... | assistant animator (uncredited) | |
| Tom Tataranowicz | .... | animator (uncredited) | |
Costume and Wardrobe Department | |||
| William Barbe | .... | special costume designer and constructor | |
| Lynne Betner | .... | special costume designer and constructor | |
| Hollis Trainer | .... | costume supervisor (uncredited) | |
Editorial Department | |||
| Jack Hooper | .... | negative cutter | |
| Tom Hooper | .... | negative cutter | |
Music Department | |||
| Ralph Ferraro | .... | orchestrator | |
| Jim Henrikson | .... | music editor | |
| Leonard Rosenman | .... | conductor | |
Other crew | |||
| Mark Bakshi | .... | production staff | |
| Leah Bernstein | .... | assistant to director | |
| Lynne Betner | .... | assistant to director | |
| Martin Cohen | .... | production staff | |
| Christine Danzo | .... | production staff (as Christine L. Danzo) | |
| Nancy Eichler | .... | assistant to producer | |
| Wayne Fitzgerald | .... | title designer | |
| Jacquelyn Herst | .... | production staff | |
| Jacqueline Roettcher | .... | studio production supervisor | |
| Cathy Rose | .... | production staff | |
| Michael Takamoto | .... | production staff | |
| Robert K. Feldmann | .... | production assistant (uncredited) | |
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| The Return of the King | The Lord of the Rings: The Return of the King | The Lord of the Rings: The Fellowship of the Ring | The Hobbit | The Lord of the Rings: The Two Towers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
As an animated film from 1978, this is pretty good--generally well above the standard of the days when Disney hadn't done anything good in years (and Tolkien cared little for Disney anyway). It gets major points for innovative and careful camera work, applying cinematic techniques with relative success. The much-maligned rotoscoping actually works pretty well, especially with the Ringwraiths, and the opening narration. However, it is so drastically overused--possibly as a money-saving technique--that it detracts from the overall effect. The same technique that makes wraiths spooky and otherworldly doesn't fare so well in the Prancing Pony.
As for the adaptation of the story, it's actually quite good. We lose little bits here and there, minor details such as the Old Forest and Tom Bombadil, the Gaffer and the Sackville-Bagginses. We compress a few characters, such as revising Legolas as one of Elrond's household and an old friend of Aragorn's, but that's a rather wise decision for film. In books you have room to include the references to the larger world of the Elves and Middle-Earth's vast history. In film, you trade that for visuals and sound that convey the same elements in a different way. Nothing critical is truly lost here, and although I have minor quibbles about some of the changes, I'm generally pretty happy with it.
If only the dratted writers had managed to remember Saruman's name--he's frequently referred to as Aruman, a decision probably made to make him more distinct from similarly-named Sauron; it took me a second viewing before I was certain I hadn't misheard it. It's also annoying that Boromir is a bloody stage viking, and irritable from the start. However, Gandalf is excellent, and most of the rest of the voicework is excellent. If only John Hurt weren't too old to play Aragorn; I love his voice.
Of course, with the film ending at the midpoint of the story, there's a vast disappointment built in. What makes it far, far worse is the altogether miserable job done by the Rankin & Bass crew on the sequel. That they were permitted to do Return of the King after butchering The Hobbit remains a huge mystery; they seem more interested in bad songs than in proper storytelling. For all its faults, this film's heart is solidly in place and it tries very hard to accomplish a nearly impossible task. I can only hope that the upcoming series of films keeps as true to its vision...