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Directed by | |||
| Ralph Bakshi | |||
Writing credits | ||
| Chris Conkling | (screenplay) and | |
| Peter S. Beagle | (screenplay) | |
| J.R.R. Tolkien | (novels "The Fellowship of the Ring" and "The Two Towers") | |
Produced by | |||
| Saul Zaentz | .... | producer | |
Original Music by | |||
| Leonard Rosenman | |||
Cinematography by | |||
| Timothy Galfas | (director of photography) | ||
Film Editing by | |||
| Donald W. Ernst | |||
| Peter Kirby | |||
Art Direction by | |||
| Phil Carroll | (uncredited) | ||
Makeup Department | |||
| Patricia Messina | .... | key makeup artist (uncredited) | |
Production Management | |||
| Denise O'Dell | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| John Sparey | .... | assistant director | |
Art Department | |||
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
Sound Department | |||
| Stephen Katz | .... | consultant: Dolby | |
| Carl Lewis | .... | assistant sound editor (as Cari Lewis) | |
| Bob Minkler | .... | sound re-recording mixer | |
| Bill Mumford | .... | sound re-recording mixer | |
| Dan Sharp | .... | assistant sound editor (as Daniel Sharp) | |
| Bill Varney | .... | sound re-recording mixer | |
| Cathy McKelvey | .... | assistant sound editor (uncredited) | |
| John Post | .... | sound effects editor (uncredited) | |
| Curt Schulkey | .... | adr editor (uncredited) | |
| Curt Schulkey | .... | dialogue editor (uncredited) | |
Visual Effects by | |||
| James W. Riley | .... | visual effects producer (uncredited) | |
Camera and Electrical Department | |||
| Phil Bray | .... | still photographer | |
Animation Department | |||
| Marcia Adams | .... | landscape painter | |
| Christopher D. Andrews | .... | animation effects (as Christopher Andrews) | |
| Craig Armstrong | .... | key animator | |
| Dale Baer | .... | key animator | |
| Dale Baer | .... | layout artist | |
| Brenda Banks | .... | key animator | |
| Carl Bell | .... | key animator | |
| Nino Carbe | .... | animation effects | |
| Mary Jane Cole | .... | ink and paint special effects | |
| Jesus Cortes | .... | key animator | |
| Janet Cummings | .... | color modeler | |
| Janet Cummings | .... | ink and paint supervisor | |
| Retta Davidson | .... | assistant animator | |
| James A. Davis | .... | key animator | |
| Lillian Evans | .... | key animator | |
| Dotti Foell | .... | animation checker | |
| Frank Gonzales | .... | key animator | |
| Steven E. Gordon | .... | key animator (as Steven Gordon) | |
| Stan Green | .... | animation effects | |
| Edgar Gutierrez | .... | cel reproductions | |
| Vince Gutierrez | .... | ink and paint supervisor | |
| Lee Guttman | .... | ink and paint supervisor | |
| Ann Hamilton | .... | ink and paint special effects | |
| Kevin Hanna | .... | layout artist | |
| Edwin B. Hirth III | .... | landscape painter | |
| Mentor Huebner | .... | layout artist | |
| Charlotte Huffine | .... | assistant animator | |
| Barry E. Jackson | .... | landscape painter (as Barry Jackson) | |
| Sam Jaimes | .... | animator | |
| David Jonas | .... | layout artist | |
| Sean Joyce | .... | key animator | |
| Lisa Kahatriya | .... | ink and paint supervisor (as Lisa Kshatriya) | |
| Chrystal Klabunde | .... | key animator (as Chrystal Russell) | |
| Rob LaDuca | .... | assistant animator (as Rob La Duca) | |
| Terry Lennon | .... | assistant animator (as Terrence Lennon) | |
| Ed Newmann | .... | assistant animator (as Edward Newmann) | |
| Linda Pearce | .... | ink and paint special effects | |
| Manuel Perez | .... | animator (as Manny Perez) | |
| Daniel Pia | .... | animation production supervisor | |
| Michael G. Ploog | .... | layout artist (as Mike Ploog) | |
| Carol Kieffer Police | .... | landscape painter (as Carol Kieffer) | |
| Lou Police | .... | background assistant | |
| Sally Reymond | .... | ink and paint supervisor | |
| Nelda Ridley | .... | ink and paint supervisor | |
| Lenord Robinson | .... | key animator | |
| Joe Roman | .... | animator | |
| Phil Roman | .... | animator | |
| Emalene Seutter | .... | ink and paint special effects (as Emaline Seutter) | |
| Paul Smith | .... | key animator | |
| Irven Spence | .... | key animator | |
| J. Michael Spooner | .... | background assistant | |
| Karin Stover | .... | ink and paint special effects | |
| Martin Taras | .... | animator | |
| Barry Temple | .... | assistant animator | |
| Ruth Tompson | .... | ink and paint supervisor | |
| Hank Tucker | .... | key animator | |
| Ira Turek | .... | background assistant | |
| John Vita | .... | landscape painter (as Johnnie Vita) | |
| Ed Wexler | .... | key animator (as Edward Wexler) | |
| Bruce Woodside | .... | key animator | |
| Louise Zingarelli | .... | layout artist | |
| Micki Zurcher | .... | ink and paint supervisor | |
| Kristine Brown | .... | final checker (uncredited) | |
| Daryl Carstensen | .... | xerox checker (uncredited) | |
| Brad Frost | .... | assistant animator (uncredited) | |
| Edward Goral | .... | inbetween artist (uncredited) | |
| Ray Harris | .... | assistant animator (uncredited) | |
| Larry Leker | .... | animator (uncredited) | |
| Madlyn O'Neill | .... | paint technician (uncredited) | |
| Gary Randall | .... | animator (uncredited) | |
| Richard Raynis | .... | background illustrator (uncredited) | |
| Rusty Stoll | .... | assistant animator (uncredited) | |
| Tom Tataranowicz | .... | animator (uncredited) | |
Costume and Wardrobe Department | |||
| William Barbe | .... | special costume designer and constructor | |
| Lynne Betner | .... | special costume designer and constructor | |
| Hollis Trainer | .... | costume supervisor (uncredited) | |
Editorial Department | |||
| Jack Hooper | .... | negative cutter | |
| Tom Hooper | .... | negative cutter | |
Music Department | |||
| Ralph Ferraro | .... | orchestrator | |
| Jim Henrikson | .... | music editor | |
| Leonard Rosenman | .... | conductor | |
Other crew | |||
| Mark Bakshi | .... | production staff | |
| Leah Bernstein | .... | assistant to director | |
| Lynne Betner | .... | assistant to director | |
| Martin Cohen | .... | production staff | |
| Christine Danzo | .... | production staff (as Christine L. Danzo) | |
| Nancy Eichler | .... | assistant to producer | |
| Wayne Fitzgerald | .... | title designer | |
| Jacquelyn Herst | .... | production staff | |
| Jacqueline Roettcher | .... | studio production supervisor | |
| Cathy Rose | .... | production staff | |
| Michael Takamoto | .... | production staff | |
| Robert K. Feldmann | .... | production assistant (uncredited) | |
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| The Return of the King | The Lord of the Rings: The Return of the King | The Lord of the Rings: The Fellowship of the Ring | The Hobbit | The Lord of the Rings: The Two Towers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
I won't dwell on the purists' outrage over Bakshi's liberties with story or characters. For the most part, they are correct. I'm certainly not coming to the filmmaker's defense, but in the context of the material's density, animation technology of 1978, et al., this guy really took a swing at bringing this thing to the silver screen.
Sadly, the film wasn't that good. Much of the animation was disjointed, and most of the backgrounds were crudely drawn and failed to create the correct atmosphere that one gets from reading the book. I will say, though, that I have always liked the rotoscoping, in particular that of the orcs. There is something exceedingly frightening about the way they are displayed, something today's CGI characterizations seems to miss. Bakshi used this technique in his other works as well, particularly in Wizards, which is a better, if different, film than his version of LotR. But mixing purely-drawn characters (hobbits) with those that are rotoscoped (orcs) just didn't look right here.
I must agree with some others who assert that some of the frame direction and scene selection is oddly similar to Peter Jackson's version of late. And if Jackson was influenced by at least SOME of the look of Bakshi's film, then what's the harm?
If you want to be dazzled, this version of LotR probably won't rouse you. There's many more misses than hits. But it isn't as bad as many would have you believe. If it weren't a Tolkien adaptation, I think it would be received much better.