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The Lord of the Rings (1978)

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The Fellowship of the Ring embark on a journey to destroy the One Ring and end Sauron's reign over Middle-earth.

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(screenplay), (screenplay) | 1 more credit »
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Nominated for 1 Golden Globe. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Christopher Guard ...
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Michael Scholes ...
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Michael Graham Cox ...
Boromir - Son of Denethor (voice) (as Michael Graham-Cox)
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David Buck ...
Peter Woodthorpe ...
Gollum / Smeagol (voice)
Fraser Kerr ...
Saruman The White Sorcerer / Narrator (segment "Epilogue") (voice)
Philip Stone ...
Michael Deacon ...
...
Lord Elrond (voice) (as Andre Morell)
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Storyline

A young Hobbit named Frodo (Guard) is thrown on an amazing adventure, when he is appointed the job of destroying the one ring which was created by the dark lord Sauron. He is assigned with warriors including Gandalf (Squire), Aragorn (Hurt) and Boromir (Cox). It's not going to be an easy journey for the Fellowship of the Ring, on the ultimate quest to rid Middle-Earth of all evil. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

From J.R.R. Tolkien's Magical The Lord of the Rings Trilogy See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

15 November 1978 (USA)  »

Also Known As:

J.R.R. Tolkien's The Lord of the Rings  »

Box Office

Budget:

$4,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(5.1) (L-R)| (Dolby 5.1) (5.1) (L-R)

Color:

(DeLuxe)|

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Peter Jackson first encountered The Lord of the Rings via Bakshi's film, and some shots in his live-action trilogy appear to have been influenced by it.
  • One such shot features Frodo and the other hobbits hiding from a Black Rider under a big tree root, while the Black Rider stalks above them. In his version of the sequence, Jackson uses a similar shot - although he films it from a different angle (in the book, Frodo hid separately from the other hobbits).


  • A second sequence features the camera slowly revolving around Strider and the hobbits, who stand in a circle as the Black Riders approach them on Weathertop. In his staging, Jackson also uses a similar shot - although his camera is much faster, and Strider is not among the hobbits.


  • A third similarity is the depiction of Gollum losing the ring in the prologue: both films show very similar events but the book had no such prologue and indeed it runs directly counter to Tolkien's scheme for the storyline. Another similarly staged scene is Legolas, Gimli, and Aragorn's discovery of Gandalf the White.


See more »

Goofs

The Dwarf Gimli is almost as tall as the human and Elven characters in this movie. Presumably the actor who played him in the live-action footage was insufficiently short, and it was considered impractical to shrink him in the rotoscoping process. See more »

Quotes

Sam: Straight stairs, winding stairs what comes after that?
Gollum: We shall see, oh yes... We shall see.
See more »

Connections

Referenced in Love & Other Drugs (2010) See more »

Soundtracks

There is an Inn
Written by J.R.R. Tolkien
Performed by Christopher Guard
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
it's almost like trying to put judgment on some brave, weird, unique piece of interpretation, that only has half its limbs
17 September 2006 | by (United States) – See all my reviews

Godard once said a way to criticize a movie is to just make one, and probably the strongest kind that could be made about Ralph Bakshi's take on Tolkien's magnum opus the Lord of the Rings, has actually been made by Peter Jackson. The recent trilogy, to me, aren't even total masterpieces, but they are given enough room with each book to breath in all the post-modern techniques crossed with classical storytelling to make them very good, sweeping entertainments.

But as one who has not read the books, I end up now looking upon the two versions, live-action (albeit partly animated in its big visual effects way) and animated (albeit partly done with actual live action as the framework) in relation to just the basic story, not even complete faithfulness to the books. And with Bakshi's version, it's almost not fair in a way, as what we do see is really not the complete vision, not what Jackson really had (probably final cut). Robbed of Return of the King's big climactic rush of the story, and with the other two parts becoming rushed, I ended up liking it more for what it did within its limitations, though as such those same limitations make it disappointing.

What's interesting too, after seeing the Jackson films first- which I also slightly regret being that I might've reacted to this differently when I was younger and prior to five years ago- is that the basic elements of the story never get messed up with. Everything that is really needed to tell the Fellowship of the Ring story is actually pretty much intact, and if anything what was probably even more gigantic and epic in Tolkien's book is given some clarity in this section. The actors playing the parts of the hobbits and the other heroes, are more or less adequate for the parts, with a few parts standing out (John Hurt as Aragorn and William Squire as Gandalf).

The lack of extra characterization does end up making things seem a little face-value for those who've not even seen the other films or read the books and can't put them into context. But there is some level of interest always with the characters, and here there's a more old-fashioned sensibility amid the large aura of it being more. This is not a garden variety Disney adaptation- warts and all, this is a Bakshi film, with his underground animation roots colliding with the mythical world of Middle Earth.

And what Bakshi and his animation team bring to the film is one that ends up giving what is on screen, in all its abbreviated form, its hit or miss appeal. Along with being not totally complete as a film, or as stories, the form of the film is an experiment, to see if something can be entirely rotoscoped. The results end up bringing what seems now to be retro, but at the time of course was something that was a rough, crazy inspiration on the part of the filmmakers. Might it have been better with more traditional drawn animation? In some parts, yeah; it does become a little noticeable, as was also the case in Bakshi's American Pop, that the main characters move in such ways that are a little shaky, like some kind of comic-book form done in a different way. Still, there's much I admired in what was done.

The orcs, for example, I found to be really amazing in they're surreal surroundings. They're maybe the best part of the combination of the animation on top of the live-action, especially during parts where there isn't battle footage (that's really the real hit-or-miss section, as there isn't continuity from the good and bad rotoscoping), and the chiaroscuro comes through with big shapes on top of horseback. It's creepy in a good way. And the backgrounds, while also very rough and sometimes too sketchy, are beautiful with the mixtures and blasts of colors together. It's almost something for art-film buffs as much as for the ring-nuts.

So, how would I recommend this animated take on the Lord of the Rings? I don't know, to tell the truth. It's certainly a good notch above the other Tolkien animated film I've seen, the Hobbit (and I've yet to see the animated ROTK), and there is some real artistry going on. There's also some stilted dialog, an all-too-rushed Two Towers segment with the most intriguing character Gollum being reduced to maybe two scenes in all. And seeing something as fragmented like this ends up only reinforcing the completeness of the more recent films.

If you're a fan of the books contemplating checking this out, I would say it's worth a chance, even if it's one of those chances where you watch for forty minutes and then decide whether to stop it or not. As for it fitting into Bakshi's other films I've seen it's an impressive ambitious and spotty achievement, where as with Lynch's Dune it's bound to draw a dark, mordor-like line in the sand between those who hate it passionately and those who don't. I don't.


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