In this animated tale, a tiny village is destroyed by a surging glacier, which serves as the deadly domain for the evil Ice Lord, Nekron. The only survivor is a young warrior, Larn, who ... See full summary »
A multi-layered satire of race relations in America. Live-action sequences of a prison break bracket the animated story of Brother Rabbit, Brother Bear, and Preacher Fox, who rise to the ... See full summary »
A young Hobbit named Frodo (Guard) is thrown on an amazing adventure, when he is appointed the job of destroying the one ring which was created by the dark lord Sauron. He is assigned with warriors including Gandalf (Squire), Aragorn (Hurt) and Boromir (Cox). It's not going to be an easy journey for the Fellowship of the Ring, on the ultimate quest to rid Middle-Earth of all evil. Written by
On the DVD commentary of "The Lord of the Rings: The Fellowship of the Ring," Peter Jackson acknowledges one shot, a low angle of a hobbit at Bilbo's birthday party shouting "Proudfeet!", as an intentional homage to Bakshi's film. By far the biggest "lift" however is the scene of the Nazgûl appearing in the room at Bree and slashing the beds to ribbons thinking the shapes under the sheets to be the hobbits. This is almost identical to Bakshi's version which is significant as the scene is not depicted as described in the book: in the book, the attack is carried out by the Nazgûl. Some of Sam's interjections are also sourced from Bakshi rather than Tolkien. See more »
In Rivendell when you first see Bilbo he is stood reciting poetry, while the other four hobbits walk into the room. In one frame you see Frodo sat in a corner playing a harp, then it returns to him entering with the other hobbits and it is an elf playing the harp. See more »
[Frodo gasps and lunges after the ring after Gandalf has tossed it into the lit fireplace]
Wait. Do you desire it so much already?
No, but, but why ruin it?
Because it is altogether *evil*. It will corrupt and destroy anyone who wears it, until he passes into the world of shadows under the power of Sauron, the Dark Lord of Mordor.
*You* are the one who has the Ring now.
See more »
As an animated film from 1978, this is pretty good--generally well above the standard of the days when Disney hadn't done anything good in years (and Tolkien cared little for Disney anyway). It gets major points for innovative and careful camera work, applying cinematic techniques with relative success. The much-maligned rotoscoping actually works pretty well, especially with the Ringwraiths, and the opening narration. However, it is so drastically overused--possibly as a money-saving technique--that it detracts from the overall effect. The same technique that makes wraiths spooky and otherworldly doesn't fare so well in the Prancing Pony.
As for the adaptation of the story, it's actually quite good. We lose little bits here and there, minor details such as the Old Forest and Tom Bombadil, the Gaffer and the Sackville-Bagginses. We compress a few characters, such as revising Legolas as one of Elrond's household and an old friend of Aragorn's, but that's a rather wise decision for film. In books you have room to include the references to the larger world of the Elves and Middle-Earth's vast history. In film, you trade that for visuals and sound that convey the same elements in a different way. Nothing critical is truly lost here, and although I have minor quibbles about some of the changes, I'm generally pretty happy with it.
If only the dratted writers had managed to remember Saruman's name--he's frequently referred to as Aruman, a decision probably made to make him more distinct from similarly-named Sauron; it took me a second viewing before I was certain I hadn't misheard it. It's also annoying that Boromir is a bloody stage viking, and irritable from the start. However, Gandalf is excellent, and most of the rest of the voicework is excellent. If only John Hurt weren't too old to play Aragorn; I love his voice.
Of course, with the film ending at the midpoint of the story, there's a vast disappointment built in. What makes it far, far worse is the altogether miserable job done by the Rankin & Bass crew on the sequel. That they were permitted to do Return of the King after butchering The Hobbit remains a huge mystery; they seem more interested in bad songs than in proper storytelling. For all its faults, this film's heart is solidly in place and it tries very hard to accomplish a nearly impossible task. I can only hope that the upcoming series of films keeps as true to its vision...
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