In this animated tale, a tiny village is destroyed by a surging glacier, which serves as the deadly domain for the evil Ice Lord, Nekron. The only survivor is a young warrior, Larn, who ... See full summary »
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
Something bizarre has come over the land. The kingdom is deteriorating. People are beginning to act strange... What's even more strange is that people are beginning to see dragons, which ... See full summary »
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
A young Hobbit named Frodo (Guard) is thrown on an amazing adventure, when he is appointed the job of destroying the one ring which was created by the dark lord Sauron. He is assigned with warriors including Gandalf (Squire), Aragorn (Hurt) and Boromir (Cox). It's not going to be an easy journey for the Fellowship of the Ring, on the ultimate quest to rid Middle-Earth of all evil. Written by
Director John Boorman originally envisioned making the entire trilogy as a single 100 minute film. Ralph Bakshi heard that he was going to do this, and, as a fan of the "Lord of the Rings" trilogy, and J.R.R. Tolkien, was horrified. When Boorman's plans to bring Tolkien's novels to the screen fell apart, Bakshi approached J.R.R. Tolkien's daughter to do the novels as a trilogy of animated films. Tolkien's daughter loved Bakshi's fantasy Wizards (1977), so she gave him the rights to The Lord of the Rings. Bakshi filmed "The Fellowship of the Rings" and "The Two Towers" (which were collapsed into a single two-and-a-half hour film), and had planned to film "The Return of the King", but the trilogy was never completed. See more »
When Frodo and Sam are rowing down the river, they are facing each other and rowing in opposite directions, so the boat is just moving back and forth. See more »
[Frodo gasps and lunges after the ring after Gandalf has tossed it into the lit fireplace]
Wait. Do you desire it so much already?
No, but, but why ruin it?
Because it is altogether *evil*. It will corrupt and destroy anyone who wears it, until he passes into the world of shadows under the power of Sauron, the Dark Lord of Mordor.
*You* are the one who has the Ring now.
See more »
Uniquely animated drama & characters true to source
I'm fond of this film and it vexes me that so many "reviewers" rank it below the Peter Jackson trilogy. A filmed novel is always interpretive; in particular an animated film relies on the artist's vision and should be judged on its own terms. Speaking as a purist, this is a finer homage to Tolkien than the updated version. While this film has its flaws it stays truer to the source, especially so far as the characters are concerned.
In the Jackson version Tolkien's Frodo is barely recognizable: from the first scenes he is portrayed as a weakling, constantly wavering, manipulated by forces around him and never standing on his own two feet (this is physically and metaphorically true.) You wonder why fate chose this limp biscuit to carry the one ring to the Cracks of Doom. Jackson unforgivably rewrites Tolkien and robs Frodo of his finest moment when he allows Arwen to rescue him from the Ringwraiths...Bakshi's version respects the original, presenting a Frodo who demands the wraiths "Go back and trouble me no more!" Bakshi sustains Frodo's character as Tolkien conceived it. We see his decline as the weight of his burden increases. Frodo is so pivotal to Lord of the Rings you wonder why Jackson took such liberties (he does so with numerous characters)since character development propels the plot to its inevitable conclusion. Bakshi's film better explores the companionship between Legolas and Gimli in a few judicious scenes that are completely lacking in Jackson's version. Similarly we see Boromir horsing with Pippin and Merry, furthering the idea of fellowship. For my liking the camaraderie is more developed in the animated version than the live action.
Tolkien's poetry is an important ingredient in the novels and Bakshi makes tribute to this in one of my favorite scenes: when Frodo sings the "Merry Old Inn" song, minutes before stumbling into Strider. The cheery tune is chillingly juxtaposed with the darker theme music when seconds later, invisible to his friends but visible to the wraiths, Frodo is dangerously exposed. This is one of the most atmospheric portions of the film and chills me whenever I see it.
The well documented budget/time restrictions limit this film's final impact but had it been completed it may have resonated with more viewers. As it is, it's worth a look. Even its detractors admit that Peter Jackson derived much of his inspiration from this prototype.
40 of 59 people found this review helpful.
Was this review helpful to you?