In this animated tale, a tiny village is destroyed by a surging glacier, which serves as the deadly domain for the evil Ice Lord, Nekron. The only survivor is a young warrior, Larn, who ... See full summary »
A young Hobbit named Frodo (Guard) is thrown on an amazing adventure, when he is appointed the job of destroying the one ring which was created by the dark lord Sauron. He is assigned with warriors including Gandalf (Squire), Aragorn (Hurt) and Boromir (Cox). It's not going to be an easy journey for the Fellowship of the Ring, on the ultimate quest to rid Middle-Earth of all evil. Written by
Andre Morell died a couple of weeks after the first country it was released in. See more »
Gandalf and Aragorn pronounce "Edoras" differently. See more »
[as Boromir's funeral boat floats away]
Either we take the last boat and follow Frodo, or we follow the orcs on foot.
Pippin and Merry may be dead by now, we don't know.
We cannot forsake them... the fate of the ringbearer is my hands no longer, the company of the Ring has played it's part.
We follow the orcs!
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Vastly Underrated Don't Listen To Tolkien Fanboys - Best LOTR Adaptation.
First of all no adaptation is ever as good as the book, especially when you're dealing with master writer like Tolkien. This ADAPTATION wonderfully synthesizes Tolkien's universe with 1970s psychedelia, aesthetics, and liberal culture. Yes - the animation and background painting is sometimes a little "rough" in its technical execution but it's beautiful none the less, and very evocative in terms of giving a unique "sense of place" to each of the scenes. Beyond the absolute uniqueness in imagery is the absolutely outstanding voice acting - acting that's FAR superior to the acting in the new live action movies. And while the cell animation might not be the most "technically proficient" animation it superbly captures the expressive bodily and facial gestures of the acting while at once not forgetting to be subtle and nuanced. The background paintings vary from traditional "fantasy" motif to outright abstraction, but the transition to abstracted settings is always motivated by the narrative and contributes greatly to the themes of the film. If you're a person who has to have extensive computer rendering in a film so that everything is visualized for you then I can see how you might not like this movie but if you enjoy superior acting, transcendental imagery, and JRR Tolkien then this film is a must see.
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