| Photos (See all 10 | slideshow) |
| George C. Scott | ... | Thomas Hudson | |
| David Hemmings | ... | Eddy | |
| Gilbert Roland | ... | Captain Ralph | |
| Hart Bochner | ... | Tom | |
| Susan Tyrrell | ... | Lil | |
| Richard Evans | ... | Willy | |
| Claire Bloom | ... | Audrey | |
| Julius Harris | ... | Joseph | |
| Brad Savage | ... | Andrew | |
| Michael-James Wixted | ... | David | |
| Hildy Brooks | ... | Helga Ziegner | |
| Jessica Rains | ... | Andrea | |
| Walter Friedel | ... | Herr Ziegner | |
| Charles Lampkin | ... | Constable |
Directed by | |||
| Franklin J. Schaffner | |||
Writing credits(in alphabetical order) | ||
| Ernest Hemingway | story | |
| Denne Bart Petitclerc | ||
Produced by | |||
| Peter Bart | .... | producer | |
| Max Palevsky | .... | producer | |
| Ken Wales | .... | associate producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Fred J. Koenekamp | |||
Film Editing by | |||
| Robert Swink | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| William J. Creber | |||
Art Direction by | |||
| John Dapper | |||
Set Decoration by | |||
| Raphael Bretton | |||
Makeup Department | |||
| Del Acevedo | .... | makeup artist | |
| Lola 'Skip' McNalley | .... | hair stylist | |
| Rick Sharp | .... | makeup artist | |
Production Management | |||
| Francisco Day | .... | unit production manager | |
| Lindsley Parsons Jr. | .... | executive production manager: Paramount (uncredited) | |
Second Unit Director or Assistant Director | |||
| Kurt Neumann | .... | assistant director | |
| Lorin Bennett Salob | .... | second assistant director (as Lorin B. Salob) | |
Art Department | |||
| Donald L. Nobles | .... | construction coordinator (as Don Nobles) | |
| Ernie Sawyers | .... | property master | |
Sound Department | |||
| Howard Beals | .... | sound effects editor | |
| C. Darin Knight | .... | sound mixer (as Darin Knight) | |
| John Wilkinson | .... | sound re-recording mixer (as John K. Wilkinson) | |
Special Effects by | |||
| Kevin Pike | .... | special effects assistant | |
| Alex Weldon | .... | special effects | |
Camera and Electrical Department | |||
| Thomas Laughridge | .... | camera operator (as Tom Laughridge) | |
| John Murray | .... | key grip | |
| Gene Stout | .... | gaffer | |
Music Department | |||
| June Edgerton | .... | music editor | |
| Arthur Morton | .... | orchestrator | |
Other crew | |||
| Marshall Schlom | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| I love this movie. | Maulkie |
| Remake | s-taylor06 |
| DVD - Islands in the Stream | JRWSLW |
| Islands in the Stream | rameeks01 |
| Remake? | Lenny64 |
| Did I miss something | Lenny64 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Islands in the Stream, Hemingway's posthumously published exercise in romanticised self-loathing about an ageing artist in self-imposed exile in the Bahamas in WW2 coming to terms with his failure as a husband and father and trying to make amends, reunited many of the key talents from Patton director Franklin J. Schaffner, composer Jerry Goldsmith, cinematographer Fred Koenekamp and star George C. Scott to almost universal audience indifference, but it's a surprisingly solid and engrossing film that gradually works its way under your skin. The kind of personal project that somehow usually heralds the end of a director's major works and the beginning of his descent into lucrative journeyman work when it fails to find an audience, it does build up a surprising degree of emotional power in the last third. Scott reins it in to good effect here: the scene where he realises the true reason for his ex-wife's visit overcomes the atrocious writing to deliver real suppressed emotional power, while his scene on the beach with Julius Harris where he knows he needs to move on but cannot bring himself to do it is genuinely touching. Aided by a well-cast David Hemmings as his rummy mate and a superb score by Jerry Goldsmith (the composer's favourite) that builds on the sea theme from Papillon and works much better on screen than on CD, it's well worth checking out, although be warned that in the marlin fishing sequence there is one bit of back projection so staggeringly bad you cannot understand why it was allowed to remain in the picture!