| Photos (See all 10 | slideshow) |
| William Finley | ... | Winslow / The Phantom | |
| Paul Williams | ... | Swan | |
| Jessica Harper | ... | Phoenix | |
| Gerrit Graham | ... | Beef | |
| George Memmoli | ... | Philbin | |
| Archie Hahn | ... | The Juicy Fruits / The Beach Bums / The Undeads | |
| Jeffrey Comanor | ... | The Juicy Fruits / The Beach Bums / The Undeads | |
| Peter Elbling | ... | The Juicy Fruits / The Beach Bums / The Undeads (as Harold Oblong) | |
| Colin Cameron | ... | Band | |
| David Garland | ... | Band | |
| Gary Mallaber | ... | Band | |
| Art Munson | ... | Band | |
| Mary Margaret Amato | ... | Swan's Entourage | |
| Rand Bridges | ... | Swan's Entourage | |
| James Bohan | ... | Swan's Entourage | |
| Herb Pacheco | ... | Assassin | |
| Jennifer Ashley | ... | Groupie | |
| Janit Baldwin | ... | Groupie | |
| Janus Blythe | ... | Groupie (as Janis Eve Lynn) | |
| Katherine Mastellos | ... | Groupie | |
| Robin Mattson | ... | Groupie | |
| Patrice Rohmer | ... | Groupie | |
| Ruthy Ross | ... | Groupie (as Ruthey Ross) | |
| Cheryl Smith | ... | Groupie | |
| April Troy | ... | Groupie | |
| Walter Foster | ... | Cop | |
| Peter Harrell | ... | Cop | |
| Troy Haskins | ... | Judge | |
| Gene Gross | ... | Warden | |
| Henry Calvert | ... | Nightwatchman | |
| Ken Carpenter | ... | Stagehand | |
| Sam Forney | ... | Stagehand | |
| Leslie Brewer | ... | Surfgirl | |
| Celia Derr | ... | Surfgirl | |
| Linda Larimer | ... | Surfgirl | |
| Roseanne Romine | ... | Surfgirl | |
| Nydia Amagas | ... | Dancer | |
| Sara Ballantine | ... | Dancer | |
| Kristi Bird | ... | Dancer | |
| Cathy Buttner | ... | Dancer | |
| Linda Cox | ... | Dancer | |
| Jane DeFord | ... | Dancer | |
| Bibi Hansen | ... | Dancer | |
| Robin Jeep | ... | Dancer | |
| Deen Summers | ... | Dancer | |
| Judy Washington | ... | Dancer | |
| Susan Weiser | ... | Dancer | |
| Janet Savarino | ... | Singing Twin | |
| Jean Savarino | ... | Singing Twin | |
| Keith Allison | ... | Country & Western Singer | |
| Bobby Birkenfeld | ... | Guy | |
| Sandy Catton | ... | Black Singers (as Sandy Catton & friends) | |
| William Donovan | ... | Reporter | |
| Edmund Lane | ... | Reporter (as Scott Lane) | |
| Dennis Olivieri | ... | Reporter | |
| Adam Wade | ... | Reporter | |
| Nancy Moses | ... | Back-Up Singer | |
| Diana Walden | ... | Back-Up Singer | |
| Sherri Adeline | ... | Girl in Ticket Line | |
| Carol O'Leary | ... | Betty Lou | |
| Marty Bongfeldt | ... | Mini-bopper (as Marty Bongfeld) | |
| Coleen Crudden | ... | Mini-bopper | |
| Bridgett Dunn | ... | Mini-bopper | |
| William Shephard | ... | Rock Freak | |
| rest of cast listed alphabetically: | |||
| Shelly Desai | ... | Dental Health Volunteer #1 (uncredited) | |
| Ray Kennedy | ... | Beef (singing voice) (uncredited) | |
| Rod Serling | ... | Introductory Narrator (voice) (uncredited) | |
Directed by | |||
| Brian De Palma | |||
Writing credits | ||
| Brian De Palma | (written by) | |
Produced by | |||
| Michael Arciaga | .... | associate producer | |
| Gustave M. Berne | .... | executive producer (as Gustave Berne) | |
| Jeffrey L. Hayes | .... | associate producer (as Jeffrey Hayes) | |
| Paul Lewis | .... | associate producer | |
| Edward R. Pressman | .... | producer | |
| Lynn Pressman-Raymond | .... | assistant producer (as Lynn Raymond) | |
| Bill Scott | .... | associate producer | |
Original Music by | |||
| Paul Williams | |||
Cinematography by | |||
| Larry Pizer | (director of photography) | ||
Film Editing by | |||
| Paul Hirsch | |||
Casting by | |||
| Sylvia Fay | |||
| Gino Havens | |||
| Peggy Taylor | |||
Production Design by | |||
| Jack Fisk | |||
Costume Design by | |||
| Rosanna Norton | |||
Makeup Department | |||
| John Chambers | .... | makeup designer | |
| Rolf Miller | .... | makeup artist | |
| Anna Sugano | .... | hair stylist | |
Production Management | |||
| Gary Kent | .... | unit manager | |
| Thomas Lightburn | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Michael J. Dmytryk | .... | assistant director (as Michael Dmytryk) | |
| Robert Enrietto | .... | second assistant director | |
| Burt Bluestein | .... | second assistant director: New York (uncredited) | |
Art Department | |||
| Michel Levesque | .... | construction coordinator (as Michael Levesque) | |
| Erik L. Nelson | .... | property master (as Erik Nelson) | |
| Sissy Spacek | .... | set dresser | |
| Brian Swain | .... | construction coordinator | |
| John Alvin | .... | poster artist (uncredited) | |
Sound Department | |||
| Harriet Fidlow | .... | assistant sound editor (as Harriet Glickstein) | |
| Al Gramaglia | .... | sound mixer | |
| Dan Sable | .... | sound editor | |
| David Schneiderman | .... | boom operator | |
| James M. Tanenbaum | .... | sound (as James Tanenbaum) | |
Special Effects by | |||
| Greg Auer | .... | special effects | |
Stunts | |||
| Andy Epper | .... | stunt double: Winslow (as Andrew Epper) | |
| James Gambino | .... | stunt double: Swan | |
| Jim Lovelett | .... | stunt double: Winslow | |
| Steven Richmond | .... | stunt double: Swan | |
Camera and Electrical Department | |||
| John L. Black | .... | grip (as John Black) | |
| Terry Bowen | .... | second assistant camera | |
| Richard Cronn | .... | best boy | |
| Sean Doyle | .... | assistant camera | |
| Robert Elfstrom | .... | special photography for wedding | |
| Cary Griffith | .... | grip | |
| Tim Griffith | .... | gaffer | |
| Maurice Horton | .... | electrician | |
| Bruce Kaye | .... | second assistant camera | |
| Paul Marcus | .... | electrician | |
| Jack Palinkas | .... | key grip | |
| James Signorelli | .... | special photography for wedding | |
| Darryl Smith | .... | electrician | |
| Mike Taylor | .... | grip | |
| Ronnie Taylor | .... | camera operator (as Ronald Taylor) | |
| Mike Redding | .... | electrician (uncredited) | |
| Philip Sloan | .... | electrician: Dallas (uncredited) | |
Costume and Wardrobe Department | |||
| Peter Jamison | .... | associate costume designer | |
Editorial Department | |||
| Paul Hirsch | .... | montage | |
Music Department | |||
| Michael Arciaga | .... | music supervisor | |
| Jules Chaikin | .... | music supervisor | |
| John Fox | .... | assistant music editor | |
| Ed Norton | .... | music editor | |
| George Aliceson Tipton | .... | composer: additional score | |
| George Aliceson Tipton | .... | conductor: additional scoring | |
| Paul Williams | .... | music producer | |
Other crew | |||
| Alexa Bodrero | .... | assistant to director | |
| Ken Carpenter | .... | production assistant | |
| Judith Cohen | .... | production secretary | |
| Adrian Cumming | .... | production assistant | |
| J. Daniel Dusek | .... | production assistant (as Dan Dusek) | |
| Peter Elbling | .... | choreographer (as Harold Oblong) | |
| Karen Gilbert | .... | production assistant | |
| Deborah Howe | .... | assistant to producer | |
| Cassandra Kaye | .... | script supervisor | |
| William Shephard | .... | choreographer for wedding | |
| Stanley Weiser | .... | production assistant | |
| Edward Summer | .... | marketing consultant (uncredited) | |
|
|
|
|
|
| The Phantom of the Opera | Dreamgirls | Across the Universe | I'm Not There. | Deep Red |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Still playing on double-bills with The Rocky Horror Picture Show in England, Brian DePalma's foray into the psychodelic world of the musical excesses that was the 70's becomes more than just another rock musical. With a fusion of Faust, Dorian Grey, Phantom of the Opera, the Twilight Zone (courtesy of an opening narration by Rod Serling)and Psycho, using multiple camera angles cleaved into split screens, we follow the tragic trials and tribulations of one Winslow Leech (William Findley, the scary side splitting surgeon of DePalma's "Sisters"), composer, whose music is stolen by mook henchman Philbin (George Memmoli, Joey Clams of Scorsese's "Mean Streets")on the orders of his boss, rock impresario Swan (song writer Paul Williams, in a role that must have had him giddy) to be used in the opening of his new rock palace, The Paradise.
Attempting to get his music back, Winslow befriends a young, up and coming singer called Phoenix (Jessica Harper, who many have accused of being woefully miscast. Watch for her in "My Favorite Year"). Beaten by Philbin, set up on drug charges by Swan, subjected to stainless steel dentures because of Swan's own campaign to wipe out dental decay in the penal system, Leech escapes prison upon hearing his music on the radio, breaks into the record factory, and when caught, accidentally has his faced mauled by a hot record press, and sent moaning in pain into the East River.
Swan continues his preps for the opening, using his former 50's doo-wop group, the Juicy Fruits, now a surfer band called The Beach Bums (Later, they become a Kiss-like bunch called The Undead. The band is made up of the same three actors, Archie Hahn, Jeffery Commanor and Harold Oblong. Watch for Hahn in many more films, including "Innerspace" as the deadly deliveryman), to perform Winslow's music. A shadowy figure, donning a leather bodysuit, lame lined cape and a hawk-like mask invades the Paradise and starts reeking havoc.
From here, all the cliches play out from Phantom of the Opera, but in one absolutely looney twist is the addition of a fay glitter rock star called Beef (Gerrit Graham, singing voice by Ray Kennedy), who delivers a Hitchcock homage that will never let you look at Janet Leigh in the Bates Motel shower the same way ever again. Toss in a bit of Dorian Grey, with a videotape instead of a portrait taking on the years(and we wonder about Dick Clark's never aging profile!), a strange transformation of several musical themes, all familiar but somehow morphed into different personnas, and you have a cult classic on your hands.
This movie fits into so many different viewer interest groups. First, the DePalma fans, watching his early work before classics like "Sisters", "Carrie" and "Dressed To Kill"; for musicians/soundtrack fanatics, the mutation of a handful of themes into different works, as well as an incidental soundtrack filled with string quartets, classic piano and organ; for movie trivia fans, the appearance of the star of one of DePalma's all time suspense/horror classics as a production associate, not as an actress (I'm not telling you. watch the credits!).
For the rest of us, a great popcorn night movie that will leave you laughing, tapping your feet and wondering "Where was I when this movie came out and how did I miss it the first time?"