Phantom of the Paradise (1974)

A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace.

Director:

Brian De Palma

Writer:

Brian De Palma

Stars:

William Finley, Paul Williams, Jessica Harper

Nominated for 1 Oscar. Another 2 wins & 4 nominations.

Cast

Cast overview, first billed only:
William Finley	...	Winslow / The Phantom
Paul Williams	...	Swan
Jessica Harper	...	Phoenix
Gerrit Graham	...	Beef
George Memmoli	...	Philbin
Archie Hahn	...	The Juicy Fruits / The Beach Bums / The Undeads
Jeffrey Comanor	...	The Juicy Fruits / The Beach Bums / The Undeads
Peter Elbling	...	The Juicy Fruits / The Beach Bums / The Undeads (as Harold Oblong)
Colin Cameron	...	Band
David Garland	...	Band
Gary Mallaber	...	Band
Art Munson	...	Band
Mary Margaret Amato	...	Swan's Entourage
Rand Bridges	...	Swan's Entourage
James Bohan	...	Swan's Entourage

Storyline

Rock opera version of The Phantom of the Opera with elements of the legend of Faust. Evil record producer Swan steals both the music and the girl (Phoenix) from composer Winslow Leach. Disfigured, Leach plans revenge on Swan and his rock palace, The Paradise, and becomes The Phantom. Leach signs a contract with Swan to complete his rock opera based on the life of Faust for Phoenix. Doublecrossed by Swan, who hires glam rock singer Beef as the lead singer, Leach exacts his vengeance.

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Plot Keywords:

revenge | singer | evil | rock palace | rock opera | 

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Taglines:

The music made him do it!

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Genres:

Comedy | Drama | Fantasy | Music | Thriller

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

31 October 1974 (USA)

Also Known As:

Phantom

Filming Locations:

Greystone Park & Mansion - 905 Loma Vista Drive, Beverly Hills, California, USA

Box Office

Budget:

$1,300,000 (estimated)

Company Credits

Production Co:

Harbor Productions

Technical Specs

Runtime:

92 min

Sound Mix:

4-Track Stereo (Westrex Recording System)

Color:

Color (Movielab)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

This film homages the 1943 remake of The Phantom of the Opera, not the original novel; the 1943 film had the Phantom as a man disfigured by acid (similar to the 1939 origin of the Tonny Quinn, the Black Bat and the 1942 origin of Two-Face). In Leroux's novel, the Phantom lived with his deformity from birth.

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Goofs

When the Phantom attacks Beef with the plunger, as Beef is sliding down the wall of the shower, you see the water spray of the shower twice, meaning two different takes were used for one scene.

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Quotes

Arnold Philbin: You know what?
Winslow Leach: What?
Arnold Philbin: I think the Juicy Fruits are gonna dig it.
Winslow Leach: The Juicy Fruits?
Arnold Philbin: I'm not promising anything, kid...
[Winslow slams Philbin against the wall]
Winslow Leach: I'm not gonna allow my music to be mutilated by those greaseballs!
Arnold Philbin: Hey, take it easy...
Winslow Leach: I'M THE ONLY ONE WHO CAN SING "FAUST"!

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Crazy Credits

The closing credits feature a series of montages of the cast members, identifying each by name, starting with the musical trio (Oblong, Hahn, Comanor) and concluding with William Finley as Winslow/The Phantom. These montages are made up of shots ostensibly from the movie, and most of them are, but there are also numerous outtakes.

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Connections

Referenced in Watching the Detectives (2007)

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Soundtracks

"Faust"
Written by Paul Williams
Performed by Paul Williams

User Reviews

A long lost, but not forgotten Midnight Movie Classic

Still playing on double-bills with The Rocky Horror Picture Show in England, Brian DePalma's foray into the psychodelic world of the musical excesses that was the 70's becomes more than just another rock musical. With a fusion of Faust, Dorian Grey, Phantom of the Opera, the Twilight Zone (courtesy of an opening narration by Rod Serling)and Psycho, using multiple camera angles cleaved into split screens, we follow the tragic trials and tribulations of one Winslow Leech (William Findley, the scary side splitting surgeon of DePalma's "Sisters"), composer, whose music is stolen by mook henchman Philbin (George Memmoli, Joey Clams of Scorsese's "Mean Streets")on the orders of his boss, rock impresario Swan (song writer Paul Williams, in a role that must have had him giddy) to be used in the opening of his new rock palace, The Paradise.

Attempting to get his music back, Winslow befriends a young, up and coming singer called Phoenix (Jessica Harper, who many have accused of being woefully miscast. Watch for her in "My Favorite Year"). Beaten by Philbin, set up on drug charges by Swan, subjected to stainless steel dentures because of Swan's own campaign to wipe out dental decay in the penal system, Leech escapes prison upon hearing his music on the radio, breaks into the record factory, and when caught, accidentally has his faced mauled by a hot record press, and sent moaning in pain into the East River.

Swan continues his preps for the opening, using his former 50's doo-wop group, the Juicy Fruits, now a surfer band called The Beach Bums (Later, they become a Kiss-like bunch called The Undead. The band is made up of the same three actors, Archie Hahn, Jeffery Commanor and Harold Oblong. Watch for Hahn in many more films, including "Innerspace" as the deadly deliveryman), to perform Winslow's music. A shadowy figure, donning a leather bodysuit, lame lined cape and a hawk-like mask invades the Paradise and starts reeking havoc.

From here, all the cliches play out from Phantom of the Opera, but in one absolutely looney twist is the addition of a fay glitter rock star called Beef (Gerrit Graham, singing voice by Ray Kennedy), who delivers a Hitchcock homage that will never let you look at Janet Leigh in the Bates Motel shower the same way ever again. Toss in a bit of Dorian Grey, with a videotape instead of a portrait taking on the years(and we wonder about Dick Clark's never aging profile!), a strange transformation of several musical themes, all familiar but somehow morphed into different personnas, and you have a cult classic on your hands.

This movie fits into so many different viewer interest groups. First, the DePalma fans, watching his early work before classics like "Sisters", "Carrie" and "Dressed To Kill"; for musicians/soundtrack fanatics, the mutation of a handful of themes into different works, as well as an incidental soundtrack filled with string quartets, classic piano and organ; for movie trivia fans, the appearance of the star of one of DePalma's all time suspense/horror classics as a production associate, not as an actress (I'm not telling you. watch the credits!).

For the rest of us, a great popcorn night movie that will leave you laughing, tapping your feet and wondering "Where was I when this movie came out and how did I miss it the first time?"