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Brian De Palma
Rock opera version of The Phantom of the Opera which also serves as a dark satire of the music business. Notorious record tycoon Swan has sold his soul to the devil for eternal youth and success - 20 years ago. Swan's current scheme is to steal the music from meek composer Winslow Leach to celebrate the opening of his rock palace, The Paradise. While trying to stop Swan, Leach becomes the victim of a freak accident that leaves him horribly disfigured. He takes refuge in the cavernous Paradise, hiding his mangled face beneath an eerie mask and planning gruesome vengeance upon Swan - and everyone else who has hurt him. Written by
Max Davison <RockyHexorcist2785>
According to William Finley, the record press in which his character Winslow Leach was disfigured was in a real pressing plant (it was an injection-molding press at an Ideal Toy Company plant). He was worried about whether the machine would be safe, and the crew assured him it was. The press was fitted with foam pads (which resemble the casting molds in the press) and there were chocks put in the center to stop it from closing completely. Unfortunately, the machine was powerful enough to crush the chocks that it gradually kept closing. It was Finley's speed and timing that saved him from being seriously hurt, as he got his head out just in time. His scream in the scene was, in fact, not acting. Well, unless you count acting like an attention whore since this whole story is bullshit. See more »
When Winslow is discovered by policemen in Swan's garden, the flashing red light seems to be on the left both of policemen and Winslow. See more »
Saturday, November 19, 1953. Today, I have decided to kill myself. Being the greatest showman of my time, I am recording live for the Swan Archives. Why? Simple, I'm getting old. Oh, I can't bare it. To see this beautiful face ravaged by the forces of time? If I can't be young forever, I'd rather end it all - now!
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The closing credits feature a series of montages of the cast members, identifying each by name, starting with the musical trio (Oblong, Hahn, Comanor) and concluding with William Finley as Winslow/The Phantom. These montages are made up of shots ostensibly from the movie, and most of them are, but there are also numerous outtakes. See more »
Different but brilliant reinterpretation of a classic!
"Phantom of the Paradise" is Brian De Palma's outrageous blend of horror, comedy and rock opera very loosely based on Gaston Leroux's immortal novel "Phantom of the Opera". I know it is hard to think of a musical horror movie without thinking about "The Rocky Horror Picture Show", but De Palma strikes first with this more horror-oriented (although still hysterically funny) satire on the music industry of the 70s.
Swan (Paul Williams) is a powerful and legendary music producer who is making preparations for his greatest triumph in music business: The Paradise, a monster auditorium that will serve him as palace. To inaugurate his palace, he is looking for the perfect sound and he fins it in the music of Winslow Leach (William Finley), a young composer who dreams with presenting his "Faust" cantata to the world. Swan steals Leach's work and in an accident, deforms his face turning Leach into The Phantom. Now, as the masked monster, the Phantom will try to stop Swan's plans by sabotaging the Paradise.
The movie is a visually and musically impressive rock opera with a healthy dose of horror and tongue-in-cheek humor. Brian De Palma cleverly conjures the basic outline of Leroux's novel and add elements of his other influences making the movie a subtle yet moving tribute to the books/movies/music he loves. The modernization and the change from opera to rock work surprisingly good and despite of being a bit outdated by now, the music (by Paul Williams) still makes one of the best soundtracks in a horror film.
De Palma continues improving his technique in this film and like in the previous "Sisters", his style shows maturity and a definitive trademark. Often labeled as a Hitchcock-imitator, I believe that De Palma simply likes to pay constant tribute to his influences, and this film serves a proof of that. Elements of Welles, Hitchcock, Murneau, Whale and Wienne are all over the picture, yet "Phantom of the Paradise" is like none of the works of those directors.
Paul Williams not only composed the soundtrack, he also stars as Swan, the dark and evil genius that leads Death Records and ultimately uses Leach's music for his own purposes. His performance is superb and while not physically imposing he is truly one of the best villains I've ever seen. Finley's take on the Phantom is, like most of the modern interpretations of the character, a romantic tragic figure; but Finley recovers some of the original horror characteristics of the novel creating an attractive but still menacing monster.
Jessica Harper, who would achieve fame in Dario Argento's "Suspiria", gives a good performance as Phoenix, the young singer that captures both Swan and Leach's attention. Like she would do in "Suspiria", she adds depth to the role of the naive singer who wants nothing but to triumph. Something remarkable is the fact that she sang all her songs and did it with credibility and talent. Last but not least, Gerrit Graham portrays a Bowie-inspired Glam rock diva in the unforgettable role of rock superstar Beef.
Sadly, not everything is perfect in Paradise, and neither is in this movie. The odd mixture of musical and horror works very good but at times the movie gets a bit too serious to pass as a musical or too silly to pass as a horror film. It's not a surprise that "The Rocky Horror Picture Show" gained more recognition as it keeps both genres perfectly in equilibrium in all its flamboyant runtime. Still, this is a minor flaw that keeps the movie away from perfection.
Maybe I had low expectations or maybe I was just in the right mood, but "Phantom of the Paradise" was a pleasant surprise that I would not hesitate to recommend to fans of "The Rocky Horror Picture Show" or fans of black comedy in general. 8/10
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