Oshare (Gorgeous) is excited about spending summer vacation with her father, until she finds out that his beautiful, freakishly serene girlfriend Ryouko would be going as well. Oshare ... See full summary »
After a tragic car accident that killed his wife, a man discovers he can communicate with the dead to con people but when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
Rock opera version of The Phantom of the Opera with elements of the legend of Faust. Evil record producer Swan steals both the music and the girl (Phoenix) from composer Winslow Leach. Disfigured, Leach plans revenge on Swan and his rock palace, The Paradise, and becomes The Phantom. Leach signs a contract with Swan to complete his rock opera based on the life of Faust for Phoenix. Doublecrossed by Swan, who hires glam rock singer Beef as the lead singer, Leach exacts his vengeance. Written by
Sissy Spacek worked as set dresser for this film to assist her boyfriend, Jack Fisk, who was the film's production designer. According to Spacek, she did her job so poorly that she ruined a day's worth of filming. Spacek had also auditioned for the role of Phoenix but lost out to Jessica Harper. See more »
Other places where the Swan Song logo is seen: A sign featuring the original unedited Swan Song logo can be seen in several scenes from within the Paradise, a towel Beef is wearing when he is getting into the shower on opening night and the tape player Winslow/The Phantom uses to discover Swan's secret deal on the night of Swan's wedding to Phoenix. See more »
Can't you feel the vibes in your own house, man? Bad, sport, real bad. The karma is so thick around here, you need an aqualung to breathe.
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The closing credits feature a series of montages of the cast members, identifying each by name, starting with the musical trio (Oblong, Hahn, Comanor) and concluding with William Finley as Winslow/The Phantom. These montages are made up of shots ostensibly from the movie, and most of them are, but there are also numerous outtakes. See more »
I usually detest all musicals, with very few exceptions. 'Phantom Of The Paradise' is one of those exceptions. I still can't say I like many of Paul Williams songs (which he as well as playing the mysterious and egotistical record company mogul and producer Swan), but they don't make me want to stop watching the movie, which has a lot more going for it than his so-so score. Brian De Palma, who can be a most frustratingly uneven director, shows there is a lot more to him than attempting to channel Hitchcock. William Finley, who appeared in De Palma's underrated 'Sisters', and who went on to Tobe Hooper's misunderstood trash classic 'Death Trap', is excellent as flaky songwriter Winslow Leach. Jessica Harper, who would achieve screen immortality by starring in Dario Argento's cult favourite 'Suspiria', is very good as wanna-be pop star Phoenix. The late George Memmoli, who never seemed to fulfill his potential despite appearing in some excellent movies such Scorsese's 'Mean Streets' and Shrader's 'Blue Collar', is very amusing as Swan's gopher Philbin. Finally, if nothing else watch this movie to catch Gerritt Graham's hilariously camp turn as effeminate shock-rocker Beef! Graham had appeared in De Palma's two counter culture black comedies 'Greetings' and 'Hi Mom!' (both with Robert De Niro), and subsequently has had one of the oddest careers of any contemporary actor, working with everyone from Louis Malle to Jim Wynorski, starring as "Bud The Chud", and writing for both Disney and the Dead! Graham is a legend in my circle of friends, and playing Beef is a big reason why! 'Phantom Of The Paradise' is a rare beast, a worthwhile rock musical, and in my mind deserves a cult bigger than the incredibly overrated 'Rocky Horror Picture Show'.
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