Visual consultant Haskell Wexler prior to a screening of “American Graffiti,” presented at Oscars® Outdoors by the Academy of Motion Picture Arts and Sciences on Friday, August 2, 2013. credit: Todd Wawrychuk / ©A.M.P.A.S.
Haskell Wexler, one of Hollywood’s most famous and honored cinematographers and one whose innovative approach helped him win Oscars for “Who’s Afraid of Virginia Woolf?” and the Woody Guthrie biopic “Bound for Glory,” died Sunday. He was 93.
From the AP:
Wexler died peacefully in his sleep, his son, Oscar-nominated sound man Jeff Wexler, told The Associated Press.
A liberal activist, Wexler photographed some of the most socially relevant and influential films of the 1960s and 1970s, including the Jane Fonda-Jon Voight anti-war classic, “Coming Home,” the Sidney Poitier-Rod Steiger racial drama “In the Heat of the Night” and the Oscar-winning adaptation of Ken Kesey’s “One Flew Over the Cuckoo’s Nest.
Haskell Wexler, one of Hollywood’s most famous and honored cinematographers and one whose innovative approach helped him win Oscars for “Who’s Afraid of Virginia Woolf?” and the Woody Guthrie biopic “Bound for Glory,” died Sunday. He was 93.
From the AP:
Wexler died peacefully in his sleep, his son, Oscar-nominated sound man Jeff Wexler, told The Associated Press.
A liberal activist, Wexler photographed some of the most socially relevant and influential films of the 1960s and 1970s, including the Jane Fonda-Jon Voight anti-war classic, “Coming Home,” the Sidney Poitier-Rod Steiger racial drama “In the Heat of the Night” and the Oscar-winning adaptation of Ken Kesey’s “One Flew Over the Cuckoo’s Nest.
- 12/27/2015
- by Movie Geeks
- WeAreMovieGeeks.com
Haskell Wexler will receive the International Documentary Assn.'s 2006 Career Achievement Award, honoring his extraordinary work in nonfiction film. The presentation will be made Dec. 8 at the DGA in Los Angeles. "We could rightly present two career achievement awards to Haskell Wexler," said IDA president Diane Estelle Vicari, referring to his parallel accomplishments as a fiction cinematographer. "He has inspired a generation of documentary filmmakers to be uncompromising in their pursuit of the truth regarding the crucial issues of our times." Wexler has compiled more than 30 documentary credits, including The Bus, Brazil: A Report on Torture, The Trial of the Catonsville Nine, At the Max and Bus Riders Union, the latter an in-depth probe of the neglect of public transportation relied on by the Los Angeles working class.
- 9/21/2006
- The Hollywood Reporter - Movie News
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