San Francisco Police Lieutenant Virgil Tibbs is called in to investigate when a liberal street preacher and political candidate is accused of murdering a prostitute. Tibbs is also battling ... See full summary »
In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the ... See full summary »
After a group of young revolutionaries break into a company's corporate headquarters and steal $5,000,000 worth of heroin to keep it off the street, they call on San Francisco Police ... See full summary »
Gerald S. O'Loughlin
Detective Virgil Tibbs is caught up in the racial tension of the US South when he is arrested after the murder of a prominent businessman. Tibbs was simply waiting for his next train at the station in Sparta, Mississippi and the confusion is soon resolved but when local police chief Gillespie learns that Tibbs is the Philadelphia PD's number one homicide expert, he reluctantly asks for his assistance. The murdered man, Mr. Colbert, had come to Sparta from the North to build a new factory and his wife and business associates immediately point the finger at Endicott, the most powerful man in the county and the one who had the most to lose if a major new employer comes to the area. Tibbs' life is clearly in danger but he perseveres in a highly charged and racially explosive environment until the killer is found. Written by
According to Sidney Poitier, Tibbs' retaliation slap to Endicott was not in the original script nor in the novel on which the film is based. Poitier insisted that Tibbs slap Endicott back and wanted a guarantee that the scene would appear in all prints of the film. According to Stirling Silliphant, the slap was in the original script though not in the novel. See more »
When the fugitive jumps down the embankment after crossing the tracks the man's head disappears just before he fully gets down the embankment. See more »
One of the best films of all time, a Best Picture Oscar winner, and a highly deserved one at that. After reading a plot summary, it would be easy for someone to classify Norman Jewison's IN THE HEAT OF THE NIGHT as a simple buddy-cop movie, but it is so much more - this is film-making at it's finest. An absolutely merciless mystery, NIGHT contains some incredibly intense scenes that might make some viewers uncomfortable (the garage confrontation comes immediately to mind).
The film is expertly put together, with the feel of heady film noir. The performances are first rate: both Poitier and Rod Steiger were nominated for Best Actor, with the Oscar actually going home to Steiger (the film won four other Oscars as well). The Poitier-Steiger pairing is one of the most potent in film history, and their slowly growing friendship is one of the most touching. is a glowing example of what happens when an excellent cast, director, and screenplay combine to make an exceptional film.
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