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American Graffiti (1973)

 -  Comedy | Drama  -  11 August 1973 (USA)
7.5
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Ratings: 7.5/10 from 54,953 users  
Reviews: 226 user | 95 critic

A couple of high school grads spend one final night cruising the strip with their buddies before they go off to college.

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Title: American Graffiti (1973)

American Graffiti (1973) on IMDb 7.5/10

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Nominated for 5 Oscars. Another 9 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Steve (as Ronny Howard)
...
...
Terry (as Charlie Martin Smith)
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...
...
...
...
Joe
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Beau Gentry ...
...
Jim Bohan ...
Jana Bellan ...
Deby Celiz ...
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Storyline

Two boys are scheduled to leave for college in the morning. Each has his own doubts. They spend a final evening cruising the strip and have every adventure possible before dawn when they will each have to decide what they will do. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Plot Keywords:

college | night | school | car | summer | See more »

Taglines:

Where were you in '62? See more »

Genres:

Comedy | Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 August 1973 (USA)  »

Also Known As:

Američki grafiti  »

Box Office

Budget:

$777,000 (estimated)

Gross:

$115,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (re-release) (1978)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

After the success of Easy Rider (1969), Universal Studios hit upon the idea to let young filmmakers make "semi-independent" films for low budgets in hopes of generating similar profits. The idea was to make five movies for low budgets (one million dollars or less), not interfere in the filmmaking process, and give the directors final cut. The other movies were: The Hired Hand (1971), The Last Movie (1971), Taking Off (1971), and Silent Running (1972). See more »

Goofs

Curt watches The Adventures of Ozzie & Harriet on televisions in a store window, sometime close to midnight. Sitcom reruns were not late-night staples in 1962, and "Ozzie & Harriet" was never scheduled later than 9:00 PM in prime time. See more »

Quotes

[first lines]
Terry Fields: Hey, what do you say, Curt? Last night in town... you guys gonna have a little bash before you leave?
Steve Bolander: The Moose have been looking for you all day.
[hands a check to Curt]
Steve Bolander: They got worried... thought you were trying to avoid them or something.
Terry Fields: What is it? What do ya got?
Curt Henderson: Oh, great.
Terry Fields: That's $2,000 man! Two thousand dollars!
Steve Bolander: Mr. Jennings gave it to me to give to you. He says he's sorry it's so late, but it's the first scholarship the Moose Lodge has given out. And he, uh, says they're ...
[...]
See more »

Crazy Credits

Worded epilogues prior to the credits shows what happen to the characters following the movie. While this has since become commonplace in films, it was considered innovative at the time. See more »

Connections

Referenced in Dennis Muren Interview (2006) See more »

Soundtracks

Gee
Written by Morris Levy and William Davis
Performed by The Crows
Courtesy of Roulette Records
See more »

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User Reviews

 
Seems almost an accidental classic
7 October 2001 | by (las vegas, nv) – See all my reviews

I don't know if George Lucas really knew what he had in this picture--surely the script seemed funny enough, and the thought of the cars and the period music was enticing--but did he really know these "unknown" actors who bring these characters to life? It seems almost a fluke, shot in 29 days and on a tight budget, but "American Graffiti" is a four-star classic. It is perhaps pure nostalgia, mixing pathos and humor, sadness and craziness, hope and reflection, in quiet little bursts of excitement. After cruising with Milner all night, teenage Carol hates to say goodbye but does, waving from her porch with the light on; Toad survives one bad accident after another, but his real moment is in hearing praise from his date (fantastic, husky-voiced Candy Clark, dolled up like a speeding Sandra Dee) just before she says good night; after chasing his dream date all night, Kurt (Richard Dreyfuss, green and anxious, and appealingly bemused) finally gets to talk to the stunning blonde wonder on the telephone, where she whispers a wrenching goodbye. The whole movie is steeped in reflection. It has great, great humor, yet it leaves one with a bittersweet melancholia. For yesterday is in the past, with our music, our memories, and our hesitant farewells.


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