Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Two boys are scheduled to leave for college in the morning. Each has his own doubts. They spend a final evening cruising the strip and have every adventure possible before dawn when they will each have to decide what they will do. Written by
John Vogel <firstname.lastname@example.org>
After the success of Easy Rider (1969), Universal Studios hit upon the idea to let young filmmakers make "semi-independent" films for low budgets in hopes of generating similar profits. The idea was to make five movies for low budgets (one million dollars or less), not interfere in the filmmaking process, and give the directors final cut. The other movies were: The Hired Hand (1971), The Last Movie (1971), Taking Off (1971), and Silent Running (1972). See more »
Curt watches The Adventures of Ozzie & Harriet on televisions in a store window, sometime close to midnight. Sitcom reruns were not late-night staples in 1962, and "Ozzie & Harriet" was never scheduled later than 9:00 PM in prime time. See more »
Hey, what do you say, Curt? Last night in town... you guys gonna have a little bash before you leave?
The Moose have been looking for you all day.
[hands a check to Curt]
They got worried... thought you were trying to avoid them or something.
What is it? What do ya got?
That's $2,000 man! Two thousand dollars!
Mr. Jennings gave it to me to give to you. He says he's sorry it's so late, but it's the first scholarship the Moose Lodge has given out. And he, uh, says they're ...
[...] See more »
Worded epilogues prior to the credits shows what happen to the characters following the movie. While this has since become commonplace in films, it was considered innovative at the time. See more »
I don't know if George Lucas really knew what he had in this picture--surely the script seemed funny enough, and the thought of the cars and the period music was enticing--but did he really know these "unknown" actors who bring these characters to life? It seems almost a fluke, shot in 29 days and on a tight budget, but "American Graffiti" is a four-star classic. It is perhaps pure nostalgia, mixing pathos and humor, sadness and craziness, hope and reflection, in quiet little bursts of excitement. After cruising with Milner all night, teenage Carol hates to say goodbye but does, waving from her porch with the light on; Toad survives one bad accident after another, but his real moment is in hearing praise from his date (fantastic, husky-voiced Candy Clark, dolled up like a speeding Sandra Dee) just before she says good night; after chasing his dream date all night, Kurt (Richard Dreyfuss, green and anxious, and appealingly bemused) finally gets to talk to the stunning blonde wonder on the telephone, where she whispers a wrenching goodbye. The whole movie is steeped in reflection. It has great, great humor, yet it leaves one with a bittersweet melancholia. For yesterday is in the past, with our music, our memories, and our hesitant farewells.
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