Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Two boys are scheduled to leave for college in the morning. Each has his own doubts. They spend a final evening cruising the strip and have every adventure possible before dawn when they will each have to decide what they will do. Written by
John Vogel <email@example.com>
The soundtrack was originally to consist of some 80 classic rock and roll songs from the 1950s and '60s, but the budget couldn't stretch far enough to get licenses to afford that many. It was eventually whittled down to 45, with the Elvis Presley songs left out. It was when it widely known that Elvis' manager Col. Tom Parker was quite demanding when it came to Elvis material prior to 1977. There was a 40th Anniversary Special of NBC in 1976. He reportedly demanded $50,000 to release a clip of Elvis on The Milton Berle Show (1948). The clip was not shown at that time. See more »
Just before Curt goes to sit down on the car to watch TV he is running through the intersection on foot and behind him there is a 1973 Olds Cutlass. See more »
Hey, what do you say, Curt? Last night in town... you guys gonna have a little bash before you leave?
The Moose have been looking for you all day.
[hands a check to Curt]
They got worried... thought you were trying to avoid them or something.
What is it? What do ya got?
That's $2,000 man! Two thousand dollars!
Mr. Jennings gave it to me to give to you. He says he's sorry it's so late, but it's the first scholarship the Moose Lodge has given out. And he, uh, says they're ...
[...] See more »
Worded epilogues prior to the credits shows what happen to the characters following the movie. While this has since become commonplace in films, it was considered innovative at the time. See more »
The single-greatest teen-age cruising film ever made
American Graffiti, voted in 1998 to the American Film Institute's list of 100 superlative films, is as good today as it was upon its release in 1973. Countless films (such as Linklater's excellent Dazed and Confused) have borrowed heavily from Lucas' blueprint of multiple characters and storylines punctuated by wall to wall rock music. If possible, you should try to see the 1998 documentary that accompanies the DVD release, as it provides a wealth of information directly from Lucas, Coppola, LeMat, Ford, Clark, Dreyfuss, Howard, and many others about the creation of the film from concept to box-office phenomenon.
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