Two boys are scheduled to leave for college in the morning. Each has his own doubts. They spend a final evening cruising the strip and have every adventure possible before dawn when they will each have to decide what they will do. Written by
John Vogel <email@example.com>
When John and Carol are sitting at the red light, the car full of girls pulls up next to them, one of the girls throws a water balloon through the window and it hits Carol (Mackenzie Phillips). It was scripted to hit the side window and drench Phillips' face, who was then supposed to act really angry. However, she was accidentally hit square in the face and unable to refrain from laughing. Still, she kept going, ad-libbed through the scene and Lucas kept it, as he did with many presumably garbled first takes in this movie. See more »
Toad crashes his Vespa and walks away, and in the very next shot it is standing up and nicely parked. See more »
Hey, what do you say, Curt? Last night in town... you guys gonna have a little bash before you leave?
The Moose have been looking for you all day.
[hands a check to Curt]
They got worried... thought you were trying to avoid them or something.
What is it? What do ya got?
That's $2,000 man! Two thousand dollars!
Mr. Jennings gave it to me to give to you. He says he's sorry it's so late, but it's the first scholarship the Moose Lodge has given out. And he, uh, says they're ...
[...] See more »
At the start of the closing credits, the character and actor names for the main characters randomly appear in time to the opening xylophone notes of the Beach Boys' All Summer Long, which continues to play over the credits. See more »
Nostalgic look at one night/morning of a small California town and some of its teenagers. Story-wise this is nothing new--all the stereotypes are in place--the loving/bickering couple (Ron Howard and Cindy Williams); the rebel (Paul Le Mal) stuck with a 13 year old (Mackenzie Phuillips); the nerd (Charles Martin Smith) having a disastrous date with a blonde (Candy Clark); the hood (Bo Hopkins) showing the good boy (Richard Dreyfuss) a night out and Harrison Ford and Suzanne Somers in small parts.
What makes this movie better than average is the great direction by George Lucas--he fills the Cinemascope screen masterfully; the non-stop soundtrack of 50s/60s hits; a great script and the cast of then-unknowns. It's incredible to see some of these actors so young (especially Ford and Dreyfuss) and full of life. Without this cast, this movie would probably have long-since been forgotten.
So, no great shakes, but very sweet and nostalgic with some good acting. Worth catching. Try to see it letter-boxed or on a big screen.
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