| Photos (See all 23 | slideshow) | Videos (see all 65) |
| Carolyn Jones | ... | Morticia Frump Addams / ... (64 episodes, 1964-1966) | |
| John Astin | ... | Gomez Addams (64 episodes, 1964-1966) | |
| Ted Cassidy | ... | Lurch / ... (64 episodes, 1964-1966) | |
| Jackie Coogan | ... | Uncle Fester Frump (61 episodes, 1964-1966) | |
| Ken Weatherwax | ... | Pugsley Addams (40 episodes, 1964-1966) | |
| Lisa Loring | ... | Wednesday Addams (37 episodes, 1964-1966) | |
| Marie Blake | ... | Grandmama Addams (35 episodes, 1964-1966) |
Series Directed by | |||
| Sidney Lanfield | (48 episodes, 1964-1966) | ||
| Jerry Hopper | (4 episodes, 1964) | ||
| Sidney Salkow | (4 episodes, 1965-1966) | ||
| Jean Yarbrough | (3 episodes, 1964) | ||
Series Writing credits | ||
| Charles Addams | (42 episodes, 1964-1966) | |
| Hannibal Coons | (25 episodes, 1964-1966) | |
| Harry Winkler | (25 episodes, 1964-1966) | |
| David Levy | (21 episodes, 1964-1965) | |
| Phil Leslie | (10 episodes, 1964-1966) | |
| Keith Fowler | (5 episodes, 1964-1965) | |
| Sloan Nibley | (5 episodes, 1965-1966) | |
| Henry Sharp | (5 episodes, 1965) | |
| Jameson Brewer | (4 episodes, 1964-1965) | |
| Bill Lutz | (4 episodes, 1965-1966) | |
| Charles R. Marion | (3 episodes, 1964-1965) | |
| Preston Wood | (3 episodes, 1965-1966) | |
| Lou Huston | (2 episodes, 1964-1965) | |
| Elroy Schwartz | (2 episodes, 1965-1966) | |
| Jerry Gottler | (2 episodes, 1965) | |
| Carol Henning | (2 episodes, 1965) | |
| Mitch Persons | (2 episodes, 1965) | |
| Leo Rifkin | (2 episodes, 1965) | |
| Ed Ring | (2 episodes, 1965) | |
| Gene Thompson | (2 episodes, 1966) | |
| Arthur Weingarten | (2 episodes, 1966) | |
Series Produced by | |||
| Herbert W. Browar | .... | associate producer (64 episodes, 1964-1966) | |
| David Levy | .... | executive producer (64 episodes, 1964-1966) | |
| Nat Perrin | .... | producer (64 episodes, 1964-1966) | |
Series Original Music by | |||
| Vic Mizzy | (64 episodes, 1964-1966) | ||
Series Cinematography by | |||
| Archie R. Dalzell | (64 episodes, 1964-1966) | ||
Series Film Editing by | |||
| Joseph Harrison | (22 episodes, 1964-1966) | ||
| Gerald Shepard | (21 episodes, 1964-1966) | ||
| Douglas Hines | (18 episodes, 1964-1966) | ||
| Jim Faris | (2 episodes, 1966) | ||
Series Casting by | |||
| Kerwin Coughlin | (64 episodes, 1964-1966) | ||
Series Art Direction by | |||
| Edward L. Ilou | (64 episodes, 1964-1966) | ||
Series Set Decoration by | |||
| Ruby R. Levitt | (60 episodes, 1964-1966) | ||
| Claude E. Carpenter | (3 episodes, 1964) | ||
Series Makeup Department | |||
| Norman Pringle | .... | makeup artist (64 episodes, 1964-1966) | |
| Myrl Stoltz | .... | hair stylist (64 episodes, 1964-1966) | |
Series Production Management | |||
| Robert Freedman | .... | post-production supervisor (23 episodes, 1965-1966) | |
Series Second Unit Director or Assistant Director | |||
| Jack Voglin | .... | assistant director (64 episodes, 1964-1966) | |
Series Art Department | |||
| Joe Thompson | .... | property master (64 episodes, 1964-1966) | |
Series Sound Department | |||
| George J. Eppich | .... | sound editor / sound effects editor / ... (64 episodes, 1964-1966) | |
| Earl E. Spicer | .... | sound mixer (64 episodes, 1964-1966) | |
| Don J. Bassman | .... | sound recordist / recordist (34 episodes, 1964-1965) | |
| Al Boyle | .... | boom man (30 episodes, 1965-1966) | |
| Ray Regula | .... | sound recordist / recordist (17 episodes, 1965-1966) | |
| Erick Jolley | .... | audio restoration (13 episodes, 1965) | |
Series Special Effects by | |||
| Larry Chapman | .... | special effects (34 episodes, 1964-1965) | |
| Joe Zomar | .... | special effects (34 episodes, 1965-1966) | |
| Robert Cole | .... | special effects (30 episodes, 1965-1966) | |
| Bob Overbeck | .... | special effects (25 episodes, 1964-1965) | |
Series Camera and Electrical Department | |||
| Harry Hopkins | .... | chief electrician (64 episodes, 1964-1966) | |
| Roy Kight | .... | key grip (64 episodes, 1964-1966) | |
Series Costume and Wardrobe Department | |||
| Myrtle Logan | .... | costume supervisor (64 episodes, 1964-1966) | |
Series Editorial Department | |||
| Robert Freedman | .... | editorial coordinator / post production supervisor (40 episodes, 1964-1965) | |
Series Music Department | |||
| Vic Mizzy | .... | conductor / musician: harpsichord (64 episodes, 1964-1966) | |
| Dave Kahn | .... | music coordinator / music supervisor (63 episodes, 1964-1966) | |
Series Other crew | |||
| Richard Greer | .... | production coordinator (63 episodes, 1964-1966) | |
| David Levy | .... | developed for television by (59 episodes, 1964-1966) | |
| Stanley Olsen | .... | script supervisor (49 episodes, 1964-1965) | |
| Stanley Scheuer | .... | script supervisor (15 episodes, 1965-1966) | |
| Frank Inn | .... | animal trainer (5 episodes, 1964) | |
|
|
|
|
|
| The Addams Family | "The Munsters" | Cousin Bette | Addams Family Values | The Celebration |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Episode guide | Company credits | External reviews |
| News articles | IMDb TV section | IMDb Comedy section |
| IMDb USA section |
You may add a new episode for this TV series by clicking the 'add episode' button
I generally despise situation comedies - the story lines are often cliché plot devices and wholly predictable. However, I love "The Addams Family". I'm not sure exactly why either. It may be because of the macabre twist the show puts on the typical American family show of its era. It could also be because of the Gothic atmosphere and slight bits of surrealism. Most likely its because of the fact its genuinely funny, something missing from most television shows. Whatever the reason may be, I just can't get enough of it.
The cast all around is terrific, creating truly lovable characters despite the offbeat environment. Its been noted in most reviews that the family is presented as incredibly well adjusted and caring for each other. Gomez and Morticia have an undying passion for each other and are one of the healthiest couples ever on prime time. The children are respectful to their elders yet get in enough mischief to keep the show interesting. The butler and "thing" are completely loyal and grateful to the family. Grandma and Uncle Fester are treated as members of the family through and through.
Also, what sets this above "The Munsters" is the style of humor. "The Munsters" was way too broad for my tastes, while "The Addams Family" blends more subtle jokes with typical slapstick gags. Plus, the humor at times has a weirdness that borders on surrealism. The fact that just what makes the family supernatural is never fully explained makes it all the more bizarre. "The Addams Family" is still one of the best things to ever happen to TV. (9/10)