| Michèle Mercier | ... | Rosy (segment "The Telephone") | |
| Lidia Alfonsi | ... | Mary (segment "The Telephone") (as Lydia Alfonsi) | |
| Boris Karloff | ... | Himself / Gorca (segment "The Wurdalak") | |
| Mark Damon | ... | Vladimire d'Urfe (segment "The Wurdalak") | |
| Susy Andersen | ... | Sdenka (segment "The Wurdalak") | |
| Massimo Righi | ... | Pietro (segment "The Wurdalak") | |
| Rika Dialina | ... | Maria (segment "The Wurdalak") (as Rica Dialina) | |
| Glauco Onorato | ... | Giorgio (segment "The Wurdalak") | |
| Jacqueline Pierreux | ... | Helen Chester (segment "The Drop of Water") | |
| Milly | ... | The Maid (segment "The Drop of Water") (as Milly Monti) | |
| Harriet Medin | ... | Neighbor (segment "The Drop of Water") | |
| Gustavo De Nardo | ... | Police Inspector (segment "The Drop of Water") | |
| rest of cast listed alphabetically: | |||
| Milo Quesada | ... | Frank Rainer (segment "The Telephone") (uncredited) | |
| Alessandro Tedeschi | ... | Coroner (segment "The Drop of Water") (uncredited) | |
Directed by | |||
| Mario Bava | |||
| Salvatore Billitteri | (additional footage) (US version) | ||
Writing credits(in alphabetical order) | ||
| Mario Bava | writer | |
| Alberto Bevilacqua | writer | |
| Ivan Chekhov | story "The Drop of Water" | |
| Marcello Fondato | screenplay | |
| F.G. Snyder | story "The Telephone" | |
| Aleksei Tolstoy | novelette Sem'ya vurdalaka | |
Produced by | |||
| Salvatore Billitteri | .... | producer | |
| Paolo Mercuri | .... | producer | |
Original Music by | |||
| Les Baxter | (US version) | ||
| Roberto Nicolosi | |||
Cinematography by | |||
| Ubaldo Terzano | |||
| Mario Bava | (uncredited) | ||
Film Editing by | |||
| Mario Serandrei | |||
Production Design by | |||
| Riccardo Domenici | (as Riccardo Dominici) | ||
Art Direction by | |||
| Giorgio Giovannini | |||
Costume Design by | |||
| Tina Grani | |||
Makeup Department | |||
| Otello Fava | .... | makeup artist | |
| Renata Magnanti | .... | hair stylist | |
Production Management | |||
| Armando Govoni | .... | production supervisor | |
| Paolo Mercuri | .... | production manager | |
Art Department | |||
| Francesco Bronzi | .... | assistant production designer | |
| Riccardo Domenici | .... | set dresser | |
Camera and Electrical Department | |||
| Enrico Fontana | .... | camera operator | |
| Mario Mancini | .... | camera operator | |
Editorial Department | |||
| Lina Caterini | .... | assistant editor | |
Music Department | |||
| Eve Newman | .... | music editor (US version) | |
| Al Simms | .... | music coordinator (US version) | |
Other crew | |||
| Priscilla Contardi | .... | continuity | |
| Franco Grifeo | .... | administrator | |
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| Psycho | Grave of the Fireflies | Fellini Satyricon | Captain Conan | Pet Sematary |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
Three macabre tales."the telephone".a woman is plagued by threatening calls but all is not what it seems."the wurdaluk".in 18th century Russia a family wait for their father, now a vampire to come home and claim his loved ones and suck their blood."a drop of water". a nurse robs a corpse of a ring and soon regrets it. This film continuously eluded me for many years and i finally managed to see it in it's original form, beautifully restoredand it's worth the wait. the first story is the weakest, although not without interest. the second is the best , very atmospheric and contains a powerful scary performance from Boris Karloff who plays the lead vampire for the only time in his career and this role is one of his best.The last story is short but creepy and features the most scary corpse you'll ever see in a film.This is easily director Mario Bava's best film.only a silly last scene with Karloff dents it a little.