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| Videos |
| Michèle Mercier | ... | Rosy (segment "The Telephone") | |
| Lidia Alfonsi | ... | Mary (segment "The Telephone") (as Lydia Alfonsi) | |
| Boris Karloff | ... | Himself / Gorca (segment "The Wurdalak") | |
| Mark Damon | ... | Vladimire d'Urfe (segment "The Wurdalak") | |
| Susy Andersen | ... | Sdenka (segment "The Wurdalak") | |
| Massimo Righi | ... | Pietro (segment "The Wurdalak") | |
| Rika Dialina | ... | Maria (segment "The Wurdalak") (as Rica Dialina) | |
| Glauco Onorato | ... | Giorgio (segment "The Wurdalak") | |
| Jacqueline Pierreux | ... | Helen Chester (segment "The Drop of Water") | |
| Milly | ... | The Maid (segment "The Drop of Water") (as Milly Monti) | |
| Harriet Medin | ... | Neighbor (segment "The Drop of Water") | |
| Gustavo De Nardo | ... | Police Inspector (segment "The Drop of Water") | |
| rest of cast listed alphabetically: | |||
| Milo Quesada | ... | Frank Rainer (segment "The Telephone") (uncredited) | |
| Alessandro Tedeschi | ... | Coroner (segment "The Drop of Water") (uncredited) | |
Directed by | |||
| Mario Bava | |||
| Salvatore Billitteri | |||
Writing credits(in alphabetical order) | ||
| Mario Bava | writer | |
| Alberto Bevilacqua | writer | |
| Ivan Chekhov | story "The Drop of Water" | |
| Marcello Fondato | screenplay | |
| F.G. Snyder | story "The Telephone" | |
| Aleksei Tolstoy | novelette Sem'ya vurdalaka | |
Produced by | |||
| Salvatore Billitteri | .... | producer | |
| Paolo Mercuri | .... | producer | |
Original Music by | |||
| Les Baxter | (US version) | ||
| Roberto Nicolosi | |||
Cinematography by | |||
| Ubaldo Terzano | |||
| Mario Bava | (uncredited) | ||
Film Editing by | |||
| Mario Serandrei | |||
Production Design by | |||
| Riccardo Domenici | (as Riccardo Dominici) | ||
Art Direction by | |||
| Giorgio Giovannini | |||
Costume Design by | |||
| Tina Grani | |||
Makeup Department | |||
| Otello Fava | .... | makeup artist | |
| Renata Magnanti | .... | hair stylist | |
Production Management | |||
| Armando Govoni | .... | production supervisor | |
| Paolo Mercuri | .... | production manager | |
Art Department | |||
| Francesco Bronzi | .... | assistant production designer | |
| Riccardo Domenici | .... | set dresser | |
Camera and Electrical Department | |||
| Enrico Fontana | .... | camera operator | |
| Mario Mancini | .... | camera operator | |
Editorial Department | |||
| Lina Caterini | .... | assistant editor | |
Music Department | |||
| Eve Newman | .... | music editor (US version) | |
| Al Simms | .... | music coordinator (US version) | |
Other crew | |||
| Priscilla Contardi | .... | continuity | |
| Franco Grifeo | .... | administrator | |
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| Psycho | Hotaru no haka | Capitaine Conan | Inferno | C'era una volta il West |
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| News articles | IMDb Horror section | IMDb Italy section |
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"Tre volti della paura " is a movie made up of three sketches,linked by Boris Karloff's comments -he plays the lead in the second segment - and all dealing with death following a logical progression:fear of death in the first sketch,some kind of "night of the living dead"cum vampires in the second one and terror around a dead woman in the third.Mario Bava did not need any special effects that mar so many horror films today:his baroque settings (Michele Mercier's flat in the first sketch,the countess's Gothic mansion in the third,and the lunar landscapes in the middle one),his knowing lighting effects,his color research,his incredibly effective use of the depth of field (visually stunning in the final segment)are as impressive today as they were forty years ago and were a strong influence on other Italian directors such as Dario Argento.Worth the price of admission.