A trio of atmospheric horror tales about: A woman terrorized in her apartment by phone calls from an escaped prisoner from her past; a Russian count in the early 1800s who stumbles upon a ... See full summary »
A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant. Only the girl's brother and a... See full summary »
A woman, a survivor of a failed murder attempt by a person dubbed "The Half-Moon Killer" by the police, and her husband must find the connecting thread between herself, six other women, and... See full summary »
Pier Paolo Capponi
Archaeologists investigating some Mayan ruins come across a blob-like monster. They manage to destroy it with fire, but keep a sample. Meanwhile, a comet is due to pass close to the Earth -... See full summary »
The owner of a design house busies himself murdering the new brides who have modelled his bridal fashions. When he decides to murder his wife, she becomes the ghost that wouldn't leave. Written by
Ed Sutton <email@example.com>
The Harrington's bed was originally used as a set piece in an earlier Bava film, 1963's Black Sabbath. See more »
When a newspaper close-up is shown, with a report of a murder on a train on the front page, the French word for wife (Epouse) is misspelled. See more »
My name is John Harrington. I'm 30 years old. I'm a paranoiac. Paranoiac. An enchanting word, so civilized, full of possibilities. The truth is, I am completely mad. The realization which annoys me at first, but is now amusing to me. Quite amusing. Nobody suspects I am a madman. A dangerous murderer. Not Mildred, my wife. Nor the employees of my fashion center. Nor of course my customers.
[scoops a fly out of his drink]
Poor little fly. Why are you so daring? You're so fragile? Yet you're born, ...
See more »
Instead of "screenplay," the credit is listed: "Screemplay: Santiago Moncada." See more »
I say strange because I'm not quite sure what exactly "Hatchet for the Honeymoon" was supposed to be (but enjoyed it nonetheless). It features many of the traditional giallo elements - a black-clad killer, lots of beautiful young women who may as well have "Murder Victim" tattooed on their foreheads, incompetent detectives, childhood psychological trauma, spooky childhood toys... Yet it also diverges from the giallo blueprint in some ways by incorporating an odd, Twilight Zone-style supernatural element into the plot, and also a wry commentary on bourgeois married life. There are clear elements of both Psycho and Peeping Tom in the story, and it also predates both the 1980 slasher film He Knows You're Alone, and the Bret Easton Ellis book (and later film) American Psycho.
As usual with Mario Bava, the cinematography, production design and lighting are all beautiful to look at, and there are two great suspense set-pieces: the scene where the killer waltzes with his next victim to the eerie tune of a music box in a shadowy, elegant store-room full of creepy plastic mannequins in wedding dresses; and the scene where he talks to the suspicious cop while his dead wife's arm is hanging from the staircase and dripping blood onto the carpet.
It's also a surprisingly funny film in many ways. Special mention must go to Laura Betti's hilarious performance as Mildred, the evil wife from hell.
All in all, "Hatchet for the Honeymoon" is an intriguing and often underrated addition to Mario Bava's formidable canon. Stylish, entertaining and darkly funny.
7 of 7 people found this review helpful.
Was this review helpful to you?