| Prithviraj Kapoor | ... | Emperor Akbar (as Prithviraj) | |
| Madhubala | ... | Anarkali | |
| Durga Khote | ... | Maharani Jodha Bai | |
| Nigar Sultana | ... | Bahar | |
| Ajit | ... | Durjan Singh | |
| M. Kumar | ... | Sculptor (as Kumar) | |
| Murad | ... | Raja Mann Singh | |
| Jilloo Maa | ... | Anarkali's Mother (as Jillo Bai) | |
| Vijayalaxmi | |||
| S. Nazir | |||
| Sheela Delaya | ... | Suraiya, Anarkali's Sister | |
| Surendra | (as Surinder) | ||
| Johnny Walker | |||
| Jalal Agha | ... | Young Prince Saleem | |
| Tabassum | (as Baby Tabassum) | ||
| Gopi Krishna | |||
| Dilip Kumar | ... | Prince Saleem | |
| rest of cast listed alphabetically: | |||
| Jago | ... | (uncredited) | |
| Khurshid Khan | ... | (uncredited) | |
| Khanna | ... | (uncredited) | |
| Khwaja Sabir | ... | (uncredited) | |
| Pal Sharma | ... | (uncredited) | |
Directed by | |||
| K. Asif | |||
Writing credits | ||
| K. Asif | (screenplay) and | |
| Aman | (screenplay) | |
| Aman | (dialogue) and | |
| Kamal Amrohi | (dialogue) and | |
| Ehsan Rizvi | (dialogue) and | |
| Wajahat Mirza | (dialogue) (as Vajahat Mirza) | |
Produced by | |||
| K. Asif | .... | producer | |
Original Music by | |||
| Naushad | |||
Cinematography by | |||
| R.D. Mathur | |||
Film Editing by | |||
| Dharamvir | |||
Art Direction by | |||
| M.K. Syed | |||
Makeup Department | |||
| Abdul Hamid | .... | makeup artist | |
| P.G. Joshi | .... | makeup artist | |
| R. Pitamber | .... | assistant makeup artist | |
| T. Rajaram | .... | assistant makeup artist (as Raja Ram) | |
Second Unit Director or Assistant Director | |||
| Rashid Abbasi | .... | assistant director | |
| Khalid Akhtar | .... | chief assistant director | |
| Md. Anwar | .... | assistant director | |
| Rafiq Arabi | .... | assistant director | |
| Surinder Kapoor | .... | assistant director | |
| K. Manohar | .... | assistant director | |
| H.A. Riaz | .... | assistant director | |
| S.T. Zaidi | .... | associate director | |
Art Department | |||
| Syed Imam | .... | assistant settings | |
| B.R. Khedkar | .... | chief moulder | |
| Shaik Lal | .... | assistant settings | |
| L.D. Lingayat | .... | painter assistant | |
| H.J. Mhatre | .... | painter assistant | |
| Adam Mistry | .... | assistant settings (as Late Adam Mistry) | |
| Agha Jani Shirazi | .... | glass artwork: Sheesh Mahal (as Agha Shirazi) | |
| S.P. Worlikar | .... | chief painter | |
Sound Department | |||
| Shaikh Akram | .... | director of sound | |
| Ranjit Biswas | .... | sound assistant | |
| M.G. Mehta | .... | sound assistant | |
| Hasan Raje | .... | sound assistant | |
| Brahmanand Sharma | .... | sound mixer (as B.N. Sharma) | |
Special Effects by | |||
| Ansari | .... | main titles | |
Stunts | |||
| S. Azim | .... | fighting instructor: swords (as Azim) | |
| Master Roshan | .... | fighting instructor: swords | |
Camera and Electrical Department | |||
| Md. Ayub | .... | additional camera operator: battle scenes | |
| Md. Ayub | .... | assistant camera | |
| Chandu | .... | still photographer | |
| K. Gopalrao | .... | assistant camera | |
| K. Gopalrao | .... | chief electrician | |
| Kerve | .... | additional camera operator: battle scenes | |
| Shaffan Mirza | .... | additional camera operator: battle scenes (as Shaffan) | |
| Shaffan Mirza | .... | assistant camera | |
| M.K. Mukadam | .... | additional camera operator: battle scenes | |
| A.L. Syed | .... | outdoor still photographer | |
| M.K. Syed | .... | outdoor still photographer | |
Costume and Wardrobe Department | |||
| Jaggi | .... | costumes | |
| Habib Mirza | .... | embroidery | |
| B.N. Trivedi | .... | wardrobe in charge | |
Editorial Department | |||
| Satte Singh Rawat | .... | assistant editor | |
| Md. Shahid | .... | assistant editor | |
| Prabhakar Supare | .... | assistant editor (as P.G. Supare) | |
Music Department | |||
| Bare Gulam Ali Khan | .... | playback singer | |
| Shakeel Badayuni | .... | lyricist | |
| Shamshad Begum | .... | playback singer (as Shamshad Begam) | |
| Robin Chatterjee | .... | song recordist (as Robin Chatterji) | |
| M. Ibrahim | .... | music assistant (as Ibrahim) | |
| R. Kaushik | .... | song recordist (as Kaushik) | |
| Lata Mangeshkar | .... | playback singer | |
| Mohammad Rafi | .... | playback singer | |
| Mohammed Shafi | .... | music assistant (as Mohammad Shafi) | |
| Noor Jehan | .... | playback singer (uncredited) | |
Other crew | |||
| Rama Devi | .... | dance assistant | |
| Laxmi | .... | dance assistant | |
| Lachchu Maharaj | .... | dance director | |
| Haji Shamsuddin | .... | junior artists supplier (as Shamshuddin) | |
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The ostentatious look, the unforgettable music, the awesome war scenes, superb performances, the well-known romance between Salim and Anarkalis MUGHAL-E-AZAM will always remain as a point of reference.
After 44 years, this masterpiece has been released after reviving it in color (the original version was 85 percent black and white and 15 percent colour), with an upgraded, contemporary sound system (Dolby Digital).
The Story is about the Ruler Akbar (Prithviraj Kapoor) and Queen Jodha (Durga Khote) give birth to a son, Salim, after years of prayer.
Prince Salim (Dilip Kumar) grows into a commendable combatant. Salim falls in love with court dancer Anarkali (Madhubala). Initially wary of his affections because of the difference in their positions, she soon reciprocates his love.
Akbar finds out about the affair and that creates a rift between the father and son.
It is a must see movie for every moviegoer for its pure canvass, for its majestic framing and not just for being a colorful costume drama, for its romance, for the glorious Sheesh Mahal and also for our fake filmmakers (like karan johar, aditya chopra, nikhil advani, kunal kohli and many others like them) who cannot think beyond Manhattan and singing heroes and have light years to reach this level of film-making.
MUGHAL-E-AZAM is a must for those who have seen it in B & W. Now watch it in color and experience the grandeur. MUGHAL-E-AZAM is a must for todays generation, who, perhaps, may not have watched this classic. Watch this epic and you will realize the difference between the cinema of yore and the cinema of today. MUGHAL-E-AZAM is a must for every moviegoer. Here is a prime example of pure, unadulterated cinema. 4 ½ Out of 5