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Mughal-E-Azam (1960)

 -  Drama | Romance | War  -  1 April 2005 (USA)
8.2
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Ratings: 8.2/10 from 3,049 users  
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Inspired by true events, a 16th century prince falls in love with a court dancer and battles with his emperor father.

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(screenplay), (screenplay), 4 more credits »
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Title: Mughal-E-Azam (1960)

Mughal-E-Azam (1960) on IMDb 8.2/10

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Cast

Cast overview, first billed only:
Prithviraj Kapoor ...
Emperor Akbar (as Prithviraj)
...
Durga Khote ...
Nigar Sultana ...
Bahar
Ajit ...
Durjan Singh
M. Kumar ...
Sculptor (as Kumar)
Murad ...
Raja Mann Singh
Jilloo Maa ...
Anarkali's Mother (as Jillo Bai)
Vijayalaxmi
S. Nazir
Sheela Delaya ...
Suraiya, Anarkali's Sister
Surendra ...
(as Surinder)
Johnny Walker
Jalal Agha ...
Tabassum ...
(as Baby Tabassum)
Edit

Storyline

Set in the 16th century AD, the movie brings to life the tale of the doomed love affair between the Mughal Crown Prince Saleem and the beautiful, ill-fated court dancer, whose fervor and intensity perpetrates a war between the prince and his father the great Mughal Emperor Akbar, and threatens to bring an empire to its knees. Written by Hrishi Dixit <hrishi@slb.com>

Plot Summary | Add Synopsis

Plot Keywords:

prince | love | mughal | empire | muslim | See more »

Genres:

Drama | Romance | War

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Details

Country:

Language:

Release Date:

1 April 2005 (USA)  »

Also Known As:

The Emperor of the Mughals  »

Box Office

Budget:

INR 15,000,000 (estimated)

Opening Weekend:

$60,258 (USA) (1 April 2005)

Gross:

$161,434 (USA) (6 May 2005)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(1960) | (2004 colorized)

Sound Mix:

(2004 re-release)|

Color:

| (Technicolor)
See  »
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Did You Know?

Trivia

With the advent of Jhansi Ki Rani in 1951, colour films became a revolution. K. Asif wanted to remake the whole film in colour, but when the distributors lost patience settled for having two songs and the film's 30-minute climax shot in Technicolor, with the rest of the film (85%) black-and-white. However, in November 2004, the whole movie was restored and colorized in a year-long process by the IAAA (Indian Academy of Arts and Animation) and re-released. See more »

Quotes

[Salim finds Anarkali with a candle. He takes it from her]
Anarkali: Prince, for God's sake, don't lose this grace of princeliness.
Prince Saleem: [holding the candle to her face] I want to demolish this wall of higher and lower. Anarkali, look at me - I want to see my love in your eyes.
Anarkali: [covering her eyes] Prince, don't look, it doesn't have anything in it but the grief of a servant.
Prince Saleem: Forget that you are a servant, and let Salim see in your eyes what you feared to speak.
Anarkali: Don't snatch my dreams from my eyes, I'll die.
Prince Saleem: ...
[...]
See more »

Crazy Credits

2004: The End Credits play the song 'Pyaar Kiya To Darna Kya' and its 1960 end credits are adjacent to the 2004 (Technicians) credits. See more »

Connections

Referenced in Zameer: The Awakening of a Soul (1997) See more »

Soundtracks

Hume Kaash Tumse
Sung by Lata Mangeshkar
Written by Shakeel Badayuni
See more »

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User Reviews

 
Art!
8 June 2007 | by (Derby, UK) – See all my reviews

I haven't seen the black and white original of Mughal E Azam since the '80's, but I recently saw the restored revived colourised 2004 re-release for the first time and was astounded by the results. I'm not a believer in messing around with the originals, but bearing in mind director Asif always wanted to make the whole film in colour but didn't have enough money the "final" product is amazing to see - such is technology! It was incredibly expensive to make as it was, the restoration process must have cost a fabulous amount too.

Seminal Indian epic purporting to deal with events from about 400 years ago around Prince Saleem (Dilip Kumar) falling in love with a court dancer Anarkali (Madhubala) to his father Akbar's utter opposition and eventually causing a rift leading to all out war. The drama and war spectacle scenes are memorable enough, with thousands of humans and animals as extras, and the music is uniformly superb too. But it's Pyar Kiya To Darna Kya (If I have loved someone>why should I be afraid?) sung by Anarkali (Lata) to the 2 of them in the Hall Of Mirrors that is absolutely stunning - I will have to get the original and compare, because the remaster seems to have turned this song into something even more magical and mesmerising than I remembered. It took Naushad and Shakeel Badayuni one night to compose music and lyrics so timeless - a colourful piece of poetry in motion, with the insistent kaleidoscopic climax added by Asif. Awesome! According to the legend it was supposed to have an unhappy ending - needless to say I'm glad it was altered here to a happy one after such a roller-coaster ride!

A tremendous work of Art, showing the very best of Indian cinema.


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