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Raju is a joker, a clown. It is what he is and what he always shall be. As his life story unfolds in three chapters, from his school days to the circus to the streets, he must always make ... See full summary »
Ramprasad is a recent college graduate who finds a job with a finicky man, Bhavani Shankar, who believes that a man without a mustache is a man without a character. Bhavani Shankar is also ... See full summary »
Wearing torn Japanese shoes, English trousers, a red Russian cap, and a Hindustani heart, orphaned Ranbir Raj comes to Bombay to make his fortune. He pawns his gold medal, gambles with the ... See full summary »
Set in the 16th century AD, the movie brings to life the tale of the doomed love affair between the Mughal Crown Prince Saleem and the beautiful, ill-fated court dancer, whose fervor and intensity perpetrates a war between the prince and his father the great Mughal Emperor Akbar, and threatens to bring an empire to its knees. Written by
Hrishi Dixit <firstname.lastname@example.org>
This was one of only two films K. Asif completed. When he died in 1971, he left behind two unfinished films, Sasta Khoon Mahenga Paani and Love and God, the latter released by K.C. Bokadia in 1986. See more »
[Salim is stroking Anarkali's face with a feather - meanwhile, Bahar is watching them. She accidentally rustles some leaves, startling the couple]
Prince! Someone is watching us...
[she leaves, with a dismayed Salim watching her go]
Whoever disobedient person dares to come here must be present at the palace.
[he also leaves. Later, Bahar comes to him in the palace]
Your slave is here.
[he grabs a dagger and hurls it at her, but just misses]
[taking the dagger and handing it to him]
The disobedience ...
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2004: The End Credits play the song 'Pyaar Kiya To Darna Kya' and its 1960 end credits are adjacent to the 2004 (Technicians) credits. See more »
Mughal-e-Azam is indeed a colossal of a movie and its spell binding appeal and courtly grandeur has been further enhanced by the recently released color version.
Dilip Kumar, the icon of Indian Cinema and its first super star as well, has rendered complete resonance to the hedonistic persona of prince Saleem. The love travails of the myth of Anarkali have been splendidly captured on the tinsel screen through the superb portrayal by both, Madhu Bala and legendary Dilip Kumar. Besides, Pirthvi RajKapoor has also projected the required prestige and magnitude to the role of Emperor Akbar. It is worth watching, another time in color scope.
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