IMDb > Touch of Evil (1958)
Touch of Evil
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Touch of Evil (1958) More at IMDbPro »

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Touch of Evil -- Stark, perverse story of murder, kidnapping, and police corruption in Mexican border town.

Overview

User Rating:
8.2/10   57,952 votes »
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Director:
Writers:
Orson Welles (screenplay)
Whit Masterson (based on the novel "Badge Of Evil" by)
(more)
Contact:
View company contact information for Touch of Evil on IMDbPro.
Release Date:
1 May 1958 (UK) See more »
Genre:
Tagline:
The Overwhelming Drama of a Strange Vengeance See more »
Plot:
A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town. Full summary » | Full synopsis »
Plot Keywords:
Awards:
5 wins & 1 nomination See more »
User Reviews:
Another touch of brilliance from Welles See more (252 total) »

Cast

  (in credits order) (verified as complete)

Charlton Heston ... Mike Vargas

Janet Leigh ... Susan Vargas

Orson Welles ... Police Captain Hank Quinlan

Joseph Calleia ... Police Sergeant Pete Menzies

Akim Tamiroff ... 'Uncle' Joe Grandi

Joanna Moore ... Marcia Linnekar

Ray Collins ... District Attorney Adair

Dennis Weaver ... Mirador Motel Night Manager
Valentin de Vargas ... Pancho (as Valentin De Vargas)
Mort Mills ... Al Schwartz
Victor Millan ... Manelo Sanchez
Lalo Rios ... Risto
Michael Sargent ... Pretty Boy
Phil Harvey ... Blaine

Joi Lansing ... Zita
Harry Shannon ... Chief Gould

Marlene Dietrich ... Tana

Zsa Zsa Gabor ... Strip-Club Owner
rest of cast listed alphabetically:
Joe Basulto ... Young Delinquent (uncredited)
Yolanda Bojorquez ... Bobbie (uncredited)

Joseph Cotten ... Coroner (uncredited)
Domenick Delgarde ... Lackey (uncredited)
Jennie Dias ... Jackie (uncredited)
John Dierkes ... Policeman (uncredited)
Eleanor Dorado ... Lia (uncredited)
Jeffrey Green ... Rudy Linnekar (uncredited)
Billy House ... Construction Site Foreman (uncredited)

Mercedes McCambridge ... Gang Leader (uncredited)
Arlene McQuade ... Ginnie (uncredited)
Ken Miller ... Gang Member (uncredited)
Ramón Rodríguez ... Gang Member (uncredited)
Gus Schilling ... Eddie Farnham (uncredited)
William Tannen ... Marcia Linnekar's Attorney (uncredited)
Wayne Taylor ... Gang Member (uncredited)
Rusty Wescoatt ... Detective Casey (uncredited)

Dan White ... Customs Officer (uncredited)

Keenan Wynn ... Bit Part (uncredited)
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Directed by
Orson Welles 
 
Writing credits
Orson Welles (screenplay)

Whit Masterson (based on the novel "Badge Of Evil" by)

Franklin Coen  contributing writer: reshoots (uncredited)
Paul Monash  additional scenes (uncredited)

Produced by
Albert Zugsmith .... producer
 
Original Music by
Henry Mancini (music)
 
Cinematography by
Russell Metty (director of photography)
 
Film Editing by
Walter Murch (1998 re-edit)
Aaron Stell (film editor)
Virgil W. Vogel (film editor) (as Virgil Vogel)
Edward Curtiss (uncredited)
 
Art Direction by
Robert Clatworthy 
Alexander Golitzen 
 
Set Decoration by
John P. Austin (set decorations)
Russell A. Gausman 
 
Costume Design by
Bill Thomas (gowns)
 
Makeup Department
Bud Westmore .... makeup
Merle Reeves .... hair stylist (uncredited)
Vincent Romaine .... makeup artist (uncredited)
Maurice Seiderman .... makeup artist (uncredited)
Monty Westmore .... makeup artist (uncredited)
 
Production Management
Foster Thompson .... unit production manager (uncredited)
 
Second Unit Director or Assistant Director
Phil Bowles .... assistant director
Harry Keller .... director: reshoots (uncredited)
Terence Nelson .... assistant director (uncredited)
 
Sound Department
Leslie I. Carey .... sound
Frank H. Wilkinson .... sound (as Frank Wilkinson)
Peter Berkos .... sound editor (uncredited)
Robert L. Bratton .... sound editor (uncredited)
Donald Cunliffe .... sound technician (uncredited)
Ed Hall .... sound technician (uncredited)
George Ohanian .... dialogue editor (uncredited)
Walter White .... sound technician (uncredited)
 
Visual Effects by
Kevin Braun .... lead digital compositor (1998 restoration)
Kevin Braun .... visual effects supervisor (1998 restoration)
Sandy DellaMarie .... digital production coordinator (1998 restoration)
Chris Flynn .... digital paint artist (1998 restoration)
Mark Freund .... visual effects supervisor (1998 restoration)
George Gervan .... digital paint artist (1998 restoration)
Richard Gervan .... digital paint artist (1998 restoration)
Maureen Healy .... digital paint artist (1998 restoration)
Lynn Tigar .... digital paint artist (1998 restoration)
 
Stunts
David Sharpe .... stunts (uncredited)
 
Camera and Electrical Department
Sherman Clark .... still photographer (uncredited)
Ledge Haddow .... assistant camera (uncredited)
James V. King .... camera operator: Venice canal locations (uncredited)
Philip H. Lathrop .... camera operator (uncredited)
John L. Russell .... camera operator (uncredited)
Clifford Stine .... camera operator: additional photography (uncredited)
Roy Vaughn .... assistant camera (uncredited)
 
Costume and Wardrobe Department
Claire Cramer .... wardrobe (uncredited)
Adam Gottbetter .... wardrobe (uncredited)
Nevada Penn .... wardrobe (uncredited)
 
Editorial Department
Eric Aijala .... negative restoration (1998 restoration)
Sean Cullen .... assistant editor (1998 restoration)
Bob O'Neil .... picture restoration (1998 restoration)
Ernest J. Nims .... assistant editor (uncredited)
 
Music Department
Joseph Gershenson .... music supervision by
Richard Nash .... musician: trombone (uncredited)
 
Other crew
Armondo Linus Acosta .... consultant (uncredited)
Fred Banker .... unit publicist (uncredited)
Charles Baqueta .... coordinator (uncredited)
Wayne Fitzgerald .... title designer (uncredited)
Betty A. Griffin .... script supervisor (uncredited)
Robert Tafur .... dialogue coach (uncredited)
Robert Tafur .... technical advisor (uncredited)
 
Thanks
James Naremore .... special thanks (1998 restoration) (as James Narmore)
 
Crew verified as complete


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Additional Details

Also Known As:
MPAA:
Rated PG-13 for some violence and drug content (re-rating) (1998 restoration)
Runtime:
95 min | Germany:111 min (1998 alternate version) | USA:108 min (1975 alternate version) | USA:112 min (director's cut) | Spain:106 min (DVD edition) | 111 min (restored version)
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Westrex Recording System)
Certification:
Argentina:13 | Australia:M | Chile:14 | Finland:K-11 (DVD rating) | Finland:K-16 (original rating) | Finland:K-12 (restored version) | Germany:18 (restored version) | Germany:16 (restored version) (re-rating) (2005) | Netherlands:6 | Norway:15 (re-rating) (1999) | Norway:16 (1985) | South Korea:15 (2003) | Spain:13 (DVD rating) | Sweden:15 (original rating) | Sweden:11 (restored version) | UK:12 | USA:PG-13 | USA:PG-13 (No. 36039) (re-rating) (1998 restoration) | USA:Approved (PCA #18506) (original rating) | USA:Unrated (restored version) | West Germany:16 (nf)

Did You Know?

Trivia:
The film was a box office failure in the U.S. in 1958, but was well received in Europe.See more »
Goofs:
Continuity: The car that blows up four minutes into the film has the Texas plate AG 3724. 32 minutes into the film police car number 10 also has the Texas plate AG 3724.See more »
Quotes:
[first lines]
Border Cop:Uh, you folks American citizens?
See more »
Movie Connections:
Soundtrack:
SusanSee more »

FAQ

How much sex, violence, and profanity are in this movie?
Is "Touch of Evil" based on a novel?
Any recommendations for movies similar to "Touch of Evil"?
See more »
73 out of 98 people found the following review useful.
Another touch of brilliance from Welles, 26 January 2005
Author: stephen-357 from United States

Considered by many to be the last "classic" noir film ever made, and perhaps the last masterwork from child prodigy Orson Welles, who looks about sixty in this film, despite his 42 years. In TOUCH OF EVIL the "noirish" dark streets and shadows are darker than ever, practically swallowing up the soft tones like a murky swamp. The action takes place in a nondescript U.S./Mexico border town where the worst that both sides has to offer is most in evidence. The famous opening scene (a 3 1/2-minute continuous shot) where we witness a time bomb being placed in the trunk of a Cadillac is masterful. The camera pulls in and out of the city scene as it follows the motion of the vehicle winding its way through streets littered with pedestrians, thus effectively creating a level of anxiety that could not be duplicated with multiple edits. After the inevitable explosion, the drama dives into a seedy world of corrupt police justice and malevolent decrepitude, which is filmed with such a stylish flair, it is almost weirdly humorous and playful! Mike Vargas, the good guy, is played by Charlton Heston and seems more than a wee bit miscast as a Mexican narcotics officer with his face darkened by makeup. When U.S. Police Captain Hank Quinlan (Orson Welles) first meets him he remarks, "He doesn't look Mexican." Quinlan is the ultimate repugnant cop gone bad and Welles has the camera looking up into his nostrils most of the time making his character look even more monstrous. But Quinlan is also pitifully sad. A man who once had the instincts of a cat and the intelligence of a fox has been reduced to an insignificant mass of tissue, who's "instinct" is having a knack for finding evidence that he himself has planted. And while he may be revered by the local officials in law enforcement, he's acutely aware that he is a fraud and petrified that Vargas, has seen him naked.

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For the first time viewer, which version of the film danickster
My introduction to Orson Welles Erniesam
Drug portrayal joel_zombie
Some of my favorite shots s-napolitano8
Opening scene timflower
I'm sorry, but I don't the movie's appeal... stevekarlinchak
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