The Shadow on the Window (1957) User Reviews

Leave it to Beaver

[jotix100 · 7/10 · 1 September 2004]

This film has the feel of a TV drama made into a B film. Saw it on cable recently as a curiosity since a young Jerry Matthews was in it. The drama, directed by William Asher, was a surprise.

The film is a police drama where a young mother, working as a free lance secretary for a farm owner, gets tangled in a break in that ends badly. Her young son, playing innocently outside watches the whole thing. What young Petey witnesses produce in his little mind a trauma that makes him run from the scene until he is found by two truckers going to market.

The movie was a product of the era in which takes place. Betty Garrett, as Linda, is perfect for the part. Also good was Phillip Carey, an actor that never had great opportunities in films. The scene stealer is Jerry Matthews, who played Beaver in the old series.

Decent lower-budgeted suspense film

[planktonrules · 7/10 · 1 January 2016]

When the film begins, a group of punks are tormenting some people at a farmhouse. Soon, they kill the old man who lives there and the lady who is visiting (Betty Garrett) is being held captive...and all this is seen by her very young son (Jerry Mathers) who has been playing outside. Naturally, the boy is traumatized and he wanders off in a catatonic haze. Eventually he's found wandering along a highway and the kid is taken to the police. The boy is recognized-- -he's the son of one of the cops! The woman, apparently, is the cop's ex-wife. Can the police figure out where the woman and these sickos are in order to rescue her?

This is a tense and reasonably well made film. I particularly like the scene where the woman attempts an escape--it's surprisingly brutal. Well worth seeing and currently posted on YouTube.

Slightly above average Columbia programmer

[JohnSeal · 5/10 · 7 June 2003]

Starring Jerry Mathers as the shell-shocked child who witnesses an assault on his mother, Shadow On the Window is a decent 'B' film with a solid cast and a decent script. Jerry's dad, a police officer, is played stoically by Phil Carey and mom is Betty Garrett, decent as a woman under constant threat from three stereotypical teen bad boys. One of the boys is played by Corey Allen, who revisited the role in the similarly themed Key Witness (1960), and the others are John Drew Barrymore--apparently channeling the spirit of an evil Dobie Gillis--and lovable lunk Gerald Sarracini. Beach Party director William Asher displayed his serious side here, and cinematographer Kit Carson got some nice set-ups during the climactic chase scene across roof tops and through subway tunnels. I'd love to know where this was filmed--perhaps somewhere in the Imperial Valley of California?

"My wife is missing and my son's traumatized. Quick! Hand me a doughnut!"

[Poseidon-3 · 10 August 2004]

Curiosity value concerning the appearance and acting skill of Barrymore (John's son and Drew's dad) will likely draw several viewers to this minor crime drama, a sort of "Despondent Hours". Garrett, separated from her policeman hubby (Carey), takes a job steno-graphing for an elderly man with her young son in tow. When three toughs break in to rob the man, but accidentally kill him, Garrett's son (Mathers) slips into a degree of catatonia and wanders off along the highway. Eventually, Carey, Garrett's husband, is reunited with the mute boy and it's a race against time to find Garrett before the punks have their way with her or kill her. The hoods are played by Barrymore, Allen and Sarracini. Carey reacts to his estranged wife's disappearance with all the concern and terror that he might have if, say, his shirt were ironed too long and got a triangle-shaped stain on the pocket. Though impossibly big and reasonably handsome, he lets his stoicism as a police officer take too much precedence over any human emotion. Garrett (pushing forty, but playing 27 and referred to as "girl"!) does a decent enough acting job, but, in keeping with the times of the film, behaves pretty foolishly more often than not. She does try to come up with a few futile attempts at escape, though. Mathers is in over his head in his tiny part and would do much better later that year in "Leave it to Beaver" where murder wasn't a part of the storyline. Barrymore is very animated and quite handsome. He leans toward the hammy aspects of acting that so many James Dean imitators were going for at the time, but his portrayal is surprisingly polished (and this isn't exactly a strong screenplay he's dealing with!) Allen (who worked with James Dean in "Rebel Without a Cause") gives the most believable and natural performance of the hoods and is very attractive in a boy-next-door way. In fact, these two "vicious criminals" do their dirty work in pullover knit sweaters and cardigans!!! They are quite a contrast to Marlon Brando in "The Wild One". The third boy is played by hulking Sarracini and he is more authentic-looking (ironically, this actor died the year this film was made from the results of a fight!!) There are so many hilariously bad bit players in the film whose dialogue and performances are side-splitting. One lady mutters that her husband doesn't like anything as much as corned beef while he is shown romancing a blonde tart in a bar. Still, the direction is surprisingly adept and there is a memorable rooftop shootout that continues into the subway which is quite impressive. A little more enthusiasm/fret from Carey might have kicked it up a notch.

B Thriller

[gordonl56 · 7/10 · 6 March 2007]

Better than expected thriller about a home invasion robbery gone wrong. Jerry Mathers plays a young boy who witnesses a murder at a home where his mother (Betty Garrett)is working. In shock, the boy wanders off before being picked up by a passing truck. He is dropped off with the police where it so happens the boy's father, Phil Carey, is a detective. Unable to get the boy to talk, the police begin a city-wide dragnet hoping to grab up someone who might know the location of Garrett. John Barrymore Jr., Corey Allen and Gerald Sarrcini are the not so bright hoods holding Garrett. Having murdered Garrett's boss during the robbery they must decide whether to kill her as well. Several gun battles and a couple of more bodies are piled up before Carey saves the day with a just in time rescue. OK time-waster.

The window of fear

[kapelusznik18 · 6/10 · 29 June 2015]

***SPOILERS*** A pre "Leave it to Beaver" 8 year old Jerry Mathers as Petey Atlas finds himself in the middle of a murder & kidnapping when he stumbles across these three juvenile delinquents, which they were known as back in the 1950's, who after beating the owner of the house Ben Canfield, Watson Downs, to death took his mom Linda Atlas, Betty Garerett, who was there looking for a job hostage. Traumatized by what he saw Petey loses both his voice & memory of the tragic incident and is picked up, aimlessly walking down the highway, by a couple of truckers who take him to the nearest truck depot in order to both identify him and find his parents. As it turned out the cop who's in charge, or better yet took charge, in finding Petey's mom is non other that his dad Officer Tony Atlas, no relations as far as I can see to Charles, played by that handsome hunk or a man Phil Carey.

Back at the Canfield house the three juveniles lead by psycho Jess Reber, John Barrymore Jr, and his two pals the sensitive but at the same time maniacal Joey Gomaz, Gerald Sarracini, who in fact brained Mr. Canfield to death and all American looking Gil Ramsby, Cory Allen, try to make their way out with the $6,000.00 they ripped off the murdered Mr. Canfield. But with them facing the San Quentin gas chamber, for murder & kidnapping, their chances of surviving a major police as well as FBI manhunt aren't that good.

****SPOILERS**** It's the crazed jess Reber who tries to take command of the trio who's crazy actions ends up doing both Gomez & Ramsby in with them never living long enough to see the end of the movie. Gomaz ended up getting killed, by him trying to protect Mrs. Atlas, by Reber and Ramsby getting shot by the police in refusing to give himself up when surrounded by them! Reber the one who planned to go down in a blaze of glory ended up meekly giving himself up and releasing Mrs. Atlas when he saw that his goose was cooked with her husband Officer Tony Atlas pointing a gun to his head after slapping him silly! As for the "Beaver" or Petey Atlas in the end he was not only reunited with his parents, who also reunited after being divorced, but also got his voice and memory back as well.

P.S Actor Cory Allen who co-stared with James Dean in "Rebel without a Cause" had the unenviable distinction of not only having his co-star James Dean in the movie die tragically in a car accident a week before the film was released but also had his co-star here Gerlad Sarracini tragically die in trying to prevent a mugging outside a Manhattan night-club restaurant some eight months after the movie "the Shadow in the Window"-that he stared in with Sarracini-was also released!

Intriguing retread of "The Desperate Hours" already re-told in other recent films.

[mark.waltz · 6/10 · 26 September 2014]

Several years before this came out, Columbia had made an above average thriller called "The Night Holds Terror", a definite copy-cat of "The Desperate Hours" where a traveling businessman ends up giving a lift to a group of thugs who hold his family hostage, and here, it happens again, albeit with several dramatic changes. It's "All in the Family" for Philip Carey (who once played Archie Bunker's gay football player friend in a first season episode) and Betty Garrett (Archie's nemesis, Irene) who are separated due to her desire to go back to work. The opening scene has their son (Jerry Mathers, as different as Beaver as you can get!) spying his mother being thrown to the ground during a struggle with a group of thugs and the old man who has hired her for the day being killed. He runs off in a daze, is picked up by some truckers, and ends up in police custody where ironically his father is called in after another officer recognizes him. Garrett's whereabouts are a mystery to everybody who knows her, and it is only through some clever calculating that her location is discovered, hopefully in the nick of time.

While this is a very enjoyable thriller, it seems like there is a lot of padding added to make this even get to its 72 minute running time, pretty short for a movie of the late 50's. That indicates that it was a second feature, a breed slowly dying out at this time, but there is enough action to keep it moving. The problem is the variety of existential characters added, from the drunken warehouse foreman whom the truckers dumped Mathers on and his awaiting wife (not to mention his mistress), and the dead old man's niece and her husband who obviously only keep in touch with him so they'll end up in his will.

What is very interesting is how Garrett manages to manipulate the three men holding her hostage, gaining the sympathy of one of the men who knows that his partner (John Drew Barrymore, billed simply as John Barrymore Jr.) is a violent psycho. Of course, when you get the criminals arguing with each other, it is pretty obvious that they will eventually turn on each other. Carey ends up in a chase with the third thug, leading to an emotional scene with that gangster's mother and a chase on the apartment rooftop that leads to more clues but also leads to a violent finale.

This was a far different role that Broadway musical legend Betty Garrett had ever played in, having been mostly in a handful of musical films like "On the Town", "Take Me Out to the Ballgame", and most recently, "My Sister Eileen". She only has one scene with husband and son Carey and Mathers, but obviously had worked with them for family photos which Carey finds still up when he visits his former home to find some clues. "One Life to Live" fans will be delighted to see the future Asa Buchannan in this major part, a reminder that he was once one of the busiest action/western stars in films, not just a future soap patriarch. Mathers is very touching (and convincing) as the mostly quiet kid, scared into silence by the violence he's witnessed. Yet, there's no confusion that this is none other than the future Beaver Cleaver from his very first shot, wearing cowboy gear, and clicking a toy gun. This is definitely worth a look for how 1950's thrillers of all types could engross you even though they could have easily been made for the then popular genre of Anthology shows which were all over the T.V. airwaves of the 1950's and 60's.

Lots of recognizable faces

[blanche-2 · 6/10 · 22 December 2023]

What a cast - Drew Barrymore's father, Edith Bunker's neighbor, the Beave, and Asa Buchanan on One Life to Live: John Drew Barrymore, Betty Garrett, Jerry Mathers, and Phil Carey.

Garrett plays a stenographer who is working for an elderly man at his house when intruders kill him and take the stenographer hostage.

Her little boy playing outside sees the violence, goes into shock, and runs away. When finally reunited with his police detective dad, he's catatonic and can't tell them anything.

My mom loved Phil Carey, a handsome, well built actor who later had success in TV. Betty Garrett, a Broadway actress and singer, has an emotional role and does it well.

John Drew Barrymore was handsome and menacing, but I gather his role as a ruthless killer wasn't much of a stretch.

Jerry Mathers I think had two lines.

I actually kind of liked this film's tension, and the fact that you really cared about Garrett. This home invasion type film is routine but involving.

Entertaining

[paul-ayres-60784 · 6/10 · 2 April 2018]

Very predictable hostage crime drama but nonetheless entertaining.

Shouldn't Have Left it to the Beaver!

[bsmith5552 · 7/10 · 3 July 2017]

"The Shadow On the Window" was another of those tight little 80 minute film noires turned out by Columbia Pictures in the 1950s. It has a good cast and provides a lot of excitement.

A little boy, Petey (Jerry Mathers) witnesses a murder and the abuse of his mother through a window of an isolated house where the mother Linda Atlas (Betty Garrett) had gone to work as a stenographer. The crime was committed by a gang of three youths, Gil Ramsay (Corey Allen), Jess Reber (John Barrymore Jr.) and the simple minded Joey Gomez (Gerald Sarracini). Petey goes into shock and wanders aimlessly down the highway where he is picked up by a trucker and brought to the police.

The gang had broken into the home of a wealthy senior citizen to rob him. When he resisted, he was killed. The gang is unaware of the boy and thinks that his mother is bluffing. The boy's father Tony Atlas (Phil Carey) just happens to be a police detective. Together with his colleagues he begins to try and find his wife while at the same time, trying to reach his son.

At the house, the gang is deciding what to do next. Having no car they are unable to leave. They ponder over "what to do with the dame". Jess favors doing away with her, while Gil the leader, does not. Neither does the hulking Joey who threatens bodily harm to anyone who touches her.

Tony identifies the members of the gang through police work. In the meantime, Gil leaves to obtain a car but is surprised by Tony and the police. Back at the house, Jess gets a hold of the murdered man's gun and...................................................

Phil Carey was never able to achieve "A" player status in the movies. He did get the occasional lead as here, but was mostly as a supporting player in westerns and cops and robbers dramas. He did however, achieve success on TV in the soap opera "One Life to Live" for the last 30 years or so of his life. Betty Garrett had a good career in the 40s in various musicals and comedies. She was however, married to actor Larry Parks ("The Jolson Story") who was blacklisted by House on Un-American Activities Committee (HUDAC) in the early 50s. She, by association was also put on the black list for a number of years. Her casting in this film was only her second film in years. John Barrymore Jr. was the son of the famous actor who's behavior was erratic to say the least. He changed his name to John Drew Barrymore in 1968 and is the father of actress Drew Barrymore.

Also in the cast were Sam Gilman, Rusty Lane and Paul Picerni as various cops and Angela Stevens and Mort Mills as the dead man's niece and husband. Jerry Mathers of course, will be forever known as "the Beaver" in the hit television series, "Leave it to Beaver" (1957-63).

What caused little Petey's trauma?

[Coventry · 5/10 · 11 September 2017]

"The Shadow on the Window" is a rather anonymous and insignificant 50s drama/thriller, but it's engaging enough for as long as it lasts, thanks to a few interesting story ideas and a decent cast. I'm sure that director William Asher envisioned making a fantastic hostage thriller with film-noir echoes, in the vein of "The Desperate Hours" that was released two years earlier, but he eventually had to settle for a modest B-movie without spectacular action footage or Humphrey Bogarts in the cast. Little 7-year-old Petey accompanies his mother to a large and remote farmhouse. It's her first working day as a secretary for a wealthy, elderly businessman, while Petey plays outside in the garden. Unfortunately enough, three ruthless young thugs decided that today they would invade the home of the old man and rob him. Just when little Petey looks through the window, he witnesses how the man is brutally killed by the assailants. Petey promptly goes into a severe state of shock, runs off into the streets and gets picked up by friendly truck drivers. While his mother is kept hostage by unprepared but extremely dangerous criminals, Petey is reunited with his father – and police detective – Tony Atlas but he remains in shock and unable to explain what is happening to her. It's definitely a good plot for a tense and forceful "race-against-the-clock" thriller, but the screenplay nevertheless suffers from a couple of defaults and clichés. I really don't understand, for example, why the hoodlums remain in the house or why one of them has to be a sensitive one. The leader of the pack, John Drew Barrymore, tries really hard to look handsome and nihilistic, and he probably dreamed of becoming the next James Dean. The little kid who portrayed Petey, on the other hand, became quite famous thanks to his role in the TV-series "Leave it to the Beaver".

A poor man's "Desperate Hours"

[tony-70-667920 · 6/10 · 10 June 2021]

This was a bit of a departure for William Asher, best known for marrying Elizabeth Montgomery and directing TV (mainly comedies like "I Love Lucy" and "Bewitched") and some anodyne beach films with the likes of Fabian, Annette and Frankie Avalon. As others have noted, it's something of a poor man's "Desperate Hours", made two years earlier by William Wyler with a much superior cat. Instead of Bogart, March and co. We get Phil Carey as a cop and Betty Garrett as his wife, who's held hostage by three young hoodlums after witnessing the murder of a wealthy old farmer. Carey was a kind of road company Charlton Heston. Both were big, handsome, stiff and dull, and should have been knitwear models rather than actors. It's entirely appropriate that they ended up in soaps. Garrett, in her only dramatic role, is more sympathetic. Her career began in MGM musicals, culminating in the classic "On the Town" (1949.) After that the studio dumped her because he husband Larry Parks has been a Communist and fell foul of the HUAC. Columbia put her in "My Sister Eileen" and this B movie, after which she never made another film. Her strange new nose didn't help: she didn't go as far as Michael Jackson, but like him she looked much better before the plastic surgery.

John Barrymore Jr. And Corey Allen played a good few punks in the '50s. More interesting is Gerald Saraccini as the third punk, the rather slow-witted Joey (they're all pretty stupid.) Although he'd killed the farmer he had some decency, and was determined to protect the woman. I'd never heard of this actor, and now I know why. This was his only film, and he was killed the same year it was released. Other pluses are Jerry Mathers (more bearable than most American child actors) as the traumatised son of Carey and Garrett, and Paul Picerni and Mort Mills, always welcome presences.

It all plays out in a rather predictable fashion, but "Stranger" holds one's interest and doesn't outstay its welcome. There's a good print on YouTube.

B-film is a time waster that loses whatever potential it had...

[Doylenf · 5/10 · 28 May 2008]

SHADOW ON THE WINDOW starts out promisingly enough with JERRY MATHER witnessing a violent crime through a window, but then starts to sag as the police try to pry information from the dazed boy.

The male lead is detective PHILIP CAREY who gives such an indifferent performance when he learns his ex-wife is being held captive by some thugs that he fails to give the rest of the story any real sense of urgency. Nor does BETTY GARRET as the captured secretary who has to contend with three foolish young thugs, one of whom is played by JOHN BARRYMORE, JR. Unofortunately, all of the capture scenes are played with low-key intensity and suffer from a poor script.

What should have been a gripping police drama involving thugs and a victimized little boy and woman victim, is a tepid, almost amateurish attempt at suspense that produces more yawns than thrills.

Trivia note: Best performance among the thugs comes from COREY ALLEN, who played "Buzz" in the James Dean flick, REBEL WITHOUT A CAUSE. His chase scene provides the only real tense moments in the film.

Decent Suspenser

[dougdoepke · 1 April 2019]

Home invasion movies were popular during this period (1950's), maybe as a way of injecting fear into audiences from comfortably expanding suburbs. Here three young hoods invade an old man's home, kill him, while traumatizing the young son with his mother who's there as a stenographer. Unbeknownst to the hoods is that mom's the wife of a cop sergeant, so when the speechless boy is found, a police hunt is launched, led by the agonized husband father. So what will the quarreling hoods do with hostage mom as the cops close in.

It's an interesting cast with Barrymore Jr. as the murderous hood, Corey Allen from Rebel Without a Cause (1955) as the conflicted gang member, and Jerry Mathers of Leave It To Beaver (1957- 63) as the unfortunate boy. Also, probably shouldn't overlook actress Garrett as the mom, whose budding musical career was stymied by the Hollywood blacklist.

All in all, the flick's a pretty good suspenser of the sort that would soon transfer to TV, maybe The Alfred Hitchcock Hour. Barrymore makes a convincingly nasty hood, while Garrett bears up as the terrified mom, even as Mathers manages a frozen face as the traumatized boy. In fact, I wouldn't be surprised his performance helped get him the defining Beaver role. There're also some good action sequences like the chase over rooftops that help pick up the indoor menace scenes. Also, battling among the three hoods offers interesting personality clashes, especially the woman-protecting Joey. Is he really stupid or just quietly enigmatic. On the whole, however, the 76-minutes is nothing special, but should keep watchers entertained as the crime drama plays out in fairly suspenseful fashion.

A crime that falls apart.

[michaelRokeefe · 7/10 · 23 June 2015]

Interesting crime drama from Columbia Pictures that stars John Drew Barrymore as Jess, a psychotic criminally minded teenager that leads two of his friends, Gil(Corey Allen)and Joey(Gerald Sarracini)into a not-so-well planned robbery. The trio force their way into and kill a well-to-do homeowner after robbing him. There are immediate problems right off the bat. Witnesses...a secretary, Linda Atlas(Betty Garrett)and her son Petey(Jerry Mathers). The young boy manages to escape the house and is mute after witnessing the shocking events. Linda's husband happens to be Detective Sgt. Tony Atlas(Phillip Carey);and he is a determined cop with the safety of his family on the line.

Garrett actually shows the better acting. Although Barrymore is pretty flawless as a psycho teen. Carey is diligent and stoic. Rounding out the cast: Paul Picerni, Rusty Lane and Sam Gilman. William Asher directs.

The Shadow on the Window

[CinemaSerf · 6/10 · 11 January 2024]

When three young hoodlums rob a remote farmhouse, they end up killing the owner and having to take his secretary hostage. Luckily, her young son "Petey" (Jerry Mathers) escapes and turns up, shell-shocked, before his policeman father "Atlas" (Philip Carey) unable to speak! Now the thing is, the parents are estranged and the cop has no idea as to where his son has been, nor where his estranged wife "Linda" (Betty Garrett) actually is. We know that she is the hostage, and as the kids holding her get more and more paranoid, and liquored up, we can sense the increasing danger she is in all whilst the police try to track her down - completely ignorant of her predicament. Can they find her in time? At times it is quite a well paced little thriller with the pressures mounting menacingly at the house as the resolve of the young men starts to falter. Sadly, though, the quality of the acting lets this down quite badly. Carey is just going through the motions and though Garrett does try to exude a sense of fear as the trapped stenographer, serendipity just takes too an implausible an hand in the closing stages of this drama and it all rather (tragically) fizzles out.

Mostly a Drag

[recluse2 · 4/10 · 15 January 2019]

When it started out it seemed like it could be decent watching. It became tedious and boring because the three robbers/kidnappers were incredibly stupid. Made me uninterested in movie. The acting, overall, is below par. There is nothing much to recommend this movie.

Very claustrophobic Columbia crime drama

[AlsExGal · 5/10 · 28 February 2021]

I'd actually call this one a 5.5. Pete Atlas (Jerry Mathers) is playing in the yard of a house where his mother is working. He looks inside through a window and sees three young hoods fighting with the old man who lives there and sees them ultimately kill him in that fight which is part of a robbery in progress. The hoods don't know about or see the boy. Pete is traumatized by what he sees and starts wandering down the highway where he is picked up by two truckers who can see he is in shock, worry about him just walking down the middle of a busy highway, and take him to the local police department, and are then on their way.

It so happens that Pete's dad, Tony Atlas (Philip Carey) is a detective at that police department, and wonders what has happened to his son, who refuses to speak. Because Tony and his wife Linda have been separated for eight weeks, he knows that Linda has been working part time as a stenographer, but has no idea where. And the truckers that picked up the boy and could tell him the location are long gone.

Meanwhile, back at the house where the hoods robbed and killed the old man, they are pondering what to do with Linda, the witness they were not expecting to the murder they were not expecting. Jess (John Drew Barrymore) is the cold blooded one who outright says the only thing to do is kill her. The second mainly wants to save himself, and the third has a moral core and just does not want to kill but is afraid of Jess. So this is the very claustrophobic at times hard to watch part of the film where Jess is shocked! shocked I say! that Linda does not want to get romantic with somebody who sees her as a future murder victim.

Meanwhile, outside the house, the entire department - led by Pete's dad - is trying to figure out where Linda is. The police procedural part is a welcome diversion from what is going on in the house with the hoods. Barrymore sure looks the part of an amoral killer. In fact he played several of them. He just doesn't really have the acting chops for the job. Jerry Mathers doesn't get a chance to do much with this role, the same year he will leap to stardom in "Leave it to Beaver".

The standout here is Betty Garrett as the witness/hostage to the three hoods. Mainly known at that time as the comic relief in the MGM musicals of the late 40s and early 50s, she shows she can really hold her own in a drama as she tries to talk the hoods out of doing away with her, as she hopes time is on her side.

Shadow in the window

[searchanddestroy-1 · 21 May 2023]

The least we can say is that director Bill Asher had a very strange career, at least for the big screen movie industry, before he went to TV stuff. He offered us only Bikini, Beach beefcake craps and between that, or besides that, he made two outstanding crime flicks: the unforgettable JOHNNY COOL and this pretty good one, some kind of a poor man's DESPERATE HOURS or Andrew Stone's CRY TERROR and NIGHT HOLDS TERROR. Same kind of atmosphere, more or less juvenile hoodlums invading private good common American home, involving then common American families. Not high scale crime ring, with big boss and their henchmen....it is short, sharp, taut, very well done but unfortunately predictable.