Three teenagers, led by psychopathic Jess Reber, break into an isolated farmhouse and murder its prosperous owner whose secretary, Linda Atlas, witnesses the crime. The three thugs decide ...
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On a dark night of pelting rain, five men stage a well-planned train robbery and get away with a $10 millionr, nine-ton gold shipment. Dividing the massive haul into three concealed truck ... See full summary »
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
When a reporter claims that New York police are on the take letting the mob run its horse parlors at will, a shocked District Attorney Michael Norris decide to do something about it. Not ... See full summary »
A well-known judge has become a fugitive from the police, with a large reward on his head. A reporter believes that the judge is hiding in a private sanitarium, so she seeks out a private ... See full summary »
Three teenagers, led by psychopathic Jess Reber, break into an isolated farmhouse and murder its prosperous owner whose secretary, Linda Atlas, witnesses the crime. The three thugs decide to hold her hostage. Detective Tony Atlas, perplexed by the sudden disappearance of Betty, his estranged wife, tries desperately to locate her. Written by
Les Adams <email@example.com>
Starring Jerry Mathers as the shell-shocked child who witnesses an assault on his mother, Shadow On the Window is a decent 'B' film with a solid cast and a decent script. Jerry's dad, a police officer, is played stoically by Phil Carey and mom is Betty Garrett, decent as a woman under constant threat from three stereotypical teen bad boys. One of the boys is played by Corey Allen, who revisited the role in the similarly themed Key Witness (1960), and the others are John Drew Barrymore--apparently channeling the spirit of an evil Dobie Gillis--and lovable lunk Gerald Sarracini. Beach Party director William Asher displayed his serious side here, and cinematographer Kit Carson got some nice set-ups during the climactic chase scene across roof tops and through subway tunnels. I'd love to know where this was filmed--perhaps somewhere in the Imperial Valley of California?
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