Decision Against Time (1957)
The Man in the Sky (original title)Reference View | Change View
- 1h 27min
- Drama, Thriller
- 12 Jul 1957 (USA)
- Movie
- Nominated for 1 BAFTA Film Award.
- See more »
Photos and Videos
Cast verified as complete
Jack Hawkins | ... |
John Mitchell
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Elizabeth Sellars | ... |
Mary Mitchell
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Jeremy Bodkin | ... |
Nicholas Mitchell
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Gerard Lohan | ... |
Philip Mitchell
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Walter Fitzgerald | ... |
Conway
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John Stratton | ... |
Peter Hook
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Eddie Byrne | ... |
Ashmore
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Victor Maddern | ... |
Joe Biggs
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Lionel Jeffries | ... |
Keith
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Donald Pleasence | ... |
Crabtree
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Catherine Lacey | ... |
Mary's Mother
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Megs Jenkins | ... |
Mrs. Snowden
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Ernest Clark | ... |
Maine
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Raymond Francis | ... |
Jenkins
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Russell Waters | ... |
Sim
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Howard Marion-Crawford | ... |
Ingrams
(as Howard Marion Crawford)
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Esme Easterbrook | ... |
Launderette Assistant
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Ann Johnson | ... |
Cyclist
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Anne Dobson | ... |
Cyclist
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Janet Davis | ... |
Cyclist
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Jennifer Cuff | ... |
Cyclist
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John Baddeley | ... |
Cyclist
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Tom Elwell | ... |
Cyclist
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S.K. Andrews | ... |
Cyclist
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Derek Butler | ... |
Station Fire Officer
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Gerry Cuff | ... |
Hollingsworth
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Reginald Slater | ... |
Ambulance Man
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Rest of cast listed alphabetically: | |||
Glynn Davies | ... |
Cyclist (uncredited)
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Mary Mackenzie | ... |
Betty Harris (uncredited)
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Directed by
Charles Crichton |
Written by
William Rose | ... | (an original story by) |
William Rose | ... | (screenplay) and |
John Eldridge | ... | (screenplay) |
Produced by
Michael Balcon | ... | producer |
Seth Holt | ... | associate producer |
Music by
Gerard Schurmann | ... | (as Gerbrand Schürmann) |
Cinematography by
Douglas Slocombe | ... | director of photography |
Editing by
Peter Tanner |
Editorial Department
Harry Aldous | ... | assembly cutter (uncredited) |
Robin Clarke | ... | first assistant editor (uncredited) |
Art Direction by
Jim Morahan |
Makeup Department
Harry Frampton | ... | makeup artist |
Production Management
Hal Mason | ... | production supervisor |
Norman Priggen | ... | unit production manager |
Second Unit Director or Assistant Director
Tom Pevsner | ... | assistant director |
Michael Birkett | ... | second assistant director (uncredited) |
John Meadows | ... | second assistant director (uncredited) |
Ron Purdie | ... | third assistant director (uncredited) |
Art Department
Kenneth McCallum Tait | ... | draughtsman (uncredited) |
Alan Withy | ... | assistant art director (uncredited) |
Sound Department
Stephen Dalby | ... | sound supervisor |
Norman King | ... | recordist |
Alastair McIntyre | ... | sound editor |
J.B. Smith | ... | recordist |
John Bramall | ... | dubbing crew (uncredited) |
W. Carr | ... | dubbing crew (uncredited) |
Cyril T.R. Jones | ... | dubbing crew (uncredited) |
Eric Stockl | ... | sound camera operator (uncredited) |
Cyril Swern | ... | boom operator (uncredited) |
Camera and Electrical Department
Chic Waterson | ... | camera operator |
Gordon Dines | ... | director of photography: second unit (uncredited) |
Roy Gough | ... | still photographer (uncredited) |
Michael Sarafian | ... | clapper loader (uncredited) |
Herbert Smith | ... | focus puller (uncredited) |
Hugh Wilson | ... | camera operator: second unit (uncredited) |
Music Department
Dock Mathieson | ... | conductor |
Script and Continuity Department
Jean Graham | ... | continuity |
Lee Turner | ... | assistant continuity (uncredited) |
Additional Crew
Eric Swiss | ... | technical adviser |
Daphne Paice | ... | production secretary (uncredited) |
John Jack Lewis Worrow | ... | publicity director (uncredited) |
Production Companies
Distributors
- Metro-Goldwyn-Mayer (MGM) (1957) (United Kingdom) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1957) (United States) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1957) (Canada) (theatrical)
- Metro-Goldwyn-Mayer (1958) (Australia) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1958) (West Germany) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1958) (Norway) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1958) (Sweden) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1958) (France) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1960) (Finland) (theatrical)
Special Effects
Other Companies
- Ealing Studios (logo)
- Sinfonia of London (music played by)
Storyline
Plot Summary |
The efforts of test pilot John Mitchell to make a better life for his wife Mary and their two children seem doomed to failure and he blames himself. At the Conway Aero-Manufacturing Company of Wolverhampton, Mitchell is to take the company's new rocket-propulsion transport plane up for tests, fully loaded and carrying two important passengers - Ministry official Crabtree and buyer's representative Ashmore. Mitchell learns from his boss, Reg Conway, that if Ashmore does not recommend the plane, the company will be out of business and Mitchell out of a job, since the plane is not even insured as the firm's entire capital is tied up in the plane. Aloft, an engine catches fire and the passengers and other crew bail out, but Mitchell refuses to obey orders to jettison the plane in the Irish Sea.
Written by Les Adams |
Plot Keywords | |
Taglines | A PILOT'S DECISION! (original print ad for U.S. release "Decision Against Time" - all caps) See more » |
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Parents Guide | View content advisory » |
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Box Office
Budget | $486,000 (estimated) |
Did You Know?
Trivia | Although the flying scenes were filmed at Wolverhampton, practice for the single-engine landing was carried out at Lydd Ferryfield in Kent (now London Ashford Airport). Filming was not without problems and on 15 May 1956 the aircraft overshot the runway, causing quite extensive damage to the nose and wing sections. See more » |
Goofs | The cockpit scenes show the port engine propeller slowly turning. The outside scenes show the propeller in a stationary position. See more » |
Movie Connections | Referenced in The Alpine Holiday (1957). See more » |
Quotes |
[John Mitchell has successfully landed the stricken plane that he was test-flying, despite being urged by senior management to abandon the plane and save himself by bailing out]
Mary Mitchell: You didn't *have* to do it. They didn't *want* you to do it. They even begged you not to *try* to do it, and *still* you did it. Why? What in heaven's name were you thinking about? Didn't you give a single thought to what it would mean to us if you were killed? Didn't you *care* whether you were killed? Were you trying to kill yourself? [Mary runs out of the room and John follows her] John Mitchell: For thirty-five minutes. For thirty-five bloody minutes I sat up there thinking of *nothing* but you and the boys, and saving my own skin so that I could go *on* having you and the boys. How *dare* you say a thing like that to me! Now listen to this. I admit it was stupid to try to pretend it wasn't bad. In fact I'll tell you how bad it was. It was the worst thing I've ever known. I've never wanted anything so much in this life as I wanted to get out of that aircraft. For the last ten minutes I thought that the chances were a hundred-to-one against pulling it off. The instant I touched down, I felt only one thing: surprised at being alive. You asked me if I thought of you and the boys. I only *did* it for you and the boys. Now listen to this. Let's get this clear. There were plenty of reasons for me to stay with that aircraft - good reasons. It was my duty to try that landing so long as there was a chance in a hundred. I don't give a *damn* what any other man would have done. It was a question of loyalty, of loyalty to Reg, the company and a hundred and twenty other people who've built the aircraft. And I didn't stay with it for those reasons. Not for *any* of those reasons. I stayed with it because the alternative was to come home and tell you I'd got into trouble in the air today so I'd abandoned the aircraft, and the company's out of business. Is *that* what you would have had me do? Well that would have been the end. I should have spent the rest of my life never quite looking you or the boys in the face again - or myself, that that matter. A man who quit when there was still a chance - that's what I would have been. And that's what you and the boys would have had. If I had been killed, it would have been better for the three of you than if I'd bailed-out and quit. Can't you understand that? The man who said "better a live coward than a dead hero" *was* a live coward. Can't you understand that? See more » |